Nirgrantha-1

SR No.: 522701
Original Sutra Author: N/A
Author: M A Dhaky, Jitendra B Shah
Publisher: Shardaben Chimanbhai Educational Research Centre
Publication Year: 1995
Total Pages: 342
Language: English, Hindi, Gujarati
Classification: Magazine, India_Nirgrantha, & India
File Size: 10 MB

Page 47

H. C. Bhayani
Nirgrantha
with Bahubali. Thus all earlier speculations and misundertandings have been set at rest.
The present brief note aims at supplementing Upadhye's study of the word gommata by pointing out three occurrences of the word gumați, one as a Prakrit word and another as a Sanskrit word, not noticed by Upadhye or, to my knowledge, by any other scholar. The first occurrence is noted from a text passage datable in the first half of the 11th century A. D. and hence the earliest brought to light so far.
In Bhoja's Sarasvatikanthābharaṇa, to illustrate the Saṁkīrṇa type of the Figure of Sound called Jāti, a verse is cited which has a mixture of Sanskrit, Mahārāstrī Prakrit, and Apabhramsa (II. v. 10) languages. Its first line begins with the following words :
akața-gumați-candra-jyotsnā
The Mahārāstrī word akata is paraphrased by the commentator Ratneśvara as āścaryam 12 and gumați as manojñā. Thus the moonlight is described as wonderfully beautiful. It should be noted that one constituent of the meaning of gumati here (applied to the moonlight) is 'white'. Compare the Marāthī phrase gora-gomtā in which, as suggested by Upadhye, we have collocation of two synonymous words to express intensity of whiteness.
The second occurrence of gumati I happened to notice was in a verse cited in the Prabandhacintāmaņi (A. D. 1305) of Merutunga in one of its manuscripts (Pb Siglum) dated the 17th Century A. D. The verse occurs within a legendary anecedote connected with the Paramāra king Bhoja and a poor man. The latter addresses to the King a selfcomposed Sanskrit verse which contains 11 ți- sounds. Its third line contains the following words: priya na gumati : 'I have not got a fair woman as my wife'.
The third occurrence is somewhat doubtful. In Someśvara's Mānasollāsa (A. D. 1131), the illustrative verse given for the musical prabandha called Caturangaka, which is characterized by a mixture of several languages, is found in a highly corrupt form. I have attempted to restore it. The first line of the verse is in Sanskrit, the second in the Mahārastri Prakrit, the third in some regional dialect (Early Madhyadeśīya ?) and the fourth in Māgadhī. The third line has been restored by me as under :
jo govi-jaņi gāije bahu-pare rūpim tinho gomatā
The Mss. read nihām--tinho and gomaya respectively for the last two words. If my emendation of gomaya as gomatā is plausible, we have here an early 12th century occurrence of gomață in the sense of manojña. It cannot of course mean here gaura, because Krşņa is śyāmala, dark.
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