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________________ 17 devanAgarI lipi aura usakA vaijJAnika mahattva bhAratIya saMskRti meM prAcInakAla se saMskRta bhASA ko gIrvANabhASA / devabhASA kahI jAtI hai aura isa bhASA va bhAratIya saMskRti kI kaI bhASAoM kI lipi devanAgarI hai / bhASA va lipi donoM bhinna bhinna cIjeM haiM / dhvanizAstra meM donoM kA vizeSa mahattva hai / bhAratavarSa kI kucha bhASAoM kI lipi devanAgarI hai / usameM hindI, | saMskRta, prAkRta, marAThI, ityAdi bhASAoM kA samAveza hotA hai / devanAgarI lipiyukta bhASAe~ va usIke varga meM AnevAlI anya bhASAoM kI eka mahattvapUrNa vizeSatA yaha hai ki usI bhASA ke zabda yA vAkya ityAdi ke uccAraNa usa-usa zabda yA vAkya meM prayukta svara-vyaMjana ke anusAra hI hote haiM / arthAt usa bhASAoM meM jaise bolA jAtA hai vaise hI likhA jAtA hai aura jaise likhA jAtA hai vaise bolA bhI jAtA hai / vAkya yA zabda meM likhA gayA | eka bhI akSara svara yA vyaMjana anuccarita (silent) nahIM rahatA hai / hAlA~ki prAcIna kAla meM veda vAkya meM prayukta svara kA uccAraNa bhI viziSTa paddhati se kiyA jAtA thA ataH usa svara ke svarabhAra ko batAne ke liye| usake Upara viziSTa cihna bhI rakhe jAte the aura usakA uccAraNa Avazyaka rUpa se una cihnoM ke anusAra hI kiyA jAtA thA / usakA vaijJAnika kAraNa thA / 2 devanAgarI lipi ke svara-vyaMjana kI yojanA va usake uccAraNa pUrNataH vaijJAnika hai aisA Adhunika vijJAna ke anusaMdhAnoM ne batAyA hai / devanAgarI lipi meM svara kI saMkhyA caudaha batAyI hai / a, A, i, I, u, U, R, R, lR, lR, e, ai, o, au aM aura a meM nirdiSTa aura svara nahIM haiN| . | kintu una donoM kA svataMtra uccAraNa asaMbhava hone se usake pUrva meM a rakhA gayA hai / ataH prAcIna kAla ke sabhI vaiyAkaraNoM ne unako svara ke sAtha sthAna diyA hai / maMtrazAstra meM usakA vizeSa mahattva hone se maMtrazAstrakAroM ne solaha svara mAne haiM / pANinIya paraMparA meM dIrgha RR aura dIrgha lR nahIM btaaye| hai kyoMki unakA prayoga jyAdA nahIM hotA hai / jabaki siddha hemazabdAnuzAsana * 94
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________________ (saMskRta vyAkaraNa) ke kartA kalikAlasarvajJa zrI hemacaMdrAcAryajI ne dIrgha R aura dIrgha la donoM kA nirdeza kiyA hai / inake saMbaMdhita niyama bhI batAye haiN| devanAgarI lipi ke vyaMjana kI vyavasthA prAcIna kAla se isa prakAra calI AtI hai / ka, kha, ga, gha, Ga * kavarga - kaMThya, ca, cha, ja, jha, Ja-cavarga- tAlavya, 1 Ta, Tha, Da, Dha, Na - Tavarga * mUrdhanya ta, tha, da, dha, na * tavarga * daMtya, pa, pha, ba, bha, ma - pavarga - oSThya , ya, va, ra, la * uSmAkSara za - tAlavya, Sa - mUrdhanya, sa * daMtya, ha - mahAprANa, kSa = k + Sa, jJa = j + Ja va - daMtyauSTya ka varga ke sabhI vyaMjanoM kA utpatti sthAna kaMTha hone se unheM kaMTastha kahA jAtA hai / jabaki cavarga ke vyaMjana kA uccAraNa karate samaya jihvA va tAlu kA saMyoga hotA hai ataH unheM tAlavya arthAt tAsu dvArA niSpanna kahA jAtA hai / Tavarga ke vyaMjana kI asara mUrdhan arthAt mastiSka taka pahu~catI hai yA usakA utpatti sthAna mastiSka hai, ataH use mUrdhanya kahA jAtA hai / to tavarga ke vyaMjana kA uccAraNa karate samaya jIbha Upara va nIce donoM ora dAMta ko sparza karatI hai ataH unheM dantya kahA jAtA hai / pavarga ke vyaMjana ke uccAraNa karate vakhta donoM oSTha ikkaTTe hote haiM ataH unheM oSThya vyaMjana kahA jAtA hai| kahA jAtA hai ki sADhe tIna sau varSa pUrva mahAmahopAdhyAya zrI yazovijayajI mahArAja ne kAzI ke kisI vidvAna ke sAtha pavarga ke eka bhI| vyaMjana aura va ke upayoga kiye binA bahuta lambe samaya taka zAstrArtha kiyaa| thA | aura oSThya vyaMjana kA upayoga nahIM huA hai, usakA nirNaya karane ke liye Upara ke eka oSTha ko lAla raMga kA haratAla lagA diyA thA / yadi pavarga ke vyaMjana kA prayoga ho jAya to Upara ke oSTha kA raMga nIcevAle oSTa ko laga jAya kintu upAdhyAyajI mahArAja ne aisI kar3I zarta kA barAbara pAlana kiyaa| Upara batAyA usI prakAra ya, va, ra, la za, Sa, sa, ha ke sabhI nizcita uccAraNa sthAna batAye haiM / ha ko mahAprANa kahA hai kyoMki usakA uccAraNa nAbhi va vakSasthala se hotA hai / devanAgarI lipi ke anta meM kSa aura jJa batAye haiM / kintu ye do svataMtra akSara nahIM haiM, kintu ve do do vyaMjana ke saMyojana 95
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________________ se niSpanna haiM / yahA~ itanA yAda rakhanA ki Adhunika vijJAna ne hAla hI meM I. sa. 1807 meM hI dhvanizAstra ( acoustics) kI zodha kI hai usase hajAroM sAla pahale yahI varNamAlA va usakA vizleSaNa prAcIna bhAratIya sAhitya meM calA A rahA hai / aura saMskRta vyAkaraNa ke adhyetA usakA adhyayana karate the aura Aja bhI kara rahe haiN| jaba pazcima meM usa samaya kisI bhI prakAra ke vijJAna kA janma bhI nahIM huA thA / IsA kI satrahavIM sadI meM hue arnasTa clenDI (Ernst Chiandi ) nAmaka jarmana vijJAnI va niSNAta saMgItakAra ko dhvanizAstra kA pitA mAnA gayA hai / ' devanAgarI lipi jisameM prAcIna kAla se saMskRta bhASA dvArA apane vicAra va bhAvanAe~ abhivyakta kI jAtI thIM aura usake liye vaha mahattvapUrNa mAdhyama thI / isI lipi ke svara vyaMjana ke AkAra bhI bahuta mahattvapUrNa haiM / prAcIna kAla ke divyajJAnavAle mahApuruSoM ne inhIM svasvyaMjana ke AkAra ko apane viziSTa jJAna dvArA pratyakSa darzana / sAkSAtkAra kiyA thA / bAda meM unhIM akSaroM ke AkAra ko lipibaddha kiyA thA / arthAt uccarita svara- vyaMjana ke dhvani kI AkRti dI gaI / Aja hajAroM varSa bAda bhI inhIM svara-vyaMjana ke AkAra lipi meM koI mahattvapUrNa parivartana nahIM huA hai / itanA hI nahIM I. sa. 1967 meM svisa DaoNkTara sva. hensa jenI nAmaka ArTisTa va vijJAnI saMzodhaka ne khAsa taura se batAyA ki jaba bhI hibru va saMskRta ( prAkRta va ardhamAgadhI) jaisI prAcIna bhASA ke svara-vyaMjana kA uccAraNa kiyA jAtA hai taba usake sAmane sthita reta meM usI svara vyaMjana kI AkRti ho jAtI hai / jabaki hamArI vartamAna bhASAoM ke uccAraNa ke daurAna aisA pariNAma nahIM milatA hai / B isake bAre meM prazna upasthita karate hue hensa jenI kahate haiM: yaha kaise saMbhava hai ? kyA bhAratIya va hibru bhASA ke niSNAtoM ko isa bAta kI samajha thI ? yadi aisI samajha ho to yaha mahAna Azcarya hai / kyA pavitra bhASAoM ke bAre meM unakA koI viziSTa yA nizcita khyAla/vicAradhArA hogI ? aura ina pavitra bhASAoM ke lakSaNa kyA the ? kyA ina bhASAoM meM bhautika padArthoM meM parivartana karane kA yA usa para asara paidA karane kA sAmarthya thA ? yA kyA ina bhASAoM ke maMtra kI zakti dvArA bhautika padArtha utpanna kiye jA sakate haiM? yA kyA kisI bhI vyakti ke mAnasika va zArIrika rogoM kI cikitsA 96
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________________ na pavitra maMtroM ke gAna/gIta-saMgIta dvArA kI jA sakatI hai : kyA daMtakathA| sukharUpa pirAmiDa ke camatkArika prabhAva jaisA asara ina pavitra sura-svara dvArA paidA kiyA jA sakatA hai ?" / yahA~ dhyAna meM rakhA jAya ki bhAratIya bhASAoM kI lipi va dhvani/uccAraNa ke bAre meM ye prazna kisI bhAratIya yA fAlatU vyakti ke nahIM haiM kintu I. sa. 11957 se isI kSetra meM anusaMdhAna karane vAle svisa DaoNkTara sva. hensa jenI T RANSLMAANYADAWELFARNAGARRERALDAN H prasaMga ke anusAra dUsarI eka bAta khAsa taura se dhyAna meM rakhane yogya hai| ki vi. saM. 1199 ke daurAna gujarAta kI asmitA ke purodhA kalikAlasarvajJa zrI hemacaMdrAcAryajI ne zrI siddhahemazabdAnuzAsana nAmaka eka vyAkaraNa kI racanA kI hai / isa vyAkaraNa meM prathama sAta adhyAya/vibhAga meM saMskRta bhASA kA vyAkaraNa batAyA gayA hai kintu isake AThaveM adhyAya meM prAkRta Adi chaH bhASAoM kA vyAkaraNa bhI batAyA gayA hai / ve isa prakAra haiM1. prAkRta, 2. ardhamAgadhI, 3. zaurasenI, 4. paizAcI, 5. cUlikA paizAcI, 16. apabhraMza / '' isameM paizAcI bhASA ke liye kahA jAtA hai ki prAcIna kAla se isa bhASA meM pretayoni ke jIva vyavahAra karate haiM / ataH pretayoni ke jIva ko vaza karane ke maMtra isI bhASA meM hote haiM / jinake artha usI maMtra ke sAdhakoM ko bhI mAluma nahIM hotA hai / prAcIna zvetAmbara mUrtipUjaka jaina paraMparA ke sAhitya meM navasmaraNa nAma se prasiddha stotra saMgIta-cikitsA va maMtra-cikitsA ke amUlya sAdhana haiM / hAla hI meM inTaraneTa se prApta jAnakArI ke anusAra phabiena mamana (Fabien |Maman) nAmaka saMzodhaka ne batAyA hai ki saMgIta ke sura meM C, D, E, IF, G, A, B, C va D' sura ke krama se prAyaH 14 -14 miniTa taka satata saMgItamaya uccAraNa karane para kainsara kI kozikAoM kA nAza hotA hai aisA prAyogika pariNAma meM dekhA gayA hai / itanA hI nahIM sUkSmadarzakayaMtra (Microscope) meM rakhe gaye kainsara kI kozikA kI slAiDa meM kainsara kI kozikAoM kA nAza pratyakSa dikhAI par3atA hai / aura usake phoTogrAphsa bhI liye gaye haiM / ve inase saMbaMdhita vebasAITa meM rakhe gaye haiM / " ! pichale kucha varSoM meM hamAre pUjya gurudeva AcArya zrI vijayasUryodayasUrijI mahArAja ke anubhava meM Upara batAye hue navasmaraNa stotra ke antargata tIsare 97
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________________ |zrI saMtikaraM stotra kA adbhuta prabhAva dekhane ko milA hai | zrI sArAbhAI maNilAla navAba dvArA prakAzita " mahAprabhAvika navasmaraNa " graMtha meM eka saMtikaraM kalpa hai / usake anusAra vidhi karane para usakA anubhava ho sakatA hai / 12 ___ isa saMtikaraM stotra kI racanA zrI munisuMdarasUrijI mahArAja nAmaka jainAcArya ne kI hai / isa stotra meM zrIzAMtinAtha paramAtmA kI stuti kI gaI hai / jaina paraMparA ke anusAra isa vartamAna avasarpiNI kAla meM hue caubIsa | tIrthakaroM meM se zrI zAMtinAtha solahaveM tIrthaMkara haiM | kalikAla sarvajJa zrI hemacaMdrAcAryajI ke triSTizalAkApuruSa caritra ke anusAra zrI zAMtinAtha prabhu unakI mAtA zrIacirAdevI ke garbha meM the usa vakhta hastinApura nagara meM |kisI bhI kAraNa se marakI-mahAmArI bhArI upadrava huA thA / usa samaya jJAnI guru bhagavaMta kI sUcanA anusAra zrI acirA mAtA ke snAtra-abhiSeka | ke jala kA samagra nagara meM chaMTakAva kiyA gayA aura usase samagra nagara meM se roga dUra ho gayA thA / " prathama dRSTi se Aja ke vijJAna yuga meM yaha asaMbhava - azakya mAnA jAya kintu taTastha anusaMdhAna kI dRSTi se isa ghaTanA kA mUlyAMkana kiyA jAya to isameM koI Azcaryajanaka nahIM hai / isa stotra ke racayitA AcArya zrI munisuMdarasUrijI mahArAja bhI | maMtrazAstra ke mahAna jJAtA va sattvazAlI mahApuruSa the / unhoMne sUrimaMtra kI saMpUrNa ArAdhanA vidhipUrvaka 24 bAra kI thI / jo sAmAnyataH koI bhI AcArya kevala eka yA do bAra karate haiM / ___ isa stotra ke vidhipUrvaka jApa se kainsara jaise mahAvyAdhi me usakI gAMTheM adRzya ho pAyI haiM / / dUsarI mahattvapUrNa bAta yaha hai ki kisI bhI saMgIta ke sAdhana dvArA utpanna saMgIta ke suroM ke bajAya saMgItakAra dvArA hI apane mukha se jo sura utpanna |kiyA jAtA hai vaha jyAdA zaktizAlI hotA hai aura vaha dardI para jyAdA asara paidA karatA hai / yaha bAta vartamAna vaijJAnika anusaMdhAna dvArA spaSTa hotI hai |"jo tArkika rIta se bhI saMpUrNa satya hai kyoki saMgIta ke sAdhana dvArA utpanna suroM meM eka hI prakAra ke sura meM bhinna bhinna bahuta se prakAra ke akSara, zabda kI dhvani samAviSTa ho jAtI hai / jabaki saMgItakAra manuSya dvArA mukha se hI jisa sura kA uccAraNa kiyA jAtA hai usa vakhta vaha 98
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________________ | kevala eka hI prakAra ke akSaroM yA zabdoM kI dhvani hotI hai / ataH vaha jyAdA ghana tIvra banatA hai, pariNAmataH saMgIta ke sAdhana ke dhvani se usakA jyAdA va spaSTa asara hotA hai / sAmAnyataH Adhunika auSadhavijJAna meM jisa kainsara ke vyAdhi ko asAdhya mAnA gayA hai, vaha saMgIta ke suroM dvArA va maMtra cikitsA dvArA dUra ho sakatA hai aisA pazcima meM kiye gaye anusaMdhAna se patA calatA hai / maMtrazAstra ke vaijJAnika anusaMdhAna ke liye hAla hI meM amarikA meM banAyA gayA TonoskaoNpa nAmaka yaMtra bahuta hI upayogI hai / isa yaMtra kI mahattA batAte hue usake anusaMdhAnakAra hensa jenI kahate haiM ki dUsare koI bhI prakAra ke | ilekTronika sAdhana kI binA sahAyatA hI TonoskaoNpa nAmaka yaha yaMtra manuSya kI AvAja kA dRzya meM rUpAMtara karatA hai / aura isI sAdhana kI sahAyatA se bhASAgata koI bhI svara yA vyaMjana ke tathA saMgIta ke vibhinna suroM ko sIdhe hI bhautika AkRti meM dRzyamAna banAkara Age kA anusaMdhAna karane kI saMbhAvanAoM kA nirmANa huA hai / 15 hamArI bhAratIya prAcIna sAhitya vaijJAnika rahasya anusaMdhAna saMsthA (Research Institute of Scientific Secrets from Indian | Oriental Scriptures), ahamadAbAda hAla hI meM kAryAnvita huI hai / vaha nikaTa ke bhaviSya meM isI yaMtra ke dvArA sva. hensa jenI dvArA upasthita kiye gaye praznoM ke uttara prApta karane ke liye prayatna karegI tathA yaMtra, maMtra, taMtra ke bAre meM viziSTa prAyogika anusaMdhAna kArya zuru karegI / saMkSepa meM, saMskRta bhASA eka aisI viziSTa bhASA hai ki jo pUrNataH vaijJAnika hai / itanA hI nahIM, kintu prAcIna kAla ke RSi munioM ko isake bAre meM jitanA jJAna thA usakA aMza mAtra bhI vartamAna logoM ke pAsa nahIM hai / usa jJAna ko prApta karane hetu isa saMsthA dvArA anusaMdhAna kiyA jAyegA | saMdarbha : 1. jainadarzananAM vaijJAnika rahasyo le muni zrI naMdIghoSavijayajI (pra. bhAratIya prAcIna sAhitya vaijJAnika rahasya anusaMdhAna saMsthA janavarI 2000) pR. 91 2. draSTavya : pANinIya aSTAdhyAyI (saMskRta vyAkaraNa) 3. siddhahemazabdAnuzAsana sUtra audantAH svarAH / 114 aM aH anusvAravisaga / 1-1-9 - 99
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________________ ANU - 4. RIGTATEGILERA 17 - BIGTIT PORT: 11-1.4. -f-f24131 679--lear: 1 - 1 -5 1 34quf 27 1 - 1-6 IEGTI PART 1 - 1.71 31 34 319rf4f | 1-1-9 5. R ITEITE - Directiva 11-1-6 6. PAGE WHYTECTI?1X244 TE TARATKAISUT FET: 11 - 1.17 3477 5229 giai 7. Ernst Chlandi who has been referred to as the father of acoustics (An Article "The Science of Sound Healing* from Internet) 8. In his research with tonoscope, Jenny noticed that when vowels of the ancient languages of Hebrew and Sanskrit were pronounced, the sand took the shape of the written symbols of these vowels, while our modern languages, on the other hand did | not generate the same result. (An Article "The Science of Sound Healing" from Internet) 9. Jenny questioned how this was possible. Did the ancient Hebrews and Indians understand what seemed a mystery to us? Is there something to the concept of "Sacred Languages"? What qualities of these "Sacred Languages" possess? Do they have the power to influence and transform physical reality, to create things through their inherent power, or, to take a concrete example, through the recitation or singing of sacred text, to heal a person who has gone "out of tune"? Were these "sacred tones" used to create such miracles as the pyramids? (An Article *The Science of Sound Healing" from Internet) 10. SE : R16847197904477, HOAT 3772|, NIT OTG 11. The most dramatic influence on the cells (as shown in the actual photographs above) came from the human voice when Maman sang a series of scales into the cells. Over a period of fourteen minutes the nine musical notes (C - D - E - F - G - A - B - and C and D from next octave above) were sung. The structure quickly disorganized. (An Article "The Science of Sound Healing" from Internet) 12. mahAprabhAvika nava smaraNa (prakAzakaH sArAbhAI maNilAla navAba, amadAvAda) 13. draSTavya : triSaSTizalAkApuruSacaritra gata zrI zAMtinAtha caritra 100
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________________ (kartAH kalikAla sarvajJa zrIhemacaMdrAcAryajI) 14. The human voice carries something in its vibrations that nakes it more powerful than any musical instruinent. (An Article "The Science of Sound Healing" from Internet) 15. The tonoscope was able to make the human voice visible Without any electronic apparatus as an intermediate link. This made possible an ability to view the physical image of a vowel, a tone that human being produced directly. Thus, Jenny could not only hear a melody - they could see it, too! (An Article "The Science of Sound Healing" trom Internet) When all in the world understand beauty to be beautiful, then ugliness exists; when all understand goodness to be good, then evil exists. But Aristotle himself believed that questions concerning the human soul and the contemplation or God's perfection were much more valuable than investigations of the material world. Fritjof Capra 101