Sramana 2005 01

SR No.: 525055
Original Sutra Author: N/A
Author: Shreeprakash Pandey
Publisher: Parshvanath Vidhyashram Varanasi
Publication Year: 2005
Total Pages: 280
Language: Hindi
Classification: Magazine, India_Sramana, & India
File Size: 12 MB

Page 130

The Jain Manuscript and Miniature Tradition
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On the performance of Jñāna Pañcami, see John E. Cort, 'Liberation and Wellbeing,' A Study of the Svetambar Murtipujak Jains of North Gujarat: Ph.D. Dissertation Harvard Univ., 1989, pp. 198-203. Kumar, Lalit, 'Citra-Kala in Jain Canonical Literature in K. R. Chandra (ed.), Jaina Agama Sāhitya Proceedings of a Seminar on Jaina Āgama, Ahmedabad, 1992, pp. 283-284. Shah, U. P., More Documents of Jain Paintings and Gujarati Paintings of the Sixteenth and Later Centuries, Ahmedabad, 1976, fig. 1-3. Cf. Brown, Norman, The Story of Kalaka, Washington, 1933, p. 16. Kumar, Lalit, 'The Water Imagery In Indian Art, Kală (Journal of the Indian History Congress), Vol. 4, 1997-98, pp. 89-92. Jaina Citrakalpadruma, fig. 143-147. Kumar, Lalit, 'Gleaning of the Mandu Idiom: the Coommaraswamy Kalpasutra and Kalakacaryakatha in Boston Museum: in the Vijaya Shankara Srivastava and M.L. Gupta (ed.), Rupankana: Recent Studies in Indian Pictorial Heritage (Padmasri Vijayavargiya Felicitation Volume), Jaipur, 1995, pp. 53-56. Doshi, Saryu, Masterpieces of Jain painting, Marg Publication, 1985, pp. 58 & 63. Ibid" p. 57. The nomenclature of the style has been discussed at length in the past. The current name of the style is used only for the sake of convenience. Nevertheless, the name of the style as Apabhraíía suggested by Rai Krishna Das is the most appropriate one. It truly characterizes the style because similar development had also been seen in the contemporary literature and referred to by the same name. Goswami, B. N., The Jainesque Sultanate Shah Nama and the Context of Pre-Mughal Painting in India, Zurich, 1988.
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