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P. 300. A. 5. S. 3.) 168
गं हे etc. rhymes with भङ्गहेतुरगानाम् । Here ar rhymes with otr. In 448 समरंहसम् rhymes with समरं हसन् i. e. — with म्.
In 449 अजायथाः ends with विसर्ग and यूथादजा यथा has no विसर्ग still they rhyme, for as हेमचन्द्र says above " विसर्जनीयस्य pratiqutsia a facta:"-as is illustrated above in 449.
The letters in A must come in order-exact order of words, no inverse order would do. The words सरोरसः, therefore, do not make any यमक...
Similarly sau does not rhyme with sora; and #9 with प्रथम and रणवा with वारण do not rhyme for the order of words is inverse.
This game is found in one foot rhyming with another and even in one part of a foot rhyming with another part of the same foot. All possible varieties of these #s are given by ATO in the paragraph following the sutra ( 107 ). Almost every variety is illustrated and annotated below by हेमचन्द्र.
In 25 year afira garch ( 451 ) one part of a foot Thymes with another part. . . आरं चक्रम् i. e. the troops of enemies. हता means broken-hearted...
On account of your sword etc. your enemy's wife wept.
Again in 452 the first foot rhymes with the third foot. EUT: sgá afaniaa fa 29: fal
. In the verse 454 the first two feet rhyme with the last two.
Thus from the verse 455 to 462 all the important varieties of 4* have been illustrated.
: Some of the varieties not illustrated by A9 in the text have been illustrated by him in the commentary,
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