Satapatha Brahmana

SR No.: 011120
Original Sutra Author: N/A
Author: Max Muller, Julius Eggeling
Publisher: Oxford
Publication Year: 1987
Total Pages: 433
Language: English
Classification: Book_English
File Size: 36 MB

Page 139

VIII KÂNDA, 6 ADHYAYA, 2 BRÂHMANA, 5. 113
the Nada-verse!, the Sadadohas, the pâda-appendages, and whatever Anushtubh matter there is, they make up the Anushtubhs.
4. Dvipadà verses are the feet. Thus much is the great hymn of praise, and the great hymn of praise means distinction : the gods bestowed upon him (Agni) all that distinction, and so does this (Sacrificer) bestow upon him all that distinction
5. And, again, as to why he lays down the Khandasyâs. The gods at that time saw that firmament, the world of heaven, to wit, those Stomabhâgâs, and entered it. Of those entering, Pragâpati entered
1 The Nada-verse, Rag-veda VIII, 69, 2 (in the ushnih metre) deriving its name from its first word 'nadam,' plays a peculiar part in the recitation of the Great Litany. The opening set of recitations, iepi esenting the trunk, consists of twenty-two trishtubh verses; these are recited in such a way that after each pâda (or quarter of a verse) one of the four pâdas of the Nada-veise is inserted. The chief object of this insertion seems to be a metrical one, viz. that of making each two pâdas (trishtubh = eleven, and ushah = seven syllables) to form half a brzhatî verse (eighteen syllables), the whole Litany being computed by brı hatî verses. Moreover, of v. 3 of the first Trishtubh hymn of this set (Rzg-veda X, 120) only the first two pâdas are recited at this stage (whilst the remaining two are recited in different places later on), and this half-verse is followed by a brı hatî and a satobrihatî pâda (VII, 32, 23 c, and VI, 46,2 c), after which the recitation proceeds with verse 4 of the first hymn. This seems to account for one of the two half-verses here referred to, whilst the other would seem to be VII, 20, I a, b, recited later on in the sastia. CF. Prof F. Max Müller's translation of Aitareyâr., Sacred Books of the East, vol. 1, p. 181 seqq.--The Aindragna hymn is VIII, 40, 1-9; 11; 12, being the first hymn of the portion representing the thighs. It consists of ten mahapanktı verses (6 x 8 syllables)- each of which is split up into two Gayatri verses (3 x 8 syllables)—and one trishtubh verse.The chief anushtubh verses are those of Rig-veda I, 11, 1-8, which are recited in a peculiar way (towards the end of the sustra), the last pâda of each verse interchanging with the first pâda of the next verse.
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