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Sarvarthasiddhi
It becomes clear. However, it seems necessary to shed light on some highly useful topics; because in the end, we have to see what the sequence of their composition is. To elucidate this chapter in particular, we will first speculate on similar passages and then touch upon those passages that shed light on their precedence; because first, we have to show that the position of these two texts is such that one is written by keeping the other in front, and finally, it is to be considered in which one the tendency of following is accepted. First, take the first sutra of the first chapter itself. In Sarvarthasiddhi, this sentence occurs:
"We will explain in detail the nature, characteristics, and regulations of these (topics) from the beginning." This very sentence is elucidated in Tattvartha Bhashya with some changes in words.
"We will explain in detail the characteristics and regulations of that (topic) from the beginning." Further, this similarity is seen till the end. For example - Sarvarthasiddhi
"Tattvartha Bhashya and the Tattvartha to be described, starting from jiva, etc. 1.2. The tattvas, starting from jiva, etc. will be described."
121 The characteristic of manifestation of equanimity, detachment, compassion, and faith.
Thus, the first (characteristic) is the manifestation of equanimity, detachment, compassion, and faith.
12. The characteristic of Tattvartha-shraddha (right faith in the categories of existence) is samyag-darshana (right perception). 1.21 It is said that Tattvartha-shraddha is samyag-darshana. Tattvartha-shraddha is said to be samyag-darshana. Now, what is the tattva? To this, Utsanika 1,41 says: "There, what is the tattva?" To this, it is said: Utsanika.
1,41 That is, the jiva (living being) is of four kinds: nama-jiva (nominal living being), sthapana-jiva (established living being), dravya-jiva (substantial living being), and bhava-jiva (psychical living being).
151 He who is established in wood, books, paintings, arts, and deposits, is the sthapana-jiva (established living being).
1,51 The one who is established as a jiva is the sthapana-jiva.
151 What is the special feature here? It is due to the specific speaker. What is the specific feature? Here, it is said that there are three speakers: the omniscient Tirthankara, or the learned scholar.
The specific speakers are indeed determined. That is, by the omniscient supreme sages, the supreme auspicious, the unique absolute knowledge, the specific meaning, and the scriptural establishment, the Tirthankara name-karma is designated. Due to its direct perception and the elimination of flaws, it is said by the excellent disciples that the supreme excellence of speech and authority is possessed by him. That which is entered into the group of the excellent disciples, endowed with the excellence of intellect, is the one established in the limbs. The composition of scriptures by the Shruta-kevalins (omniscient by scriptures) immediately after the Ganadhara is the characteristic of the limb. However, the supreme refined scriptural authority is the measure, due to its authority. The Acarya (teacher) is again the one who, for the benefit of the disciples with limited strength and short lifespan due to the defect of time, has briefly expounded what was taught by the Ganadhara for the grace of the disciples with limited strength and short lifespan.
1,20. Here, we have cited only a few examples to clarify this topic. Further, we need to touch upon those passages that help to clarify the precedence of Sarvarthasiddhi and Tattvartha Bhashya.
Pandit Sukhlalji Sanghavi, in his work "Prajnacaksu", has considered the question of which of Sarvarthasiddhi and Tattvartha Bhashya was written first, and has shed light on this topic through three sub-topics: difference in style, development of meaning, and sectarian affiliation. Based on these grounds, he has attempted to establish Tattvartha Bhashya as the earlier work.
According to Pandit Sukhlalji, let us assume that the style of Sarvarthasiddhi is more developed and more thoroughly studied compared to the style of Tattvartha Bhashya. It is also assumed that there are clear signs of semantic development in Sarvarthasiddhi from the perspective of grammar. However, the attempt to declare Tattvartha Bhashya as the earlier work and Sarvarthasiddhi as the later work based on these grounds does not appear to be justified. Acharya Pujya