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AM Kansara
and-servants of the royal barem were expert in this art a Lots 17th professional nod amateur, carried their pieces to such priticisin and appreciation 87 Loog hours were spent by the princes ng with expert teachers and others well-versod 10 art, the auty (carfiatalna) of pictures 8 So great was the passion for ole day, were sometimes spent by prices in looking at beauti
of extraordinary beauties of the day, setting aside all other daily The art had advanced to such an extent that Nature was brought in the canvas 40 Infinite modes and varities had developed in the ling
s of painting and other arts were employed as teachers and ad on festive occasions the king oged to specially honour them ing thein to execute various codimission, such as producing porrinces and princesses for being sent around to various kingdoms
to find uut suitable matches for marriages 1 The extremo
P170 (5) बलेखे, व हि चित्रकर्मणि परं प्रवीणा ।
P 163 (IST) । नगरनिवामिनो वैदेशिकाश्च कोका कलासु प्रकापयितुमात्मनो विचक्षणतामनुक्षण
p 184 where Cancurvaha asks the prince to pass his judgment on a picture
P 117 (148) पाध्यायैरन्यैश्च अनपरम्पराअमितकुतहलैचित्रमवलोकयितुमागतैरालेख्यशास्त्रविर्निगर
हा विचारयनविचार्यचारुत्वतस्य तस्याभिचत्रपटपुत्रिकाया रूपमपसारितापरषिमोदा नियत् । .P.18 (10) मालोल इति मत्वा निपुणचित्रकारैश्चित्रपटेयारोप्य सावरमुपायमीकृतामि रूपातिशय मवमीपालकन्याना प्रतिबिम्बानि परित्यक्तान्यकर्मा विषसमालोकयत् ।
p 165 (136) चतरलिनानि त्रासाविहायस्युद्धीयमानान्युडीनानि च साक्षात् सचेतमामीव प्रकाशितामि मेथुनानि। ,P 171 (17) बहुविकल्पशिल्पेन । 10 170 (77)
मकलनिजपरिवारवाराशनाचित्रकौशलदर्शनष्याजेन दर्शय निसर्गसुन्दराकृतीमामवनरेन्द्रदारकाणा पिद्धस्माणि ।। (61) त्वदुपलम्भाशया दिवमुखख्यातरूपसम्पदा राजकन्यानां विसरूपाण्यावर प्रवर्तितेभिचत्रकृतियाभिलियोपनीतान्यजनमवलोकयत मे गता कतिपये दिवसा.
