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· KARMAYOGIN..
passe 1
Every time he is right, his atteo- CONVERSA NOUTO MIR-DRAD hundred man. Unless they tion whould be prominently aud . .
.. . wia, in ahia.com of the encouragingly called to it so that GANDHARIAN DARITARASITRA. pkebouse they loptLont, he may get confidence.
Candbari: Awake! Awake Wet! Is Nipo mod for story While engaged in comparing and
are salled again to the plight DarstarghanaTot you were never contrasting, another centre is cer.
The players wait. The drama turbulent woman; Gandhari! tain to dovelop, the centre of ana
cannot go forward until we are :By: your side faund. I ever a lowy. The learner will inevitably
found. Thoy' are so m et rediger is day when, X WOD draw analogies and argne from like
thuse already on the mago' and their foes kept the whole to like. He should be encouraged
How can we keep them at the world a fever-pitch without to rise this faculty while noticing its
How can it be that you, sweetlimitations and errors. In this way | Dhritarashtra : So ournest, yes ! est of women, and ideal of wifehe will be trained to form the habit There they are, the awhinikins, hood, would All the stage of our of correct antoky, which in un'in- biriding up and down the stage tirae with violence, would weldi- p ablo aid in the acquisition
prating about ideals, and calling come warfare and the din of
aloud to heaven about their of knowige.
battle, woull. all down confurights and duties! Their right The one faculty we have omitted,
sion and bloodshed, from which
to do this duty, their duty to even men may. shrink with fear apart from the faculty of tirect
claim that right! Ugh! Ugh! and horror ? raning, in Imagination. This is
Ugh! The whole thing is a Gandhari : Can you not sce, dear sunt important and indispensable
tempest in a cow-puddle. How Sovervign and Spouso, the next instrument. It inay be divided
much sweeter were harmony act in our play is all of this! into three function, the forining of
and concord without all this Man goes only the external, the marital images, the power of creat
talk of rights and dutios! Cap superficial. But woman everying thoughts, images and imitations
they not see that the whole wbere looks deeper, and interwww combinations of existing
thing is Maya, anyway, that the prots, urges, and inspires. Man thought and images, the appreciation
stars are very distant, and the of the soul in things, beauty, charm,
sees only the results of the fight,
earth is wide, and it matters treatness, hidden snggestiveness,
and has little heart to pay again
little who wins or who loses in the motion and spiritual lifo that
90 great price to gain so little;
these mimic battles ? presvulus the world. This is in every
but woman sees the heroes themway. Hy important as the training of
Candhari : Ah no, my Lord, you selves, and thinks even defent the faculties which observe and com.
look with the outer eye, alune. were nothing, to give for such ! pare out want things. But I shall
To see thus is to be oneself Dhritorashtra: Tell me, my wife,
beneath the spell of maya. The with it in a subseqnent chapter.
what is it that you see? I Thentul faculties should first
idleness of tancortainty is not shall talk no more of life being be exercise on things afterwards on
the same as victorious insight! all a dream, talk no more of tho wonderd idens. Our chulings with
I al look, but with that inner sweetness of peace. Here is inlanguage are much too perfiuuctory
setise that your wife gained. daud the spell of my to use and the absence of a fine sense for
And I say, let them strive and even the highest of thoughts, words improverishes the intellect
struggle with all their might! unly to justify one's own comfort
Let them wrestle to their utmoet' un limity the fireness and truth
and retirement. But utter to ulit perntions. The mind should
Let them fight, with teeth vet, me your prophecy, that I may bu accustomed first to notice the
and grim determination, though yu down to the grest dramil wond thoroughly ite form, sound,
they were even less than five with heart at rest, making my. ILU; then to compare the form with other similar forms in the points of similarity and difference, thus forming the foundation of the yraminatical sense ; then to distinguish between the fine sbaules of wens of similar words wud the forurmation and rhythm of different #entence's thus thu furimation
JACKAL BRAND of the literary and the syntactical faculties. All this should be done in formally drawing on the curiosity amitterent, avoiding set tencbing and memorizing of rules. The true knowlodge Lakes itu base on things, acthay, and only when it has mastured the thing, proceeds to formahas its information.
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