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105
pletion of them. Their manifestation, being ceaseless, gives (the idea of) heaven; and again, being motionless, gives (the idea of) earth. Through the movement and repose (of their interaction) come all things between heaven and earth. Hence the sages simply spoke of ceremonies and music.
SECT. II.
YO KI.
SECTION II.
1. Anciently, Shun made the lute with five strings, and used it in singing the Nan Făng. Khwei was the first who composed (the pieces of) music to be employed by the feudal lords as an expression of (the royal) approbation of them'.
2. Thus the employment of music by the son of Heaven was intended to reward the most virtuous among the feudal lords. When their virtue was very great, and their instructions were honoured, and all the cereals ripened in their season, then they were rewarded by (being permitted) the use of the music. Hence, those of them whose toils in the government of the people were conspicuous, had their rows of pantomimes extended far; and those of them who had been indifferent to the government of the people
1 Nan Făng, 'the South wind,' was the name of a poetical piece made by Shun, and celebrating the beneficent influence of rulers and parents as being like that of the south wind. Four lines of it are found in the Narratives of the School (Article 35):
:
'The south wind's genial balm
Gives to my people's sorrows ease; Its breath amidst the season's calm,
Brings to their wealth a large increase.'
The invention of the khin or lute, here ascribed to Shun, is also attributed to the more ancient Tîs, Shăn Năng and Fû-hsî. Perhaps Shun was the first to make it with five strings. Khwei was his minister of music; see vol. iii, pages 44, 45.
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| SR No. | 007678 |
| Book Title | Satapatha Bramhana Part 02 |
| Original Sutra Author | N/A |
| Author | Julius Eggeling |
| Publisher | Oxford |
| Publication Year | 1885 |
| Total Pages | 2521 |
| Language | English |
| Classification | Book_English |
| File Size | 44 MB |