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93
(P. 123. A. 2. S. 17.
prominent feature of शान्तरस is a quiet mind. In जुगुप्सा there is some sort of excitement of mind due to the sense of repugnance. If this excitement persists it will mar Trata. Again if it is said that TaT might be included under attra, the suggestion is untenable; for there is a marked difference between ett and tima. In gate, with all its lofty character, a sense of just pride is there, while in izata there is a total absence of pride or egotism. If even in spite of this difference the two sentiments are mixed together, at and to also shall have to be regarded as one.
Now if the hero in that is depicted as possessing such a lefty character that he is entirely free from every sort of pride or egotism and is full of quietude, we shall say that he no longer remains a hero in (i. e. 807 ), but becomes a type of race.
Tate must be regarded, therefore, as an independent रस.
The etymology of 2719 as given by A7, is as follows :-( FARFALO 31144271414a1f212afa 3118ardi gara ) In everyday life these feelings can not be enjoyed with pleasure by others; but here in the domain of poetry these feelings offer themselves as objects of enjoyment, ( fara araafia--811Fala gafa ) or rather they pervade the mind of the audience (व्याप्नुवन्ति सामाजिकानां मनः) and therefore they are called भावाः (both स्थायिभाव and ofarfala have the same etymology ).
Felfaras are so called because they are inborn feelings in every human heart. Every human heart has a desire for pleasure. Every man some time or other regards himself superior to others and laughs at them. He has his moments of anger, sorrow, lofty thoughts,
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