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SATAPATHA-BRAHMANA.
22. Thereon he lays two pressing-boards? with, You, the Rakshas-killers, the charm-killers, Vishnu's own, I lay down;' they are indeed his (Vishnu's) jaws. He surrounds them (with earth) with, You, the Rakshas-killers, the charmkillers, Vishnu's own, I surround;' he thereby steadies them, makes them immovable.
23. Now the pressing-skin is cut straight all round and (dyed) red all over, for it is his (Vishnu's) tongue: the reason, then, why it is quite red, is because this tongue is, as it were, red. He lays it down with, “Thou art Vishnu's own;' for it indeed belongs to Vishnu.
24. He then brings down the (five) press-stones. The press-stones, doubtless, are his (Vishnu's) teeth: hence, when they press (the Soma) with the stones it is as if he chewed with his teeth. He puts them down with, “Ye are Vishnu's own;' for they indeed belong to Vishnu. Thus, then, the head of the sacrifice is complete.
Sixth ADHYAYA. First BRÂHMANA.
1. The Sadass is no other than his (Vishnu, the sacrifice's) belly; therefore they feed (drink) in the
1 The pressing-boards are a cubit long, and somewhat broader behind than in front. They are placed one south of the other, and so as to lie close together behind (sambaddhânte, Kanva rec.), or the space of two inches between them. The space between them is filled up with earth.
East of the 'sound-holes' he raises a square mound (khara), covered with gravel, for placing vessels on, Kâty. VIII, 5, 28.
• The Sadas is a shed or tent, facing the east with its long side, which is to measure eighteen (or twenty-one, or twenty-four, or, according to the Sulva-sútra, twenty-seven) cubits, the breadth by
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