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Shri Mahavir Jain Aradhana Kendra
www.kobatirth.org
Acharya Shri Kailassagarsuri Gyanmandir
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dvitīya', tytīyao, caturthao, madhyamela vīņā and dvitīyamadhyamela vīņā and then jumps to II. 55 and ends at II. 58.
Pundarika was the author of several other works on music, of which the only MS of the Nartananirnaya belongs to the old collection of the society.
P. K. Gode has made an attempt to determine the chronology of the works of Vitthala (Journal of the Music Academy, Madras, Vols. VI-VIII, pp. 1ff.)
54. Narada.
5040. पञ्चमसंहिता। Pancamasamhitā. Substance, country-made paper. 14x3 inches. Folia, 5. Lines, 5-7 per page. Character, Bengali. Appearance, discoloured. Date, Saka 1632. Incomplete.
The present MS contains the third chapter only, which enumerates the Rāgas and their consorts the Rāginis, refers to the proper time for the practice of each and gives their anthropomorphic descriptions. It seems to contain a version different from the one contained in a MS of the work entitled Pañcamasārasamhită consisting of four chapters and belonging to the Vangiya Sahitya Parishat (VSP., p. xliv, 267). L. I. 322 describes a portion of the work, also entitled Pañcamasārasamhitā, not traceable in the MS of the Parishat. Beginning :
ताशब्देनोच्यते गौरी नशब्देनोच्यते हरः। तानेतिशब्दहुकारात् प्रोक्ताऽप्यन्ते शनैः शनैः ॥ तत्तत्कालं सुविज्ञाय दम्पत्योर्गायनं बुधः ।
एतयोनिमात्रेण त्रैलोक्यं वशमानयेत् ॥ यत्र रागाः।
मालवश्चैव मल्लारः श्रीरागश्च वसन्तकः ।
हिल्लोलचाथ कर्णटः एते रागाः घडीरिताः ॥ एतेषां स्त्रियः।
धानसी मालसी चैव रामकेलौ च सिन्धुडा । आशोआरौ भैरवी च मालवस्य प्रिया इमाः ॥
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