Jaina Sutras 01 Acharang Sutra and Kalpa Sutra

SR No.: 011059
Original Sutra Author: N/A
Author: Hermann Jacobi
Publisher: Max Muller
Total Pages: 396
Language: English
Classification: Book_English
File Size: 30 MB

Page 24

INTRODUCTION.
XV
him as a prophet of the Gainas, Vardhamana or Grà. triputral:
Supârsva
Siddhartha
Subhadia
Trisalâ or Videhadatta
Kelaka king of Vaisâli
Nandıvardhana Vardhamana Sudarsana Bimbisâra Kellanâ married to
king of Magadha Yasoda
Anoggâ m to
Ganâli
Kûnika or Agatasatru
Seshavati.
Udâyin, founder of
Patalıputra.
I do not intend to write a full life of Mahâvîra, but to collect only such details which show him at once a distinct historical person, and as different from Buddha in the most important particulars. Vardhamâna was, like his father, a Käsyapa. He seems to have lived in the house of his parents till they died, and his elder brother, Nandivardhana, succeeded to what principality they had. Then, at the age of twenty-eight, he, with the consent of those in power, cntered the spiritual career, which in India, just as the church in Roman Catholic countries, seems to have offered a field for the ambition of younger sons. For twelve years he led a life of austerities, visiting even the wild tribes of the country called Râdha. After the first year he went about naked? From the end of these twelve years of preparatory self-mortification dates Vardhamâna's Kevaliship. Since that time he was recognised as omniscient, as a prophet of the Gainas, or a Tîrthakara, and had the titles Gina, Mahâvîra, &c., which were also given to Sakyamuni. The last thirty years of his life he passed in teaching his religious system and organising his order of ascetics, which, as we have seen above, was patronised or at least countenanced chiefly by those princes with whom he was related through his mother, viz. Ketaka, Srenika, and Künika, the
1 Nataputta in Pâli and Pråkrit. The Buddhists call him Nigantha Nataputta, i. e. Grâtriputra the Nirgrantha or Gaina monk.
* This period of his life is the subject of a sort of ballad incorporated in the  kârânga Sätra (I, 8).