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________________ Dance Hamsapaksa In it, the three fingers, beginning with the forefinger of patāka, are slightly bent at the roots. Khaủakāmukha In it, the ring finger and the little finger of the kapittha pose are thrown upwards, separated and bent. Poses of the Samyukta (combined) hands Kapota In it, the two hands are joined at their bases, tips and sides. Svastika In it, the two hands, with one wrist placed over the other, face upwards at the left side of the body. Dolu In it, the two hands in the Patāka, pose hang down with relaxed shoulders and loose fingers. Makara In it, the hands, in the form of Patāka, face downwards and are placed one upon another, with the thumbs stretched upwards. The above poses of the hand are to be used in Abhinaya. The following are some of the poses employed in Nịtta (dance). Caturaśra In it, two Khaļakāmukha hands, in the same level with elbows and shoulders, face forward in front of the chest at à distance of eight inches from it. Svastika It takes place when there is Svastika with two Hamsapaksa hands not touching each other. Jain Education International For Private & Personal Use Only www.jainelibrary.org
SR No.001535
Book TitleFundamental of Ancient Indian Music and Dance
Original Sutra AuthorN/A
AuthorSureshchandra Benarji
PublisherL D Indology Ahmedabad
Publication Year1976
Total Pages130
LanguageEnglish
ClassificationBook_English, Art, & Music
File Size7 MB
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