Jaina Paribhashik Shabdakosh

SR No.: 016117
Original Sutra Author: N/A
Author: Vishrutvibhashreeji, Mahendramuni
Publisher: Jain Vishva Bharati
Publication Year: 2009
Total Pages: 414
Language: English
Classification: Dictionary & Dictionary
File Size: 12 MB

Page 360

Jaina Pāribhāşika Sabdakosa
-343
tual power); that Rddhi-(supernatural power), which is attained through the maximum Kşayopasama (annihilation-cum-subsidence) of the srotrendriyāvarana (auditory sense-veiling), Srutajñānā. varana (articulate knowledge-veiling) and Viryāntarāya (Karma, obstructing the spiritual energy) and the Udaya (rise) of the Sarirāngopārganāma Karma (which is responsible for the anatomical structure of the main organs-head, chest, abdomen, back, the pair of arms, thighs and the subordinate organs--the fingers etc.) and by dint of which one can give response to the diverse types of sounds which may be linguistic or non-linguistic, produced by the humans and sub-humans, which are located in the region up to numerable Yojanas (1 Yojana = 7.88 miles) in all the ten directions beyond the maximum range of audition. sodimdiyasudaņāņāvaranānam vīriyamtarāyāe. ukkassakkhauvasame udidamgovamgaņāmakammammi.. sodukkarassakhidido bāhim samkhejjajoyaņapaese. samthiyaņaratiriyāṇam bahuvihasadde samutthamte.. akkharaaņakkharamae sodūņam dasadisāsupattekkam. jam dijjadi padivayanam tam ciya sambhinnasodittam..
(TriPra 4.984-986) See-Sambhinnasroto Labdhi.
• can decipher diverse types of sound simultaneously produced (by diverse sources) in accordance with their individual property
(qualities). sambhinnasoyariddhi nāma jo egatarenavi sariradesena pamca vi imdiyavisae uvalabhati, so sambhinnasoya tti bhannati. ....imdiyatthe uvalabhati. ahavā savvehim amgovamgehim. ahavā cakkavattikhamdhāvāre savvaturäņam visesam uvalabhati.
(AvaCū1 p. 68, 70) dvādaśayojanāyāme navayojanavistare cakradharaskandhāvāre gajavājikharoştramantisyādinām akşarānakşararūpānām nānāvidhasabdanām yugapadutpannānām tapovišeşabalalābhāpādita sarvajivapradeśasrotrendriyapariņāmāt sarvesāmekakālagrahanam sambhinnasrotrtvam.
(Tavā 3.36 p. 202) jo sunai savvao munai savvavisae va savvasoe
him.
sunai bahue va sadde bhinne sambhinnasoo so..
(ViBhā 783) See-Sambhinnasrotstva.
Samyama Self-restraint (or ascetic conduct)- A type of Sramanadharma (tenfold virtues of ascetic) or uttamadharma (noble virtues); that inihibition (renunciation) of activity, which is the cause of the Samvara (inhibition) of the Asrava (influx) of fresh Karmas. apūrvakarmāsravasamvarahetuh samyamo var
(ON V? Pa 12)
tate.
Samyamakusala 1. That ascetic (Muni), who is quite meticulous (or punctilious) in the observance of Samyama of seventeen types, (viz., Pythvikāyasamyama (abstinence from Himsā (injuring or killing the living beings) of earth-bodied beings and the
like)).
Sambhinnasroto Labdhi That human being is equipped with Sambhinnaśroto Labdhi, who• can take cognizance of all the five objects of
sense-organs through any one part of the body; • can distinctly take cognizance of the diverse
sounds, produced simultaneously by the army of the Cakravarti (universal sovereign), which is spread over the region measuring 12 Yojanas (1 Yojana = 7.88 miles); • can take cognizance of all the five objects of sense-organs through any one sense-organ of the body; • can take cognizance of all the five objects of sense-organs through all the principal and secondary organs of the body; • can distinctly take cognizance of the diverse sounds (notes), produced simultaneously by all the musical instruments played in the army of the Cakravarti (universal sovereign).
2. That ascetic (Muni), who is quite heedful (wide awake) in observance of the Ādānanikṣepa Samiti (comportment quâ using and laying of monastic paraphernalia) and Eşāņā Samiti (comportment quâ acceptance of food etc.), in using bed, in taking food etc., who curbs his senses and passions, and inhibits the Aśrava (cause of influx of Karma), occupies himself in the auspicious (righteous) activities and remains absorbed in auspicious meditation. ....pudhavādisamjamammi, sattarase jo bhave