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THE IDEAL OF THE KARMAYOGIN
spirit of Bengal that expresses itself. The attempt to express in form and limit something of that which is formless and illimitable is the attempt of Indian art. The Greeks aiming at a smaller and more easily attainable end, achieved a more perfect success. Their instinct for physical form was greater than ours, our instinct for psychic shape and colour was superior. Our future art must solve the problem of expressing the soul in the object, the great Indian aim, while achieving anew the triumphant combination of perfect interpretative form and colour. No Indian has so strong an instinct for form as the Bengali. In addition to the innate Vedantism of all Indian races, he has an all-powerful impluse towards delicacy, grace and strength, and it is these qualities to which the new school of art has instinctively turned in its first inception. Unable to find a perfect model in the Acanty relics of old Indian årt, it was only natural that it should turn to Japan for
