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INTRODUCTION
XLV
(IV) characteristics of one desiring dharma (dharmaicchukalinga)', (v) attainment of trancendental principles (lokottaratattvaprāpti), (VI) a Jaina temple (Jaina mandira), (VII) a Jaina idol (Jaina bimba), (VIII) ceremony of consecration (pratiştha. vidhi), (ix) nature of worship (pujāsvarūpa), (x) fruition of worship (pujāphala), (XI) characteristics of srutajñāna (srutajñā. nalinga), (XII) renunciation (dikşā), (XIII) modesty to a preceptor (guruvinaya), (xiv) types of yoga (yogabheda), (xv) nature of one to be contemplated (dhyeyasvarūpa) and (xvi) balance of mind (samarasc).
In XI, 5 there is an allusion to a narration pertaining to some sleeping king.
In XI 7-9 there is an exposition of vâkyartha, mahāvākycīrthā and aidamparyārtha as is the case with Uraësapaya (v.859885). Haribhadra seems to be the first Jaind writer to have coined this terminology and replaced the traditional one comprising padārtha, padavigraha, valand and pratyavasthana.
In XI, 11 there is a reference to attestant. It is explained in the com. by means of a narration.
In XII, 1 there is a phrase a uf#T. It is explained by the commentator Yasobhadra Suri as विडम्बनाप्राया चैत्रमासपरिहासकृतVAHETAT. This may remind one of the following lines occurring in Jinaprabha Sūri's Bhavvacariya' and Kulakasangaha respectively :
"A ESTE TE”
" SET TITTERAT Hadih ETUIGHT" This mock-king may be compared with the pseudo-bridegroom figuring in the "ghisa"' of Surat.
In XV, 11 the word “tīta' is used for atīta'. Yaśobhadra Süri while elucidating it in his com.cites Siddhiviniscaya" as an example where such usage is met with.
The wording of XV, 14 is perhaps borrowed from the following line occurring in S'ūkla-yajurveda (XXXI):
1-2 The bhāvanās such as love etc. are expounded here. 3 This work in Avahattha is published in the "Forbes Qujarāti Sabha
Quarterly" (Vol. I, No. 2, pp. 149–154). 4 For details see my article "frit ste" in the local weekly "Pratap
in its issue of 26-3-38. 5 Is this the same work as one composed by Akalarka?