________________
P. 128. A. 2. S. 19.)
96
disappearance of a feeling (in a prominent way of course ). This is illustrated in 119:
“When he ( the lover ) was seen, her anger began to contract like her eyes; when he stood near her, her anger bent down like her face; when he touched her, her anger came out like her horripilation; when he began to talk to her, her anger began to slip off like the knot of her garment; and when he fell at her feet, her anger entirely vanished as if it got ashamed (to stay there any longer )!
Two feelings prominently coming in conjuction with each other give rise to भावसंधि.
The instance of Hadife is given in verse 120:
Rama felt, on the one hand, a genuine pleasure at the arrival of UTA, and on the other, an intense joy at the embrace of सीता.
Two feelings coming side by side give rise to भावसंधि. But in भावशबलता diverse feelings come and go in quick succession and render the poem very beautiful, as in the verse 121 where a king ( gacar ) happening to see a beautiful lady falls in love with her and is swayed by diverse feelings thus:--
Is it becoming my noble family to do this ? ( fage }; can I see her again ? ( Bulga ); of what avail is my learning if it does not control my feelings ( afa); Oh for the face, beautiful even in anger! ( FATOT); alas ! what would the wise say ? (271); Oh ! she is not easy to obtain (974); compose thyself, my heart! ( ala ) what blessed youth will get her ? (farar),
व्यभिचारिभावs are so called because they help the development of Efaias by their presence or rather their movements (fafad Bfacta para shfaqiftot:)
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