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Again in a sūtra he holds- 7 falaga19791a : 1 The uddipanavibhävas are the instrumental causes of rasa. (Vịtti of 5/8)
The Uddipanas are four-fold viz, the juis- qualities, 33*ER- ornaments 2 - activities concerning the 2113199 and also acre or neutral.
Then he describes the glinas of alambana and the alamkāras of heroine (Nāyikā) according to N. S.
In 5/14 Ajitasena gives the definition of anůbhāva.
रसोऽनुभूयते भावयेत्पन्नाऽनुभावः । तेऽनुभावा निगद्यन्ते कटाक्षादिस्तनुभव: ॥
Rasa is experienced by the H195 and is caused by gautas, such as F2181fe, produced from the body.
Bharata has observed in N. S. 7/6 that wordly actions have become 37 Hala in poetry and by them the Vācika, angika and sättvika abhinayas are performed.
Ajitasena describes sättvikabhāva also following Bharata.
सत्त्व' हि चेतसा वृत्ति स्तत्र जातास्तु सात्त्विका: । स्युस्ते च स्पर्शनालापनितम्वास्फालनादिषु ॥
Se (Aci. 5/16)
The sttva is the vrti-behaviour of fan- mind and sāltvika takes birth from it, i.e. # . Hence they are called sättvika. They are horripilation etc. (Compare N. S. 7/374)
The sättvikabhāvas are eight, only the change is made in the sequence, which Bharata has mentioned as Fache etc.
For Vyabbicāribhāvas Ajitasena says :
उद्भवन्त्यः प्रणश्यन्त्या वीचयाब्धे तथात्मनि । बहुधा संचरन्तो ये भावाः सचारिणा मताः ॥
(Aci. 5/26) Like the waves of ocean, rising and falling, the vyabhicāris move in the soul. Here, le seems to be under the influence of Dasarūpaka.
Ajitasena also mentions 33 bhāvas following Bharata but he puts first cft : (21) in place of nirveda. In some place there is a change of naine ___c.g. जडता for जाड्य.
