Satapatha Brahmana

SR No.: 011120
Original Sutra Author: N/A
Author: Max Muller, Julius Eggeling
Publisher: Oxford
Publication Year: 1987
Total Pages: 433
Language: English
Classification: Book_English
File Size: 36 MB

Page 19

INTRODUCTION.
passage already referred to:-Agni is created by Pragâpati, and he subsequently restores Pragapati by giving up his own body (the fire-altar) to build up anew the dismembered Lord of Creatures, and by entering into him with his own fiery spirit, whence, while being Pragâpati, they yet call
him Agni.'
The shape adopted for the altar is that of some large bird-probably an eagle or a falcon-flying towards the east, the gate of heaven. Not that this is the form in which Pragåpati is invariably conceived. On the contrary, he is frequently imagined in the form of a man, and symbolic features are often applied to him which could only fit, or would best fit, a human body. But, being the embodiment of all things, Pragâpati naturally possesses all forms; whence the shape of a four-footed animal is likewise occasionally applied to the altar. It was, doubtless, both traditional imagery and practical considerations which told in favour of the shape actually chosen. Pragapati is the sacrifice and the food of the gods 2; and Soma, the drink of immortality and at the same time the Moon, is the divine food or offering karox, the uttamam havis, or paramâhuti", or supreme oblation: hence Pragapati is Soma". But Soma was brought down from heaven by the bird-shaped Gayatri; and the sacrifice itself is fashioned like a bird ". In one passage, certain authorities are referred to as making the altar (Agni) take the form of a bird in order to carry the Sacrificer to heaven; but the author himself there insists dogmatically on the traditional connection of the altar with Pragâpatį: that it was by assuming that form that the vital airs became Pragâpati; and that in that
1
See, for instance, VIII, 1, 4, 3.
3
Rig-veda IX, 107, 1.
5 See, for instance, VI, 2, 2, 16, X, 4, 2, I.
7
6
• IV, 1, 2, 25.
2
xxi
V, I, I, 2.
Sat Br VI, 6, 3, 7
VI, 1, 2, 36; cf XI, 4, 1, 16
8 This can only refer to the cosmological statement at the beginning of the same Kânda, where the seven Rashis, or vital airs, are said to have combined to form the bird-shaped Purusha or Pragapati. Though nothing is said there of their having themselves been shaped like birds, this might perhaps be inferred from the use of the term purusha' with reference to them. In the Purushasûkta nothing whatever is said of a birdlike form, either in regard to the Rashis,
h2