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audience consisting of Sadhus, Sadhvis, and Srāvakas were imme. nsely rejoiced. One day while returning from the temple at Dilwada, Mount Abu, Upadhyāyaji Mahāraj Śri Yasovijayaji had a desire to meet Śrimad Anandaghanaji. He inquired from a Bâvâ where he might be. The Bava told Upadhyayaji Maharaja that he had seen him going to the adjoining cave on the mountain Upadhyayaji Maharaja went to the cave and saw that Srimad Anandaghanaji was coming out from the cave Both embraced each other with great joy
Upadhyāya Śri Sakalacandra Gapi
He was a contemporary of Upadhyaya Mahārāja Śri Yaso Vijayaji He is the auther of a number of works (1) Mrigavati Akhyâna (mat mena) 2 Väsu-pujya Jina Puṇya-prakāśa Răsa (वासुपूज्यजिनपुण्यप्रकाश रास), 3. Sadhu-vandana ( साधुवंदना) 4 Sattara Bhédi Puja (càdıymı) 5, Oka-visa Parakari Pūja (quiter प्रकारीपूजा) 6. Bāra Bhavanā Sajjhāya ( बार भावना सज्झाय ) Vira-vardhana jina-veli (cadafaaddì) 8 Ganadhara-vada Stavana ( गणधरवादस्तवन ) 9. Sadhu Kalpa-latā ( साधुकल्पलता ) 10. Mahavira Hincastavana (fe aan) 11 Risabha samata saralată stavana (ÆTH AĦA Atsar zaga) 12. Divālī stavana ( दीवालीस्तवन 13 Kumata Dosa Vinati to Simandhara Swâmi. (Amar zaifoà goatia fanfa) 14, Deväňandā svādhyāya देवानंद स्वाध्याय) 15 Pratisthā Kalpa प्रतिष्ठाकलूप ) etc
Upadhyāya Śri Śānti Candra Gaņi
Upadhyāya Śrî Śanti Candra Gaņi defeated Bhūsaņa ( a Digambara debator) at the court of the king Narayan of Idara He had composed jambu-Dviga Prajnapti-and Prameya Ratna Manjusā Tika-He was instrumental in leading Emperor Akbar to the Path of Mercy towards animals during his stay with the Emperor. He was very learned.
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