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96
H. C. BHAYANI
SAMBODHI
water pot on her head and swinging her both hands, thinks he has gained (the (whole) earth. vairego jahā :
dusaha-paäva-pasaro somo sai akhalia-paho tam si /
te vya jadā una donha ve ravi raa raa haa-chaa //63 The illustration of Vyatireka :
The spread of your prowess (2. heat) is unbearable. You are always gentle and you tread the path without stumbling (2. stopage) ....... Besides the sun ...... are inanimate (?) Hence their lustre is dimined (before you)
phuda-simgārāi-raso so rasio aha bliannae alamkāro /
anna-vavaesa-bhanie viņinimio loi pajjão // When there is explicit erotic sentiment the figure is said to be Rasita. When something is saíd under disguised reference Paryāya is produced.
rasio jahā : . . dūī-viaddha-vaanāņubamdha-iarā viambhium thaddhā /
padai saunnassa uare rasamta-rasaņā kuraṁgacchi //69 The illustration of Rasita : The proud fawn-eyed girl, won over (?) by the soliciting clever words of the female messenger, yawning and with her girdle tinkling would fall on the chest of a man who has earned religious merits.
pajjão bhannai jahä :
garuāņa coriāe ramamti (e) payada-rai-rasam katto/
mā kunasu tassa dosam sumdari visama-tthie kajje 7/66 Paryāya is illustrated as follow : How can there be real sexual pleasure in making love clandestinely-concealing it from the elders ? O Charming woman, in such a difficult matter do not blame lim.
jaha nia (?) bhannai bahuā parivādi-paadanam jaha-samkham / kim puna biunam tiunam cauggunam hoi kavvamini // 67
When many things are described with a view to reveal a series it is
