Jain Journal 1985 01

Author(s): Jain Bhawan Publication
Publisher: Jain Bhawan Publication
Catalog link: https://jainqq.org/explore/520077/1

Page #1
VOL XIX JANUARY 1985 A QUARTERLY JAINOLOGY ON No. 3

Page #2
Contents The Concept of Vibhajjavada and Its Impact on Philosophical and Religious Tolerance in Buddhism and Jainism 61 Sagarmal Jain Did Halley's Comet Appeared on the Night of Mahavira's Nirvana? 66 P. C. Chopra An Obsolete Heretical Sect: Early History and Distribution in Eastern India 75 Pranabananda Jash A Caturvimsati-patta Metal Image from Bhagalpur 84 Ajoy Kumar Sinha Dr. Jacobi and Vasicandanakappo 86 Muni Mahendra Kumar Dvitiya' Plates Mrs. Indira Gandhi releasing Abhidhan Rajendra Kosa 61 Cauvisi, Svetambar Jain Temple 85 Campanagar, Bhagalpur

Page #3
Did Halley's Comet Appeared on the Night of Mahavira's Nirvana ? P. C. CHOPRA "When beggers die there are no comets seen The Heaven blazes forth on the death of prince." The poet laureate William Shakespeare used this adage in his famous work Julius Ceaser. Such adages or sayings come into vogue as a result of long drawn experience of a particular civilisation or civilisations lasting over hundreds of years. This famous saying proved correct at least in one case as far as my knowledge goes. A comet of unprecedented brilliance did appear in the night in which Lord Mahavira achieved salvation or nirvana. This happened on the night of Kartik Krsna Amavasya 526 B.C., when the moonless night was brilliantly lit by a comet. This led to the practice of celebrating Dipayall--the festival of light-on that particular night. The celebration did continue in one form or other till this day, but the historical event behind the idea was altogether forgotten and no one remembers it any more. In olden days particularly in India the unsolved mysteries of nature were accepted as acts of gods and the Jain scripture was no exception to this. This type of mysterious events when they are directly or indirectly connected with some great personalities find very ornamental and exaggerated description in the religious books giving entire credit to the person but not to the event. Ultimately the event is lost in the annals of the history. Exactly this had happened to the comet which appeared on the eventful night of Kartik Krsna Amavasya of 526 B.C. The only reference we find in this connection is in Kalpa Sutra and Bank Culia, the celebrated Jaina Agams. The version of Kalpa Sutra is as follows: On the night Lord Mahavira was to achieve nirvana a comet Bhasma Rasi Graha would appear on his birth nak satra. This would prove very ominous for his religion for a period of full two thousand years. At the end of 1990 years after the nirvana another comet-dhumketu would come on his birth naksatra which would also cast bad effect on his religion for another 333 years. Only after the expiry of this

Page #4
JANUARY, 1985 07 period (combined) i.e. 2323 years, Jainism and its followers would again come into lime light. The another story referring to this event appeared in the Treatise on Kalpa Sutra which is as under : Indra, the king of Gods, foresighting this event rushed to Lord Mahavira on that night and humbly prayed to him that a comet Bhasma Rasi Graha with very ominous effect would be appearing on his birth nakstra at the time of his nirvana. To forestall the bad effect of the comet he prayed to Lord Mahavira to delay or to hasten a bit his departure. To this Lord Mahavira answered that though the Tirthankara are all powerful (omnipotent) they have no control over their death. The version in Bank Culia, composed by Yasobhadra Svami, was more or less the same as we have seen in Kalpa Sutra. Thereafter in the interval of more than 2000 years we do not find any mention of this historical event in any of the Jaina literature. While the Jaina scholars of mediaeval times (monks and others) had left no subject untouched one wonders how did this important event escaped their notice. And it is equally regretable to note that none of the modern scholars has yet focussed their attention to this. The reference in Kalpa Sutra and Bank Culia clearly depicts that a comet called Bhasma Rasi Graha appeared on the night of Lord Mahavira's nirvana. What effect did it cast on his religion is purely a subject matter of Astrology. But our main and foremost object in this article is to find whether any comet as depicted earlier appeared on that celebrated night and if it did what was the nature of that comet. What are the comets : The comets are also the members of our solar family, like the sun, planets and their satellites. The planets and their satellites of our solar system are very well known to us and with the advancement of modern science and invention of sophisticated scientific instruments our knowledge about them is far more complete. Their sizes, composition, the orbits they revolve, even their day to day position in the sky are very exactly known to us, yet our knowledge about the other members of the solar family viz. comets is not so complete. The comets travel in very elongated paths (not circular as of planets) round the sun. The orbital period of the comets

Page #5
68 JAIN JOURNAL around the sun are, though fixed which ranges from a few years to hun s of years, yet very little is known about most of them. The scientists all over the world with the help of powerful telescopes and other instruments have been able to chart some 700 comets so far. The list mainly includes small comets. Some of them appear to be newly formed, while many old comets had disappeared or ceased to exist. This leads to the hypothesis that new comets are being created even this day in some unknown corner of the solar system. It is supposed that some part of the dust cloud which gave birth to our sun and planets billions of years ago still exists in its original form and revolves round the sun beyond the orbit of the remotest planet of the sun. Sometimes, due to some mysterious and unknown phenomenon, may be due to gravitational pull of the sun and planets, the dust cloud parts with some of its mass, which when comes nearer to the planetary system, takes the form of a comet and begins orbiting round the sun. The comets generally have nucleus and a tail. The nucleus is made f solidified matter while the tail is purely composed of rarified gases. The tails of some of the comets extend to millions of kilometres. The comet with its nucleus and long tail appears like a brilliant star when it approches its perihelion (the nearest point to the sun). At this time the tail of the comet is pushed further from the sun due to solar energy. Halley's comet : Among the comets we know more intimately, one is the Halley's comet. This comet was first discovered by Sir Edmund Halley in the year 1682 A.D. He took fancy of it and worked on it with zeal and enthusiasm. After prolonged study (during which he had opportunity to consult world famous scientist Sir Iazac Newton) he discovered that this comet was orbitting round the sun in every 76.1 year's period. Accordingly he predicted its next arrival in the year 1758. He also established by calculation that the comet which appeared in the year 1456, 1531, and 1608 was none else, than this very one. As per his prediction the comet did appear in the year 1758 and his discovery was universally acknowledged after his death. The comet was named after its discoverer as Halley's comet. This particular comet is orbitting in an elongated orbit. Its remotest point (aphelion) is situated between the orbit of Pluto and Naptune some 496 crore kilometres away from the sun. When it comes near to the sun it passes between the sun and the orbit of the earth. At this time which comes every 76 years, it appears like a very bright star in the western sky after sun set or in the eastern sky before the sun rise when viewed from the earth. The sight is undoubtedly memorable one for those who study it

Page #6
JANUARY, 1985 but for the general public it is a foreteller of calamity, war, epidemic and death of prominent persons. This myth is equally shared by east and west even to this date. The ancient philosopher Plinny described a comet as of a particularly frightful body which could not be easily stoned. The people looked upon these occasional visitors to our sky with awe and wonder. Pope Calixtus III in the 15th Century ordered general prayer seeking deliverance from the comet. It was generally regarded as precursor of momentous events like war, invasion, death of prominent persons etc. m Shakespeare rightly referred to this popular superstition in queen Calphurria's comment. About comets Swift remarked 'old men and comets have been reverred for the same reason, their long beards and pretances to forestall event's.' In the east it is depicted as Bhasma Graha-one who brings destruction or disaster or dhumketu--one with mysterious tail of smoke. The pandits of Astrology are always ready to predict ominous effects of such events. In this context the prediction of Kalpa Sutra undoubtedly testified to the appearance of a comet of unprecedented brilliance which was acclaimed to be evil enough to cast bad effect for two millennium. Talking about the Halley's comet, it last appeared in January 1910 and according to calculation it is to appear again in the year 1986 when it will come nearest to the sun and will be seen for some two-three hours after the sun set in the western sky or before the sun rise in the eastern sky. The American and Russian scientists have confirmed with the aid of gigantic telescopes that the Halley's comet is on its way and it is approaching the sun as per schedule. It is still thousands of millions of kilometers away from the earth, but its schedule is very precisely foracast. Very elaborate arrangements are being made for its thorough study all the world over. America, Russia, Japan and France are among the pioneers in this field. They propose to conduct some crucial experiments on it with the help of satellites and rockets. They hope to get the inside story of the origin of the solar system from these experiments. The Halley's comet appears regularly after every 76.1 years. How many visits it had already completed is not exactly known. To the scientific world it had certainly completed 29 visits and will be appearing for the thirteenth time in 1986. Though its existence even before 240 B.C. is quite evident from unconfirmed sources, it still requires historical evidence to support this claim and here in this article we are able to establish with concrete proof its existence upto 526 B.C.

Page #7
70 For the known history of the last 2500 years if we prepare a chart of the appearance of Halley's comet (according to calculations) it would be as under : S. No. Years as per calculation 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. LARREL L L S L 2 2 2 2 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 1986 February (to be) 1910 January 1833 1757 1681 1605 1529 1453 Pope Calixtus III 1377 1301 1225 1149 1072 996 920 844 768 692 616 540 464 388 311 235 159 83 7 69 B.C. Julius Ceaser's time 145 221 297 373 450 526 "" "" "" "" 99 "" Sighting confirmed in history 1910 1833 1758 1682 1607 1531 1456 JAIN JOURNAL 1301 240 B.C. (Plinny's age) 526 November. The year of Mahavira Nirvana

Page #8
JANUARY, 1985 71 The time of Halley's comet approaching its perihelien (nearest point to the sun) as arrived from calculation and shown in the chart is likely to differ from the time of its sighting from the earth. The reasons for the time lag are as under : 1. The earth itself rotates round the sun ; 2. The earth and the comet do not travel in the same plane; 3. The direction of the rotation of the comet is opposite to that of the earth; 4. The gravitational pull of some of the heavier planets would have affected the rotational period of the comet. Yet the difference or time lag as stated above is not more than a few months only. As such it can be said with sufficient degree of certitude that the comet which appeared in the night of November 526 B.C. was none else than the well-known Halley's comet. What is Bhasma Rasi Graha : This comet has been named as Bhasma Rasi Graha in Jaina literature. Bhasma Rasi Graha is purely a Jaina mythological term and its reference is no where found even in the contemporary literature. The Jaina mythology enumerates 88 grahas or planets and each graha is taken as double. The names of 88 grahas are found in Thananga, Tiloyapannatti and Suryapannatti. Besides, the familiar names of Mars, Mercury, Jupiter, Venus and Saturn the other names in the list are quite unfamiliar to the modern age. Moreover, the lists in the above three Agamas do not concur exactly. The names of Bhasma Rasi Graha and Bhasma Graha only appear in the list forming part of the Thananga while other Sutras give different names in their places. The name of dhumketu also appear in all the three lists. The probable reason for the different names in three Agamas : The inquisitiveness in human mind urged him since the inception to look into the night sky and study the stars round him. From his prolonged study and watching he could differentiate the innumerable stars into two categories. Stars which have no relative motion and stars which have relative motions. The first category is termed as naksatras while the latter

Page #9
72 JAIN JOURNAL was defined as grahas. The grahas of olden times most probably includes planets, satellites and comets. The sun and moon were considered king of stars. It is very likely that besides the five familiar grahas as stated earlier the rest of the list comprised of heavenly bodies belonging to the class of comets. The appearance of comets being rare phenomenons (not appearing regularly as other known grahas or planets) parallel studies in different places and at different times would have been carried out which resulted in different nomenclature. This is why different lists found their places in three Agamas which were composed at different times. Thananga being the oldest of the three and was composed not long after Lord Mahavira's nirvana, certainly reflects the contemporary public opinion and therefore the name of Bhasma Rasi Graha rightly found its reference in Kalpa Sutra. Whatever be the name it is a fact that a comet appeared in the night of Lord Mahavira's nirvana and it was none other than Halley's comet. Further more, if we probe deep into the subject, we find the short script of Kalpa Sutra not only depicts the date of the appearance of the comet (Bhasma Rasi Graha) it precisely indicates the time of its sighting. The comet as per the original version of the Kalpa Sutra appeared at the birth naksatra of Lord Mahavira. It is well-known among the followers of Mahavira that the birth naksatra of Mahavira was Uttara Phalguni in the Zodic Constellation of Virgo (Kanya Rasi). From the same sources it is known that on the night of nirvana the moon was in Svati nak satra in the constellation of Libra (Tula Rasi). The day being Amavasya-the moonless night-the sun and the moon were in the same nak satra i.e. Svati. From these datas it is easy to calculate that the Uttara Phalghuni nak satra appeared on the eastern horizon just two hours before the sun rise and simultaneously the comet appeared with it, (this comet travels in opposite direction to the direction of the earth's revolution), and precisely this should have been the time of nirvana. It is more so because otherwise the Indra's prayer to Lord Mahavira to hasten a bit or to delay his departure (nirvana) would lose all significance. While explaining paccusa-kala samyamsi of Kalpa Sutra its commentary Subodhika states that Mahavira entered nirvana 4 hours before dawn (caturghatika va sesayam ratrayam). But Agama Samavayanga states that it held at the end of the night (antimarayamsi). This concurs exactly with the time we have arrived at by scientific and mathematical calculation i.e., 11 hours before the sunrise. A sketch diagram given below will be able to show the position of different naksatras on that night and the sun, moon and the comet.

Page #10
JANUARY, 1985 Asvini 6 P.M. Mrgasira 10 P.M. Orion Adra 12 A.M. America Earth India OA.M. Pusya Moon 6A M. 5 A.M. Bhasma Rasi Graha Path of Halley's Comet Magha Sun 4 A.M. Hasta Purvaphalguni Bisakha Citra 73 Svati Uttraphalguni Yet there is another interesting feature of this comet. Our earth crosses the orbital plane of the Halley's comet twice in a year. This happens first in the month of May and second in the last week of October. During these crossings the earth experiences meteoritical showers. This is believed to be due to left out matter in the orbit by the comet during its previous visits. This matter is attracted or pulled by the earth's gravitation in the form of meteors. The May crossing takes place during day time as such the meteoritical shower is not visible by naked eyes, while the October crossing occures during night time and the shower is quite visible to the naked eyes. This strange phenomenon which is scientifically called Orioniod originate from a particular place in the sky which is called Orion naksatra in the constellation of Gemini (Mithun Rasi). The Orion (Mrgasira naksatra) appeared on the night of Amavasya just before mid-night. Now let us again look to the story connected with the Lord Mahavira's nirvana. It is said that gods celebrated the occasion by making divine

Page #11
74 JAIN JOURNAL illumination in the sky and displaying divine fire works. The practice has since been followed by the followers of Mahavira up to this date by making illumination and using fire works in celebrating the festival of Dipavali. The Dipavali or the day of Lord Mahavira's nirvana generally falls in the month of November, but once in three years cycle it comes in the last week of October also. Suppose it so happened that Kartik Krsna Amavasya 526 B.C. fell in the last week of October and there are evidences to support this belief and the Orioniod coincided with it, the meteoritical shower starting from the mid-night and lasting upto the day break played the role of 'heavenly fire works' and the appearance of a bright comet with its millions of kilometres long tail of 'divine light'. It was surely an unique and spectacular event to remember. This spectrum lasted right from mid-night to day-break. Probably this may be the reason of starting the nirvanotsava from mid-night. From what we have discussed above the appearance of Halley's comet on the night of Lord Mahavira's nirvana was not only a conjecture but a fact accomplished based on scientific and historical datas. The Halley's comet is supposed to be in its infancy or it might have been its first ever visit in the year 526 B.C. (no earlier sighting was recorded so far) then its brilliance would have been much pronounced. Certainly it would have been a very romantic and awe stricken sight to watch and it was rightly dreaded by the people at large due to superstitions prevailing in the country. Our readers will be fortunate enough to watch this long awaited sight in very near future just 13 months hence. It will be its 34th visit since its first ever historical sighting in the year 526 B.C., the origin of the Vir Nirvan Samvat. Had Shakespeare been alive today he would have been much happier to learn about this historical discovery which establishes the truth of his famous 'adage' given in the beginning of this article.

Page #12
An Obsolete Heretical Sect : Early History and Distribution in Eastern India PRANABANANDA JASH Though the Ajivika sect is entirely in an oblivious state in the map of modern Indian religious systems, its role during the first millenium B.C. in the history of heretical schools was unique as well as significant in many respects. Like two other contemporary heretical schools--Buddhism and Jainism, it emerged in the society with tremendous religious impact against the existing rites and rituals as well as metaphysical and cosmological affairs. It is, however, no wonder to note that almost all the avaidika teachers belonged to the same age and the same region and they responded and reacted in their respective ways which were more or less similar to the same stimuli due to stupendous socio-political and religious transformation. It is, thus, no wonder that the entire development of religion and philosophy in this period in the Gangetic Valley region, from Upanisadic gnosis to complete materialism, was but a reflection of the non-Aryan reaction to the Aryan sacrificial system and to the rigid Aryan social order of the four varnas. In course of time these two distinct dominant traditions gave rise to innumerable cross-currents, sometimes completely losing their separate identity, and at other times merging in a confluence, only to re-emerge again in a new form and dimension, and flow in opposite directions. The religious history of India is, in fact, the history of the mutual influence of these two great traditions that resulted in the transformation of the Vedic religion of the Indo-Aryans into modern Hinduism. i Cambridge History of India, I, p. 144. As regards the background to the conflict, it is stated in the Pramanavartika-svavrtti-tika (ed. R. Sankrityayana, p. 617618): The unquestioned authority of the Vedas; the belief in a world-creator; the quest for purification through ritual bathings; the arrogant division into castes ; the practice of mortification to atone for sin ; --these five are the marks of the crass stupidity of the witless men.

Page #13
JAIN JOURNAL The word Ajivika seems to have derived from ajiviya which means one who follows some rules with regard to one's livelihood. The Buddhist texts speak of samyagajiva as one of the eight paths to be followed by monks. It leads to presume that a class of mendicants who lived initially by a profession as a means of livelihood was gradually known as Ajiviya. B.M. Barua suggests a broad connotation of the term. It is used in Indian literature : (i) in its widest sense to denote the Parivrajakas or wanderers as distinguished from the Tapasas or hermits ; (ii) in its narrower sense to denote the religious orders represented by the five Tirthankaras, Purana Kassapa, Makkhali Gosala and the rest, considered heretics by the Buddhists; and (iii) in its narrowest sense to denote the disciples and followers of Makkhali or Mankhaliputta Gosala." The history of the Ajivikas is very much entangled with the contribution and doctrines of Gosala who is designated by the term Mankhaliputra, i.e. son of Mankhali. His name is spelt variouslyMakkhali Gosala in Pali, Maskarin in Sanskrit, Mankhaliputra Gosala in Ardha-Magadhi, and Markali in Tamil. The term markhalitva, as applied to Gosala means the profession of exhibiting pictures for collecting alms. * Hoernle placed much emphasis on the term Makkhali in connection with the origin of the Ajivikas. "It describes Gosala as having originally belonged to the Mankhali or 2 Monier Williams, Sanskrit English Dictionary, p. 133. Hoernle (ERE., i, p. 259) believes that the word Ajivaka or Ajivika is derived from the term ajiva which means the mode of life, or profession, of any particular class of people, whether they live as householders or as religious mendicants'. According to Lassen (Indische Altertumskunde, ii, p. 107, fn. 2) the etymological explanation of the term is to mean an ascetic who ate no living or animal food. Kern, on the other hand, suggests that the word may be derived from such phrase as ajivat, i.e. 'as long as live' (Der Buddhismus und seine Geschichte in Indien, ii, p. 7, fn. 2). * Annals of the Bhandarkar Oriental Research Institute, VIII, p.183. 4 Bhagavati-sutra, 15.1, 540-41 : citta-phalagahatthagae mankhattanenam appanam...gamanugamam... Buddhaghosha (Sumangala - Vilasini, I, pp.143 ff.) narrates that Gosala was born in a cow-shed (go-sala) of an affluent Brahmana called Gobahula in the village named Saravana. While explaining the term makkhali he says--tata, ma khalih (My dear man, take care lest you stumble), assumes that he was a servant of a wealthy person who wams him thus.

Page #14
JANUARY, 1985 Maskarin class of religious mendicants...... The Maskarin, as a rule, led a solitary life and the adoption of this manner of life was open to very grave abuses. Hence some men of commanding personality conceived the task of regulating the tendency (to abuses)......by organizing the mendicants into communities governed by strict rules of conduct." The Ajivikas emerged as an independent heretical sect in eastern India as early as the time of Buddha and Mahavira. The first Ajivika whom Buddha met and conversed was Upaka. It is stated that Buddha in course of his journey towards Sarnath (near Benaras, U.P.) for expressing his experience of 'Release' vis-a-vis preaching his Dhammatothe Pancavaggiya ascetics had come into contact with the noted Ajivika ascetic apparently near Gaya. Upaka is said to have encountered with the Buddha in connection with latter's enlightenment as well as Buddha's claim of Jina-hood.? In fact, all these are in a conjectural stage. The history of the beginning of the Ajivikas like that of the Jainas is shrouded in many confusions and complications. Of course, a viable chronology of the history and development of the sect with considerable amount of certainty can be worked out after Gosala ; but the Pali texts never depict Gosala as the founder of the sect. Several teachers like Nanda Vaccha,' Kisa Sankicca10 and Panduputtall are mentioned in the Pali canon and it appears that at least the first two were represented as important personalities in the field of contemporary religion and philosophy. Buddhal2 declares that although the Ajivikas had existed for a long time, they had only three reputed teachers, viz., Nanda Vaccha, Kisa Sankicca and Mokkhali Gosala. It 5 ERE., i, p. 260 ; Panini, Astadhyayi, IV.1, 154 ; Patanjali's Mahabhasya (ed. Kielhorn), II1.96. & G. P. Malalasekera, Dictionary of Pali Proper Names, I, pp.179-80, 385 ff.; Majjhima-nikaya, Ariyapariyesana-sutta, i, pp.160-75. ? Jataka, 1.81 ; Mahavagga (trans. I.B. Horner), p.11. 8 In fact we have no textual evidences exclusively meant for this sect. Buddhist references to Gosala's doctrine are sometimes confused, e.g., in Anguttara-nikaya, Ill. 383 his classifications are attributed to Purana and in Majjhima-nikaya, I. 513, part of his doctrines is combined with those of the Pakudha. B. M. Barua (Journal of the Department of Letter, II, pp.1-80) provides an exhaustive list of these sources and makes a comparison to these Buddhist references with those found in the Jaina texts in order to form an idea of the fundamentals of Gosalian dogmatics. . Malalasekera, op. cit., II, p.14. 19 Ibid., 1, p. 609. 11 Ibid., II, p. 123. 12 Majjhima-nikaya, Sandaka-sutta, no. 76 ; Malalasekera, op. cit., II, p.14.

Page #15
78 JAIN JOURNAL evidently shows that Ajivikism was an established and well organised school of philosophy at the time of Buddha, and Gosala was only one of he distinguished teachers of the school. His contribution towards the lopment of this religious sect and organisation and its philosophy made him reputed apparently to the extent of its founder. It is interesting to note in this connection that the Ajivikas like the Tirthankara conception of the Jainas believe in a succession of ascetic teachers of the same order of Gosala who is the eighth Ajivika teacher. The Bhagavati-sutra18 speaks of the following seven Ajivika teachers whose spiritual mantle had fallen upon his (Gosalaka's) shoulders : (1) Udai Kundiyayaniya (2) Enejjaga (Skt. Rnanjaya) (3) Mallarama (4) Mandiya (5) Roha (6) Bharaddai (Skt. Bharadvaja) (7) Ajjuna Goyamaputta. Due to paucity of any positive evidences it is rather hazardous to ascertain the historicity of the entire list of successive teachers of the Ajivika order prior to Gosala. And by the time of the Mauryas, as we shall see later on, it included in the catalogue of the well organised and matured religious systems in India. Gosala is said to have born near Sravasti, and left home for some unknown reason and became a homeless wanderer. It appears from the Bhagayati-sutra that Gosala in his early career accepted the professional life of his father and, at the same time, he developed some sort of repugnance against worldly life. In his first meeting with Mahavira in a weaver's workshop (tantuvayasala) at Nalanda, he already attained the third year of asceticism. Gosala was impressed with the power of asceticism of Mahavira and requested to allow him to be his pupil, but Mahavira did not at first oblige by initiating Gosala as his disciple. In his second thought Mahavira accepted Gosala's request at a place called Kollaga near Nalanda. 14 13 Bhagavati-sutra, XV, su. 550, fol. 674. 14 For details, please see my forthcoming publication on Some Aspects of Jainism in Eastern India, appendix. Jain Education Interational

Page #16
JANUARY, 1985 Gosala's career as a wanderer covers about twenty four years, of which the first six he spent at Paniyabhumi together with Mahavira. He parted company with the latter on account of doctrinal differences, and went to Sravasti, where he attained Jina-hood and became the leader of the Ajivika sect.15 The reason behind the separation of these two religious personalities represents two schools of ideas, although originally they belonged to the same group. Subsequently a bitter hostility developed between these two schools ; but in some cases of their doctrines and tenets they have many points in common. And there is no denying the fact that Jainism owed in many respects to the doctrines propounded by the Ajivika leader, Gosala. 16 Gosala, like the Buddhists and the Jainas, formed an organised sect of religious body, a Sangha, with a corporate social life. The communal life of the Ajivikas is known from the ajiviya-sabha at the town of Polasapura. The Uvasaga-dasao17 states that Gosala went to this sabha, attended by the Ajiviya Sangha and surrendered his begging bowl (bhandaganikkhevam karei). Again, the term ajiviya-seyya indicates the settlement of the Ajivikas in a monastery or vihara.18 Due to the absence of any literature meant for the Ajivikas exclusively it is not possible to sketch any rules and regulations stipulated to the Ajivika monks during their stay in the vihara. Still some ideas may be gathered from the scattered references to them in the Jaina and Buddhist texts. Regarding the induction into the Ajivika order an indication of the processes of initiation is stated in the Tittira-Jataka.19 It speaks of an unfortunate false ascetic who was prosecuted in the lion's court by a tiger and who was described as one having "burnt his hand by grasping a lump."20 It is explained in the commentary : "At the time of his going forth as an Ajivika his hands were burnt by grasping a heated lump" (ajlvika-pabbajjam-pabbajjitakale unhapinda-patiggahanena hattha 'apikir'assa daddha).21 An ascetic 15 Bhagavati-sutra, XV, su. 541, fol. 660-663. 16 Ibid., su. 542, fol. 664. According to Jacobi (Sacred Books of the East, XLV, Introduction, pp. xxix-xxx) the Jainas borrowed the idea of lesya from the Ajivika conception of abhijati, or six classes of mankind, and 'altered it so as to bring it into harmony with the rest of their own doctrines'. For further elaboration, see P. Jash's article on Doctrines of an Obsolete Heretical Sect, Jain Journal, Calcutta, April 1983, pp. 135-139. 17 Uvasaga-dasao (ed. Hoernle), i. pp.105 ff. 18 Vinaya, iv, p. 223. 19 Jataka, III, pp.536-543. 20 Ibid., p.541 : hattha daddha pindaparigga-hanena. 21 Ibid., p. 452.

Page #17
80 Guna is described in the Mahanaradakassapa-jataka22 as "an ignorant, naked, wretched and blindly foolish Ajivika" (ajanantam naggabhoggam nissirikam andha-balam ajivikam). The term 'nagga-bhoggam' is interpreted as 'one whose goods are nakedness' in the Dictionary of the Pali Text Society, but the word, as aptly suggested by A. L. Basham, would be taken to mean 'one naked and crippled'.23 The Ajivikas at the stage of initiation seem to have made themselves eligible to bear out these painful ordeals. One has to bear up all these intolerable and difficult practices before going to be accommodated in the organisation. Children and women were not debarred to get entry into the order provided they showed their forbearance in accepting various kinds and/or degrees of penances. The Ajivikas performed several extremist type of austerities which sometimes lead to put an end of the life. The description of some of the horrible and rigid penances, like raising his hands high in the sunshine, rejection of six consecutive meals, living on mere beans or rice-gruel (kulmasa) and on one sip of water in the beginning of asceticism, were performed by Gosala for acquiring the power of fiery energy at the end of six months.24 JAIN JOURNAL But the most interesting point as known from the Tittira-jataka,25 is the introduction of secret magical rites of a repulsive tantric type. A vivid description of the practice of mysterious secret rites of the Ajivikas is to be found in the Vayu-purana.20 "Roads, rivers, fords, caityas, trees, highways-pisacas (goblins) have entered all these places. Those unrighteous people the Ajivas, as ordained by the gods, are the confusers of varna and atrama, a people of workmen and craftsmen. Goblins are the divinities in their sacrifices, which they perform with wealth (stolen) from beings who resemble the immortals (i.e. brahmanas) and (gained by acting as) police spies, and with much other ill-gotten wealth, and with honey, meat, broth, ghee, sesamum, powder, wine, spirits, incense, greens, krtara (boiled sesamum and rice), oil, fragrant grass (? bhadra), treacle, and porridge. The Lord Brahma 22 Jataka, vi, pp.219 ff. 23 A. L. Basham, History and Doctrines of the Ajivikas, pp.104-105. 24 Bhagavati-sutra, 15.1.543; in the Lomahamsa-jataka (i.p.390) the Ajivika asceticism is depicted by way of the description of the practice of severe penances by Bodhisattva born as an Ajivika. 25 Tittira Jataka, III, pp.541-42. 26 Vayu-purana, 69, 284-88.

Page #18
JANUARY, 1985 likewise appointed black garments, incense, and flowers to be the oblations of the goblins at the quarters of the moon." It may not be unlikely to presume that the Ajivas, i.e. the Ajivikas of the Vayu-purana belongs to a later stage, and, of course, not of the Buddhist or the Jaina references. This may have been the plight of the Ajivika community in north India during the Gupta period 'the sect itself continued to decline'.27 While dealing with the distribution of Ajivikas in eastern India, it may be pointed out that since the days of its origin, its influence and spread on the upper Gangetic valley region centering round Sravasti is an established fact. Similarly, its later development and extension towards more easternly regions including the boundaries of lower Gangetic region is also an accepted view. By the time of Gosala the Ajivikas occupied a unique position in the Gangetic valley regions. Its history thus begins with the early part of the sixth century B.C., although B. M. Barua takes it back to the eighth or seventh century B.C.28 The sect seems to have received royal patronage from the time of the Nandas whose power and splendour are attested by various sources, 29 and who were possibly the followers of the Ajivika sect. Mahapadma Nanda was a patron of Ajivikism and "the Ajivika community certainly existed in some strength in Magadha at the time, and received some patronage from the Mauryas, who were the successors of the Nandas... The reference in the Bhagavati-sutra suggests that he may have given his special support to the Ajivika Sangha."30 The continuity of its spread outside the regions of its origin in the subsequent period is known from different sources.31 The Divyavadana82 and the Mahavamsa commentary33 speak of an Ajivika mendicant (a Parivrajaka) attached to the Maurya king Bindusara. His leaning 27 A. L. Basham, op. cit., pp.162-63. 48 B. M. Barua, Ajivikas, pp.9 ff.; G. Buhler is also of the opinion that the founder of the sect may be placed about 750 B.C. * H. C. Raychaudhuri, Political History of Ancient India, pp.187 ff. 30 A. L. Basham, op. cit., p.145. 11 The Mahavamsa, X, records that king Pandukabhaya of Ceylon, the grandfather of Asoka's contemporary Devanampiya Tissa, built a house for Ajivikas' (ajivikanam geham) at Anuradhapura. Similarly, the prevalence of the Ajivikas in Surattha (Surat in Gujarat) two hundred years after the Buddha's nirvana is known from a passage in the Petavatthu (iv.3, p.57). 12 Divyavadana, pp.370 ff. 33. Vamsattha-ppakasini, i, p.190.

Page #19
82 towards this religious system is strikingly attested by a classical reference too. It is thus a fact to note that the Ajivikas were patronized by the court of Magadha even before the introduction of Asoka's policy of toleration. The influence of the Ajivikas on the contemporary religious history is also recorded in the inscriptions of the great Maurya king, Asoka.35 The Seventh Pillar Edict which was issued in the twenty-seventh year of Asoka's consecration, i.e. 237 B.C. describes the duties of the Dharmamahamatras. These officers of public morals "were ordered...to busy themselves with the affairs of the Samgha; likewise others were ordered...to busy themselves also with the Brahmanas (and) Ajivikas; others were ordered...to busy themselves also with the Nirgranthas; others were ordered...to busy themselves also with various (other) sects; (thus) different Mahamatras (are busying themselves) specially with different (congregations)."36 Various scholars like Buhler,37 Hoernle,88 D. R. Bhandarkar39 have interpreted 'babhanesu a(j)ivikesu' differently. Whatever might have been the interpretations of the term, one thing is very clear from the above mentioned Pillar Edict as pointed out by A. L. Basham-"The Seventh Pillar Edict also gives some indication of the influence of the Ajivikas at the time. The Ajivika Sangha appears as a fully developed religious community, on an equal footing with the two other non-brahmanic systems, and is not relegated to the last category of the 'various heretics'. It may be suggested that, since Asoka mentions the Ajivikas before the Nirgranthas, or Jainas, the former sect seemed to the king to be either more influential or more worthy of support than the latter."40 In fact, the heyday of the Ajivikas during the time of pre-Maurya and the Maurya periods in Magadha and its neighbouring regions is known from the testimony of Asokan inscriptions as well as his successor Dasaratha in the Barabar11 and Nagarjuni cave inscriptions.42 In the Barabar Hill complex there are in all four caves, viz. Karna Chopar cave, 34 Corpus Inscriptionum Indicarum, I, p.xxxv. 35 Ibid., pp.131 ff. 36 Ibid., p.136; II, pp. 15-16. 37 Epigraphia Indica, II, p.272. 38 ERE., i, p.267. 39 Indian Antiquary, xli, pp.286-290. JAIN JOURNAL 40 Basham, op. cit., pp.149-150. 41 Corpus Inscriptionum Indicarum, I, pp.181 ff. 42 Indian Antiquary, XX, pp.361 ff.

Page #20
JANUARY, 1985 Sudama cave, Visvamitra cave and Lomas Rsi cave, of which three contain Asokan inscriptions, while the nearby Nagarjuni Hill contains three similar caves, viz. Vahiyaka cave, Gopika cave and Vadathika cave, for providing shelters to the Ajivika ascetics during the rainy season.48 The prevalence of the sect in eastern India in the Christian era has hardly substantiated by any archaeological remains. It is rather difficult to speculate about the exact time and reasons for the total extinction of this faith from this part of the country. Occasional references to them are not wanting in Sanskrit literature of the later period, but these have hardly any positive bearings on the history and philosophy of the sect. 83 It is really curious to note that a sect, a leading representative of the heretical orders, that emerged with equal stronghold and wide influence like those of the Buddhists and the Jainas, did not survive or continue as an independent sect for long in the region of its origin. It is, however, not an easy task to ascertain the reason/reasons behind its oblivion from the stage of Indian religion. But it is certain that by the time of the Vayupurana the sect seemed to have 'struggling for survival as a sort of secret society'; and during the time of Varahamihira44 the Ajivikas survived only as one of the seven classes of religious mendicants. According to P. C. Bagchi "the Ajivika sect had, by the time of Hiuen-Tsang, merged into the community of the Nirgranthas who were then numerous in Bengal. In any case, there is no evidence to prove the separate existence of the Ajivikas in Bengal."45 The conjecture put forward by P. C. Bagchi seems to be possible as the emergence of the mystic saints and their religious communities like the Avadhutas, etc. in the mediaeval period bear ample resemblence in respect of activities and ritualistic performances with the naked Nirgrantha and the Ajivika ascetics. 43 Ibid., pp.361-65; Basham, op. cit., pp. 150-160. Brhat-jataka, xv.1. 44 45 History of Bengal (Dacca University), p.411, fn.3.

Page #21
A Caturvimasti-patta Metal Image from Bhagalpur AJOY KUMAR SINHA The Svetambara Jaina Temple, Campanagar? (a suburb of the Bhagalpur town) has a very good collection of metal images. The present author has selected a caturvimsati-patta or caubisi made out of bronze for iconographic study. The caturvimsati-pattas have been treated as most auspicious and almost all Jaina temples contain it inside their sanctum A devotee may keep such small metal shrine like image with them even during travels. It also simplifies the purpose of worshipping all the twenty four Jinas at one place. The caturvimsati-patta under discussion measures twentyseven centimetres in height and sixteen centimetres in width. It is inscribed on the back from which we know that it was installed in the samvat 1551 (A.D. 1494). The mulanayaka in this iconic representation is Bhagavan Adinatha, the first Jaina Tirthankara. He is seated in the centre on a cushion placed upon a lion-throne in padmasana posture. He is in deep meditation. The srivatsa mark over his chest is very prominent. The entire representation is in the form of a shrine in whose central sanctum, Bhagavan Adinatha's figure has beautifully been casted by the master artists of mediaeval India. There are two standing Tirthankaras (in kayotsarga mudra) by the side of the mulanayaka. Further by the side of the mulanayaka's halo are two seated Tirthankaras also in deep meditation. The umbrella surmounting Bhagavan Adinatha is artistic. Two truncated elephants are shown on either side of the umbrella. In the lower frieze, Bhagavan Adinatha's sasanadevata and sasanadevi have been depicted by whose sides we find the divine musicians and dancers. Just below this frieze, the dharmacakra (the wheel of Law) is beautifully curved. In the lowermost frieze, goddess Santidevi can be seen just in the middle of the pancaratha pedestal. Two devotees, male and female, are standing on the either side in the anjalimudra. Remaining nineteen Tirthankaras have been arranged by the maker of this shrine in a very attractive manner. All of them are shown seated 1 Sinha, Ajoy Kumar, Jaina Shrines in Bhagalpur', Jaina Antiquary, Vol. 36 No. 2 (Arrah, 1983), pp.22-23.

Page #22
Caubisi, Svetambar Jain Temple Campanagar, Bhagalpur

Page #23
JANUARY, 1985 in padmasana in the sanctum. The flywhisk bearers and gajavyalas are on the borders of this shrine. The upper portion forms a pyramidal design. Three mangala-kalasas have been provided to give it an elegant form. Stylistically, this caturvimsati-patta may be compared with the caturvimsati-pattas of Bhagavan Santinatha from western India displayed in the Los Angeles County Museum of Art (U.S.A.) and the Salar Jung Museum (Hyderabad). It slightly differs with each of them. The date of all the three caturvimsati-pattas are almost the same. They belonged to the second half of the fifteenth century A.D. The present author thinks that the caturvimsati-patta under discussion was brought to Bhagalpur from the western India by some Jaina devotee because of the great religious sanctity of this region. * Ghosh, A., The Jaina Art and Architecture, Volume III (New Delhi, 1975), plate 334. . Ibid., Plate 364 A.

Page #24
JANUARY, 1985 in padmasana in the sanctum. The flywhisk bearers and gajavyalas are on the borders of this shrine. The upper portion forms a pyramidal design. Three mangala-kalasas have been provided to give it an elegant form. Stylistically, this caturvimsati-patta may be compared with the caturvimsati-pattas of Bhagavan Santinatha from western India displayed in the Los Angeles County Museum of Art (U.S.A.)2 and the Salar Jung Museum (Hyderabad). It slightly differs with each of them. The date of all the three caturvimsati-pattas are almost the same. They belonged to the second half of the fifteenth century A.D. The present author thinks that the caturvimsati-patta under discussion was brought to Bhagalpur from the western India by some Jaina devotee because of the great religious sanctity of this region. * Ghosh, A., The Jaina Art and Architecture, Volume III (New Delhi, 1975), plate 334. * Ibid., Plate 364 A.

Page #25
Dr. Jacobi and Vasicandanakappa MUNI MAHENDRA KUMAR 'DVITIYA' In connection with my work of editing the works of Jayacarya, the fourth pontiff of Jain Svetambar Terapanth Sect, I came across the use of phrase vasi-candana-samya.1 I recalled that the same phrase had been used in the 19th chapter of the Uttaradhyayana Sutra, and therefore I referred to Dr. Jacobi's translation of the above canon.2 The 19th chapter of the Uttaradhyayana Sutra depicts the story of Mrgaputra, a great Jaina ascetic. Mrgaputra was the son of the king Balabhadra and queen Mrga reigning from the beautiful town of Sugriva. On seeing an ascetic in the street, prince Mrgaputra recalled his past lives and found that he had been 'an ascetic' in one of his past lives. Soon he decided to renounce the worldly pleasures and practise asceticism. After a long discussion with his parents, he succeeded in getting their permission. Having renounced the worldly possessions be harnessed himself in the path of self-restraint. The process of self-purification which is popularly known as sadhana, essentially requires the mind of the ascetic to be trained in such a way that in all favourable and unfavourable conditions 'equanimity' is fully preserved. Mrgaputra, the ascetic had achieved this state and this is described in the above Sutra3 thus: labhalabhe suhedukkhe jivie marane taha samo nindapasamsasu taha manavamanao|| anissio iham loe paraloe anissio vasicandanakappo ya asane anasane taha|| 1 Jayacarya's Chauvisi, 1/4. * Sacred Books of the East, Vol. XIV. a Uttaradhyayana Sutra, XIV, v. 9092.

Page #26
JANUARY, 1985 The eminent German scholar, Dr. Hermann Jocobi, who has translated the four Jaina canons-The Acaranga Sutra, the Kalpa Sutra, the Sutrakrtanga Sutra and the Uttaradhayana Sutra into English has made the following translation of the above verses.5 "He had no interest in this world and no interest in the next world; he was indifferent to unpleasant and pleasant things, to eating and fasting." 87 Dr. Jacobi also makes the following remark in the foot-note: "vast candana kappa-The author of the Avacuri explains this phrase thus : 'He did not like more a man who anoints himself with sandal than mason.' Apparently he gives to vasa the meaning 'dwelling'. But I think that the juxtaposition of candana calls for a word denoting a bad smelling substance perhaps 'ordure'."6 A close examination of the above quotation would show that both Dr. Jacobi and the author of Avacuri' have misinterpreted the word vast. By vast, the author of Avacuri understands a mason or a place of dwelling deriving probably from the Sanskrit word vasa, whereas Dr. Jacobi translates vasi as some 'unpleasant thing' or 'a bad smelling substance', perhaps 'ordure' (i.e. filth or dung). 4 SBE., Vols. XXII, XLV. 5 Ibid., Vol. XLV, p.99. * Ibid. Vol. XLV, p.99. ? Dr. Jacobi has not mentioned the name of the author of the Avacuri. In the introduction to his translations, describing the MS. of Avacuri, he writes, "But I have had at my disposal an illuminated old MS. of the Avacuri, belonging to the Strassburg University Library. This work is apparently an abstract from the Vrtti of Santyacarya, as in a great many passages it almost verbally agrees with Devendra's work (which is an abstract from Santyacarya's Vrtti)"-S.B.E., Vol. XLV, introduction, pp. x1, xli. Hari Damodar Velankar, who has composed an exhaustive register of the Jaina works and authors (in Sanskrit and Prakrit), mentions four different avacuris on the Uttaradhyayana Sutra: (1) Composed in Samvat 1441 by Jnanasagarasuri, pupil of Devasundarasuri, of the Tapa Gaccha. (2) By Jnanasilagani (year not mentioned). (3) By unknown author in Samvat 1488. (4) By unknown author (year not mentioned). (See Jinaratna-kosa, by H. D. Velankar, pub by Bhandarkar Oriental Research Institute, Poona, 1944, pp. 44-45). Velankar has also mentioned the names of places and libraries where MSS. are existing. But unfortunately, Strassburg is not mentioned with any of the above four Avacuries. It is therefore difficult to know the name of the author of the Avacuri used by Dr. Jacobi.

Page #27
88 JAIN JOURNAL Before deliberating over the correct interpretation of the above phrase, we quote here from other Sutras where the same phrase has been used. The Kalpa Sutra depicts the life of the 24th Tirthankara Lord Mahavira and also elucidates his sadhana. An excerpt from it is :8 se nam bhagavam vasavasavaijam......vasicandanasamanakappe samatinamaniletthukamcane samadukhasuhe...... Dr. Jacobi translates this passage as follows :: "The venerable one lived except in the rainy season, all the eight months of summer and winter in a village only five nights. He was indifferent to the smell of ordure and of sandal, to straw and jewels, dirt and gold, pleasure and pain......" Here also Dr. Jacobi translates the word "vasi" by 'smell of ordure'. Now on the basis of some famous works, Jaina canons, commentaries on them and dictionaries and laxicographies, we shall try to show that the interpretations made by Dr. Jacobi and the author of Avacuri (referred by him) are erroneous. The Jaina canon Jambudvipa Prajnapti Sutra, which is the sixth Upanga, supplies us with the most unequivocal interpretation of vasi-candanakappa elucidating the sadhana of the first Tirthankara Rsabhanatha. The above Sutra mentions :10 usabhe araha kosalie .........vasitacchane adutthe candananulevane aratte...... viharai If the above text is compared with the passages quoted from the Uttaradhyayana Sutra and Kalpa Sutra, it will be found that the phrase vasi candana kappo or vasi candana samanakappe used in those canons is found here in an expanded form vasi tacchane adut the candananulevane aratte, making the whole meaning unequivocal. & Kalpa Sutra, Sutra 119. .S.B.E., Vol. XXII, p.262, 10 Jambudvipa Prajnapti Sutra, Vaksaskara II, Sutra 31.

Page #28
JANUARY, 1985 The above passage is explained by the Commentator Santicandra Vacakendra11 thus :12 vasya sutradharasastravisesena yattaksanam tvaca utkhananamtatradvistah advesavan candananulepane 'raktah aragavan 89 Thus according to the commentator, vasi is a particular weapon or tool of a carpenter, taksanam is slitting of the skin; advestah means having no hatred; candana is sandalwood; anulepane means application on skin; araktah is having no love. Now the whole passage quoted above can be translated thus: "Rsabha, the conqueror of the internal enemies and the native of Kosala, lived having no hatred (towards one who) slit his skin with an adze and having no love (towards one who) applied the sandalwood..." I have used here the word adze for vasi which, according to the commentator, is 'a particular tool of the carpenter'. In the following paragraphs we shall further discuss the usage of this word. Mahabharata is another important work which gives us a very clear usage of the same phrase. In this epic, at one place, Yudhisthira expresses his desire to become an ascetic giving up worldly pleasures. This excerpt is :13 alabhe sati va labhe samadarsi mahatapah na jijivisuvatkincinma mumursuvadacaran|| jivitam maranam caiva navinandannca dvisan vasaikam taksato bahum candanenaikamuksatah|| nakalyanam na kalyanam cintayannubhayostayoh|| "I shall be equally disposed in gain and loss; I shall not act like a person having a desire for living or dying; I shall neither greet life or hate death; if some one slits one of my arms with an adze and another 11 Commentary called Prameyaratnamanjusa written by him in Vikram Samvat 1660; cf. Jinaratna-kosa, by H. D. Velankar, pub by Bhandarkar Oriental Research Institute, Poona, 1944. p.131. 12 Jamvudvipa Prajnapti Sutra (with commentary), pub by Seth Devchand Lalbhai Pustakoddhar Fund, Surat, 1920, II/31. 13 Mahabharata, Santi Parva, XII-9-24, 25.

Page #29
90 one anoints the other arm with the sandalwood, I shall neither wish the welfare (of the latter) nor calamity (of the former)."14 JAIN JOURNAL These two authoritative works Jambudvipa Prajnapti Sutra and Mahabharata explain the phrase vast candana kappa very clearly. It seems that this phraseology was quite popular in both cultures-the Hindu as well as the Jaina. The most astonishing element is that in both traditions the authoritative work use this phraseology to denote the highest state of equanimity of an ascetic. Though Dr. Jacobi's translation expresses the same sense, it is clearly incorrect in the literal translation of the phrase. After having cited such clear evidences, no more testimony is required to show that vasi is neither a bad smelling substance nor ordure nor a place of dwelling but a tool of the carpenter particularly the adze. Still we would like to quote here some more commentators who have explained this controversial phrase. (1) First of all we quote the famous commentator Laksmi Vallabh Suri who in his commentry to the Uttaradhyayana Sutra, interprets the text under discussion thus :15 punah kidrsah? anisrito nisrarahitah, kasyapi sahayyam na vancchati, tatha punariha loke rajyadibhoge tatha paraloke devalokadisukhe *nisrito nisram na vanchate punah sa mrgaputro vasicandanakalpah yada kascid vasya-parasuna sariram chinatti kasciccandanena sariramarcayati tada tayoruparisamanakalpah sadrtacarah tatha punarasane aharakarane tatha 'nasane ahara'karane sadrsah "Again how was he (Mrgaputra)? He desired no shelter nor protection from anyone and again he did not wish to take shelter under worldly lures of the kingdom in this world and the pleasures of heavens in the next world and again, he (i.e.) Mrgaputra was vasi candana kalpah (i.e.) if some one would chop off the body with a hatchet vasi (i.e. parasu) and some one else might anoint the body with sandalwood, he would have identical reactions for both of them; and also he had the same feeling in feasting and fasting." 14 cf. Mahabharata, tr and ed by Sripada Damodar Satvalekar, Svadhyay Mandal, Aundha, Dt. Satara, 1929, XII-9-24-25. 15 Dipika was written by him on Uttaradhyayana Sutra, cf. H. D. Velankar, op. cit., 45. Uttaradhyayana Sutra Dipika, pub by Hiralal Hansraj Jain Bhaskarodaya Printing Press, Jamnagar, p.726.

Page #30
JANUARY, 1985 Thus according to the learned commentator, Mrgaputra had achieved that state of equanimity of mind that he would not dislike the person who would cut his body with the weapon like a hatchet nor he would appreciate the person who would anoint the body with sandalwood. (2) Shanti Sagar, 16 a commentator of the Kalpa Sutra, in his commentary to the above quoted passagel? or the text contends :18 vasicandanasamanakappe-kasthachedanopakaranavasicandanatulyayoh chedakapujakayo visaye samabhavah Here also the commentator supports our interpretation by calling vasi-a tool used in chopping off the wood. What he means is an adze or a chisel or a hatchet. He explains the whole phrase thus : "The equanimity towards persons who are cutting and anointing (the body)." (3) Another commentator of the Kalpa Sutra Vinaya Vijaya19 in his commentary, explains the text thus :20 vasi-sutradharasya kas!hacchedanopakaranam ; candanam-prasiddham, tayordyayorvisaye, samanakappe-samanakalpastulyadhyavasayah Vinaya Vijaya too explains here vast as a tool of the carpenter used for cutting the wood, and by samana kappe he understands 'having equal considerations for both the events i.e. in the event of (being cut by) vast and that of (being smeared with) sandalwood. (4) In yet another interesting commentaryal to the Kalpa Sutra by Laxmi Vallabha, the same commentator quoted above (No. 1), a slightly different interpretation of the present phrase is found ; all the same the meaning of the vasi remains unchanged. 16 A commentary called Kaumudi written by him in 1707 (Vik. Sam.), cf. Velankar, op. cit., p.77. 17 Kalpa Sutra, Sutra 119. 18 Kalpa Sutra with Kaumudi, pub by Rishabhadev Kesrimal, Ratlam, 1936, Sutra 119. 19 Subodhika Tika written by him in V.S. 1696, cf. Velankar, op. cit., p.77. 20 Kalpa Sutra Subodhika Tika, pub by Atmanand Jain Sabha, Bhavnagar, 1915. 21 Kalpadruma Kalika composed by him during the time of Jina Saubhagya Suri (who became Suri in v. s. 1892), cf. Velankar, op. cit., p.78.

Page #31
92 JAIN JOURNAL Laxmi Vallabha Gani comments :22 vasicandanasamanakappe--yatha parsuna candanaveksah chidyamanah parsumukham surabhi karoti tatha bhagavanapi dukhadayake'pi upakaram karoti athava pujake chedake ca ubhaorupari samanakalpah Here the commentator understands by vasi a hatchet (i.e. parasu), but suggests two meanings of the whole phrase : (a) Just as the tree of sandalwood on being cut by the hatchet per fumes the (edge) of the hatchet ; the venerable one blesses even the person causing pain to him. (b) The venerable one had the same outlook for the adorer and the cutter The first interpretation is made taking the phrase as a 'metaphor'. We come across instances in literary works where sandalwood metaphorically stands for an extremely kind man; all the same the non-metaphorical usage of the phrase in the original texts like Jamudvipa Prajnapti Sutra and Mahabharata compels us to reject the metaphorical interpretation, Even if we accept it, vasi stands for a particular tool of the carpenter viz. an adze. (5) The Jaina canon Uvavai Sutra (the first amongst the Upangas) also makes use of the same phrase in describing the sadhana of the monks of Lord Mahavira. The original text is : 23 se nam bhagayanto......vasicandanasamanakappa samaletthukamcana ......... viharanti The eminent commentator Abhayadeva Suri in his vrtti to the above sutra explains the phrase thus :24 vasicandanayoh pratitayorathava vasicandane iva vasicandane apakaropakarakau tayoh samano nirdesaragatvatsamah kalpo vikalpah samacaro va vesam te vasicandahasamangkalpah 22 Kalpa Sutra with Kalpadruma Kalika, pub by Velji Shivji, Bombay, 1918, p.136. 23 Uvavai Sutra with Abhaya Deva Suri's commentary, pub by Rai Dhanpat Singh Bahadur, Calcutta, 1936, p.100. 24 Ibid., p.100.

Page #32
JANUARY, 1985 93 "They (the monks of Mahavira) were vast candana kalpah i.e. having completely abated hatred and love, they had equal consideration for the evil-doer as well as benefactor who were like yasi and candana respectively." In his commentary, Abhayadeva Suri does not give the (literal) meaning of vasi and candana but takes them metaphorically by equating the evil-doer with vasi and a benefactor with candana. However, his interpretation implies that comprehending vast to be an instrument used in cutting, he equates it with an evil-door. (6) An important Jain canon Prasna Vyakarana Sutra, the ninth Anga also gives us a clue to the right interpretation of the above phrase. In one place where a list of several weapons is given, vasi is included in it. The original text runs thus :25 puvvakammakaya samcayovatatta nirayaggi-mahaggi sampalitta... imehim vivihehim ayuhehim kimte? moggaa-musumdhi-karakayasatti ... khaggacaya - naraya - kanaka - kappani-vasi-parasu-dhanka nikkha, nimmala annehiya eyamadiehim asubhehim veuyviehim paharanasattehim anubaddha tivvavera paroppara veyanam udirenti abhihananta... The above passage describes the sufferings of denisens of hell ; they (the denisens of hell) on account of their own bad activities take birth in hell and undergo various kinds of agonies. They give pains to each other by fighting with various weapons such as mace, a sort of missile, saw, lance, sword, bow, arrow, scissors, adze and hatchet etc. This list contains the term vasi. It should mean an adze, the instrument used by the carpenter for cutting the wood. The term parasu used here with vasi also denotes a tool of the carpenter, meaning an axe. Vasi, therefore; should also mean adze or hatchet. (7) The word vasi is used in Uttaradhyayana Sutra also in another place. In a list of the insects possessing two sense-organs, an insect called yasimuha (skt. vasi-mukha) is mentioned.26 Almost all the commentators translate it as an insect possessing the mouth like an adze.27 It is 25 Prasna Vyakarana Sutra, Asrava Dvara I, 1/5/4. 26 kimino sumangala ceva alasa mayavahaya/ vasimuha ya sippi ya samkha samkhanaga taha|| -Uttaradhyayana Sutra, 36/129 27 See for example, commentary by Laxmi Vallabha, p.1244.

Page #33
94 surprising that Dr. Jacobi also translates here vasi as an adze. Explaining the word vasimukha, he writes, "whose mouth is like a chisel or adze. There are many insects, e.g. the curculionedae which suit this description."28 JAIN JOURNAL Here Dr. Jacobi clearly translates vasi as a chisel or an adze. According to him, this translation is based on the explanations given by the Avacuri.29 Now a question may arise as to why Dr. Jacobi and the author of the Avacuri (to which he refers), despite their knowledge of the true meaning of the word vasi, do not use it in explaining the phrase vasi-candana-kappo. The reason probably seems to be that because the word vasi used with candana, it might not have been possibly thought by them to comprehend the true meaning. Whatever the reason may be, it is certain that the word vasi denotes the tool of a carpenter, viz, an adze. The word vasi has not only confused the commentators' mind but also seems to have puzzled the lexicographers. (1) The eminent western lexicographer and a great Sanskrit scholar, Arthur Anthony Macdonell, in his Sanskrit-English Dictionary,30 gives the word vast without giving its meaning and keeping the space blank. This shows that either the author is totally unaware of the meaning of this word or he is not certain about its correct meaning. (2) The Amarakosa,31 one of the most standard lexicon in Sanskrit, also does not give any information about vasi. vasi, f.v. (3) In the Abhidhana Cintamani,32 its author Hemacandracarya enumerates the synonyms of vasi thus brksavit taksani vasi. In his own commentary (Svopajna Tika), Hemacandra gives the following etymology :33 vrksan bhinatti vraksabhit/1/ taksyate'naya taksani/2/ vasati haste vasih, krsrkuti (una 619)/iti nidih dyam vasi/3/ 28 S.B.E., Vol. XLV, p.219, foot-note 4. 29 Ibid., p.219, note 1. 30 A Practical Sanskrit Dictionary with transliteration, accentiation and etymological analysis, throughout by Arthur Anthony Macdonell, pub by Oxford University Press, 1954, p.279. 31 Abhidhana Cintamani, Kanda III, v:581, 32 Ibid., with Svopajna Tika, ed by Hargovind Das and Bechardas, pub by Nathalal Laxmichand Vakil, Bhavanagar, 1914, p.367. 33 Ibid., p.83.

Page #34
JANUARY, 19.85 OS Thus according to Hemacandra, vasi means vrksabhit or taksani. Vrksabhit isietymologically explained as that which cuts the trees ; taksani as by which any thing is stripped off ; and vasi as which resides in the hand. Again quoting the rule of grammar, the learned lexicographer proves its formation and shows that it is spelled as vasi as well as vasi. This etymological explanation makes it dead-sure that vasi is a tool of carpenter used in cutting the wood. (4) In another authoritative work on lexicography, Hemacandra mentions the word vasi as a synonym of the word mrtsa. The Anekartha Samgraha giving the various meanings of mrtsa states the following verse : satapuspamadhuryosca mrtsa vasi sumrttika/ rasah svade jale virye srmgaradau visedrave|| This verse states that the word motsa is used in the sense of vasi as well as sumrttika. Now, the commentator Mahendra Suri, pupil of the author, in his commentary called Kairvakara Kaumudi explains the word thus :34 vasi taksopakaranam sumrttikayam yathal nihsalye samsk ste tatra mytsaracita vedika|| It means that motsa and vasi denote a tool for cutting the wood. The other meaning of mrtsa is not useful for us here and therefore, we may omit its discussion. (5) The modern lexicographer and a well-known scholar of Prakrit language, Pt. Hargovinddas T.Seth in his Paia-Sadda-Mahannavo, a Prakrit Hindi Dictionary, mentions :35 vasi, stri (vasi skt) vasula, bhadhai ka ek' astra, na hi vasivaddhainam iham abhedo kahamcidavi, Dharmasamgrahani, 489/dekho vasi. Again, explaining the meaning of vasi, he writes :38 vasi, stri (vasi) vasula, vadhai ka ek astra; (Panha 1,1; Pauma 14, 78; Kappa, Sur, 1, 28 Aupa.) vasimuha pu; (vasimukha) vasule ke tulya muhvala ek taraha ka kit dvindriya jantu ki ek jati, Uttaradhyayana, 36,129. 34 Ibid., p.83. 35 Paia Sadda Mahannavo (A Comparative Prakrit-Hindi Dictionary with Sanskrit equivalents, quotations and complete references) by Pandit Hargovinddas T. Seth, pub by the author, Calcutta, 1928, p.949, 36 Ibid., p.949.

Page #35
96 JAIN JOURNAL Thus according to Pt. H. T. Seth vasi and vasi-both the words are of feminine gender and denote a tool of carpenter called vasula in Hindi, meaning an adze.37 He has quoted a verse from Dharma Samgraani38 which uses the word vasi in the sense of an adze. Again, he has given references of several Prakrit works such as Prasnavyakarna, Paumcaria,39 Kalpa Sutra, Surasundaricaria40 and Aupapatika Sutra making use of the word vasi in the sense of an adze. Pt. H. T. Seth also mentions the word vasimuha (skt. vasimukha) used in Uttaradhyayana Sutra.41 Here also, according to Seth, vasimukha denotes an insect belonging to the class of beings possessing two sense-organs and having mouth like an adze. (6) In masterpiece Sanskrit lexicon, sabda-kalpcdi uma the word vasi is explained as follows :42 vasi (stri) vasayatiti vasi atta/ gauravaditvad dip. taksani. vaisa iti khyatastram iti trikandasesah. iti ij. vasih (pum) (vasa nivase vasivapiyati saniti) una 4/124 kutharavedah vaisa iti bhasa. ityanapi kosah. Here the lexicographer has etymologically derived vasi in feminine gender from the verb vasayati and given the Sanskrit synonym taksani and vernacular synonym vaisa. He has also explained the word vasi in masculine gender deriving it from the verb ras (vas=to live): its mear is given as kutharabhedah i.e. a kind of hatchet. The vernacular meaning is given as above. The word takasni corresponds to the adze. (7) The well-known modern lexicographer V. S. Apte has wellexplained the word vast in his Sanskrit-English Dictionary. He 37 Cf. Bhargava's Standard Illustrated Anglo-Hindi Dictionary, compiled by Prof. B.C. Pathak (11th Edition), pp.28. (See also the picture of adze given in it.) 38 A prakrit work by Haribhadra Suri, pub by Devachand Lalbhai Pustakod dhar Fund, Bombay, 1916, v. 489. 29 It is to be remarked that Paumacaria by Vimal Suri is edited by Dr. H. Jacobi and pub by Jain Dharm Prasarak Sabha, Bhavnagar, 1914. See canto XIV, 7.78. 40 Also known as Katha Surasundari, a love story in Prakrit written by Dhanesvar Muni (V. S. 1905), ed by Muni Sri Rajvijay, pub by Jain Vividha Sahitya Sastramata, Banaras, 1916, paricheda I, v.28. 41 Uttaradhyayana Sutra, 36/129. 42 Sabda-Kalpadruma by Sir Raja Radha Kanta Dev Bahadur, pub by Motilal Banarasi Dass, Delhi, 1960, kanda IV, p.357.

Page #36
JANUARY, 1985 observes :43 "vasi : m.f.=an adze, a small hatchet, chisel vas-ij (Un 4, 136). He also quotes the verse of Mahabharata.44 (8) Another Sanskrit-English Dictionary published from Oxford and compiled by an eminent lexicographer Sir Monier Williams, well explains the word vasi. He writes :45 "vasi=yasi or vasi, f. a carpenter's adze, L. (cf. vasi)." The lexicographer has rightly explained the words vasi and vasi both of feminine gender and both denoting the carpenter's adze. But the abbreviation 'L', at the end of the explanation is erroneous. By 'L' the author means 46_lexicographers (i.e. a word or meaning of which although given in native lexicons, has not yet been met with in any published text). But as we have already seen authoritative texts such as Mahabharata do use the word. It seems that the compiler of the Dictionary is not aware of this usage. (9) An important Prakrit-Gujarati Dictionary47 composed by Satavadhani Muni Ratna Candra, also gives the same meaning. He writes :48 vasi (stri) vasi vansalo, pharsi. The Gujarati word vamsalo or pharasi denotes an adze. Muni Ratna Candra also gives the meaning of the whole phrase vasi candana kappa as follows : 49 "He who maintains equal attitudes towards two persons, even though one cuts it with an adze and the other anoints it with the sandalwood." The Practical Sanskrit-English Dictionary by V. S. Apte, ed. by P.K. Gode and C.G. Karve, Prasad Prakashan, Poona 2, 1957; also cf. The Students' Sanskrit-English Dictionary by V. S. Apte, Motilal Banarsidass, Delhi, 1959, p. 504. 44 jivitam masanam caiva nabhinandana cadvisan vasyaikam taksato bahum candanenaikamuttatah/ ---Mahabharata 12.9.25 ; 1.1115 *5 A Sanskrit-English Dictionary (etymologically and philologically arranged with special references to cognate Indo-European languages) by Sir Monier Williams, new edition greatly enlarged and improved with the collaboration of Prof. E. Leumann, and Prof. C. Capller, and other Scholars, (Oxford University Press, 1889), pub in India by Motilal Banarasidass, 1963, p. 948. 46 Ibid., p. XXXV. 47 Jainagamasabda Samgraha, pub by Sanghvi Gulabchand Desaraj, Limbdi, Kathiawar, 1926. 48 Ibid., p. 686. " vasicandanakappa (tri) (vasicandanakalpa), koi vasalathi chede ane koi candanthi lep kare to pan banne taraf samabhav rakhnar.

Page #37
98 (10) In the Jain encyclopaedia, Abhidhana Rajendra Kosa, the word vasi is explained as follows :50 vasivasi (stri) vasula iti khyate lohakaropakaranavisese Ha 29 Asta|Aca|Jna/ JAIN JOURNAL The author of encyclopaedia clearly means by vasi an adze, a particular tool of the blacksmith. Here, instead of calling it a tool of carpenter, he calls it a tool of blacksmith. Further, Vijay Rajendra Suri elucidates the whole phrase vasi candana-kappo, as follows:51 vasicandanakappa-vasicandanakalpa-pum. upakaryanupakarinorapi madhyaste Ava 5 a vasivavasi--apakari tam candanamiva duskrtam taksanahetu tayopakarakatvena kalpayanti-manyante vasi candanakalpah Hayadah : yo mamapakarotyesa tatvenopakarotyasau siramoksadyupayena kurvana iva nirujam|| atha vasyamapakarisyam candanasya kalpa ivaccheda iva ye upakari tvena vartante te vasicandanakalpah|aha ca: apakarapare'pi pare kurvantyupakarameva himahantah surabhikaroti vasim malayajamapi taksamanamapi|| vasyam va candanasyeva kalpa acaro yesam te tatha, atha vasyam candanakalpascandanatulya ye te tatha bhavana tu pratitaiva/Ha 29 Asta Jnal Here the author of the encyclopaedia has quoted the Haribhadriya Astaka.52 The commentator presents several interpretations with different literal meanings. In this quotation, the word vasi is throughout interpreted as an adze, but the word kalpa is interpreted variously. Firstly, it is interpreted as a verb-kalpanti meaning manyante 1.e. consider. The whole phrase is interpreted thus: As the sandalwood considers the adze a benefactor because of its own cutting by it (and thus 50 Abhidhana-Rajendra (Jain Encyclopaedia) Prakrit-Magadhi to Sanskrit, by Vijay Rajendra Suri, Ratlam, 1934, Vol. VI, p. 1108. 51 Ibid., pp. 1108, 1109. 52 Astaka-Prakarana by Haribhadra with Tika (commentary) in Sanskrit by Jinesvara Suri, pub by Mansukha Bhagubhai, Ahmedabad, V. S. 1908. The commentary is believed to be corrected by Abhayadeva Suri. Hence, the interpretation is identical to that of Abhyadeva Suri quoted before. Cf. Jinaratnakosa by H. D. Velankar, p.18.

Page #38
JANUARY, 1.985 99 getting an opportunity of spreading the perfume), they (who are vasicandana-kalpah) consider the evil-doer their benefactor. Then quoting an apophthegm, it is said, "He who is doing my evil is, in reality, benefitting me, like curing a man by causing bleeding etc. (during a surgical operation)." Secondly, kalpa is explained as cheda i.e. cutting. The whole phrase is explained thus : They who act beneficially towards the evil-doer like sandalwood on being cut by the adze. Again, another maxim is quoted. "Though the evil-doers do evil, the greatmen benefit them; though being cut by an adze, the sandalwood perfumes it." Thirdly, kalpa is interpreted as acara i.e. activity. Here vasicandana-kalpah means they whose activity is like that of sandalwood towards the adze. Lastly, the kalpa is interpreted as a synonymous of tulya i.e. similar; the whole phrase denoting, they who are like sandalwood towards the adze. Thus the meaning of the phrase is made clear. In the above quotation the word kalpa is interpreted variously, all the same, the meaning of the whole phrase practically remains unaltered. The interpretation is made by the commentators here is identical to the Abhayadeva Suri's interpretation quoted before. However, the word vasi is understood to denote the adze throughout. The commentators, who have elucidated the Jaina canonical literature in vernacular languages such as Hindi, Rajasthani, Gujrati, have almost unanimously made the same interpretation as has been made in Jambudvipa Prajnapti. We quote here some of the important commentators : The fourth Pontiff of Terapanth Srimad Jayacarya53 in his poetical translation of Uttaradhyayana Sutra in Rajasthani explains the phrase thus : 54 53 Jayacarya (V.S. 1860-1938) was a great scholar of Jaina canonical literature who translated poetically in verse) several such canons including Bhagvati Sutra. 54 koik vasaulai karine chedai koik candane lipai/ e bihun upar bhava sarikha raga ru dvesa sujipail| -Uttaradhyayana ki Joda, 19/92

Page #39
100 JAIN JOURNAL "Someone cuts him with adze and someone anoints him with the sandalwood ; then he has equal sentiment for both without having any love or hatred for either." Similarly, Amrita Candra Suri, in his translation of Uvavai Sutra, 55 Muni Hastimal in his translation of Prasna Vyakarna Sutra56 and Muni Atmaram in the Hindi commentary to the Uttaradhyayana Sutra57 have interpreted it as above. In one of the recent publications of the Uvavai Sutra, the translator has given several interpretations of vasi candana-kalpa, as follows :58 (1) The sandalwood perfumes even the edge of the adze which cuts it, because it is the nature of the sandalwood to give scent ; in the same way to have an intention of doing benefit even to an evil-doer. (2) To show equal feelings towards an evil-doer acting like an adze as well as a benefactor giving coolness like sandalwood--to show neither hatred nor love. (3) To keep equanimity of mind towards a person causing pain by the weapon and the one anointing with sandalwood. It should be observed here that in these interpretations, vasi is throughout understood as 'an adze'. The various interpretations seem to be based on different commentators. In the first two interpretations, the phrase is interpreted metaphorically, while the third one is literal explanation. We come across the use of the words vasi and candana in many noncanonical works. We quote here a few of them merely for an illustration. (1) Eminent litterateur Hemacandra elucidating the highest stage of equanimity observes : 59 65 Uvavai Sutra, pub by Rai Dhanpat Singh Bahadur, Calcutta, 1936, p.100. 56 Prasna Vyakarana Sutra, pub by Hastimal Surana, Pali, 1950, p. 42. 57 Uttaradhyayana Sutra, pub by Jain Sastra Mala Karyalaya, Lahore, 1934, Vol. II, 19/92. 58 Uvavai Sutra, tr by Muni Umesh Chandra Anu', published by A.B. Sadhumarge Jain Samskriti Rakshaka Samgha, Sailana (Madhya Pradesh), 1963, p.101. " 59 Yogasastra Prakasa by Hemacandra, pub by Jain Dharm Prasarak Sabhai Bhavnagar, 1915, 4-54 (ii).

Page #40
JANUARY, 1985 101 gosirsacandanalepe vasichede ca bahayoh/ abhinna cittavsttiscet tada samyamanuttaram|| "When a person's mind is completely indifferent to his hands being smeared with sandalwood and cut with the adze, then there is the highest equanimity."60 This verse of Hemacandra gives an unequivocal explanation of the phrase under discussion. (2) Another eminent expounder of Jainism Haribhadra Suri, in his commentary to the Avasyaka-Niryukti61 explains as follows : 62 jo candanena bahum alipai vasina va taccheil sa thunai jo va nindai maharsino tattha samabhavoll i "The great ascetics keep equanimity when one anoints the arm with sandalwood or cuts with the adze, and when one praises or abuses". (3) In his commentary to Yasovijayagani's Adhyatmasara,63 commentator Gambhiravijayagani explains the phrase thus : 64 vasicandanatulyatah-vasi kutharika, taya sarirasyacchedanam tatha candanenarcanam tayorvisaye tulyata fokaharsabhavatsadtsyam syatragadvesayoravakasa bhavadityarthah. "Vasi means kutharika i.e. a small axe (or an adze)-slitting of the body by it-and anointment with sandalwood-equality in the subject of these two--it is because of the absence of sadness and happiness that is because of the absence of possibility of love and hatred." 60 Yogasastra of. Hemchandra, ed and tr into German by E. Windisch, in the Zeitschrift der Deutsohen Morgenlandeschen Gesellschaft, Vol. XXVIII, p.185 ff, ch IV, v. 54 (ii). 61 vasicandanakappo jo marane jivie ya samasannol dehe ya apadivaddho kausaggo hayai tassa|| -Avasyaka Niryukti, v. 1546. 62 Avasyaka Niryukti with Haribhadra's commentary, pub by Agamodaya Samiti, Bombay, 1916-17, p. 799(i). 68 samataparipake syat visayagrahasunyata/ yatha visadayoganam vasicandanatulyata|| Adhyatmasara by Yasovijayagani, pub by Jain Dharm Prasarak Sabha, Bhavnagar, 1915, 3/37. # Ibid., p.70.

Page #41
102 JAIN JOURNAL (4) Tho. Subhasita-Ratna Bhandagara or gems of sanskrit poetry, a collection of epigrammatic and instructive Sanskrit verses, supplies us some verses using the same metaphor of vasi and candana. A maxim quoted from Ravigupta reads : 65 sujano na yati vik rti parahitanirato vinasakale'pi/ chede'pi candanataruh surabhayati mukham kutharasya|| "A gentleman who is always beneficial to others does not give up his gentleness even in the time of his catastrophe ; the sandalwood perfumes the edze of the axe in spite of being cut by it." Another popular apophthegm collected in the above work is : 66 cik cestitani paraso parisocaniyavalapravala malayadriruha druhastel nirmiyamana hrdayopi mahanubhavah sa tvanmukham punarabhih surabhi karoti// "O axe ! I hate your activities! Your rancour of sandalwood is really a matter of anxiety, (for) that gentleman (i.e. sandalwood) in spite of his heart being lacerated by you, scents your mouth with his fragrance." In both the above verses the sandalwood metaphorically represents a gentleman or a person of very kind nature. The metaphorical interpretations made by Abhayadeva Suri and others seem to base on such popular maxims. We come across such maxims even in vernacular languages. 67 Conclusion In the Indian literature, the phrase vasi-candana-kappo is used to illustrate the state of equanimity of an ascetic who has reached a very high stage of sadhana. There are four possible interpretations suggested by various scholars. (1) It signifies a person indifferent to the smell of ordure (or any bad smelling substance) and the fragrance of sandalwood. (Interpretation made by Dr. Jacobi) 65 Subhasita Ratna Bhandagara, selected and arranged by Kashinath Pandurang Parab, pub by Nirnaya Sagar Press, Bombay 1981 (3rd edition), p.71, v. 93. 66 Ibid., p.378, v. 48. 67 See, for example, the verses of the popular poets such as Tulsidas and Sunderdas. Jain Education Interational

Page #42
JANUARY, 1985 (2) The metaphorical interpretation as the sandalwood, inspite of being cut by the adze, perfumes it; in the same way, an ascetic benefits even his evil-doer. (Interpretation made in some popular maxims and accepted by Abhayadeva Suri) 103 (3) Another metaphorical interpretation: The phrase expresses a qualification of a person having equal attitude towards an evil-doer like the adze and benefactor like the sandalwood. (Alternative interpretation suggested by Abhayadeva Suri) (4) The direct and literal interpretation: A person when being slit with the adze by one person and smeared with the sandalwood by the other one, holds same attitude (or indifference) towards both without showing hatred or love. (Interpretation based on the original texts such as Jambudvipa Prajnapti Sutra and Mahabharata68 and accepted by the commentators such as Haribhadra Suri, Hemacandra and others) After comparing the above four interpretations, we conclude that the last interpretation (No. 4) is the correct one, because the original texts like Jambudvipa Prajnapti and Mahabharata have unequivocally used the phrase in this sense. It seems that variance in the interpretations is created because of the succinct use of the phrase (in the form of vast-candana-kappo or vasicandana-samana kappo) in the Uttaradhyavana Sutra, Kalpa Sutra, Uvavai Sutra, Haribhadriya Astaka etc. The commentators who have made the 2nd and 3rd interpretations appear to be unaware of the expanded use of the phrase (in the form of-vasi tacchane adeitthe, candananulevana aratte or vastyaika takstbahuin candanenaikamulstah) in the authoritative and original works such as Jambudvipa-Prajnapti Sutra and Mahabharata. They have probably based their explanation on the popular apophthegms. Thus, though the interpretation No. 2 and No. 3 are not erroneous, they do not seem to represent the exact sense. With due respect to Dr. Jacobi, we must conclude that in the absence of the knowledge of the usages of the phrase in the original sources, he failed to grasp the precise sense of the phrase. 68 Haribhadra Suri seems to be well acquainted with the original meaning and hence, in his commentary to the Avasyaka Niryukti of Bhadrabahu, he has made the same interpretation as No. 4. But Abhayadeva Suri seems to be unaware of this usage, and hence, in his commentary to the Uvavai Sutra and Haribhadriye Astake (in which he has made corrections) he makes interpretation different from Haribhadra himself.

Page #43
Winter 1985 Registered with the Registrar of Newspapers for India under No. R. N. 12121/66. Hewletts Mixture re for Indigestion DADHA & COMPANY and C. J. HEWLETT & SON (India) PVT. LTD. 22 STRAND ROAD CALCUTTA 1