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CHAPTER I
PRE-UPANIŞADIC THOUGHT
Our source of information for this chapter is two-fold: (i) the Mantras or metrical hymns composed by the Aryans after they had settled in their new Indian home, and (ii) the Brāhmaṇas, a certain other class of works which generally speaking belong to an age subsequent to that of the Mantras and may be broadly described as liturgical in character. The former have been preserved to us chiefly in what are known as the Rk- and the Atharva-samhitās. The first in its present form dates from 600 B.C. and the second from somewhat later. They are religious songs in praise of one or more deities and were intended generally to be sung at the time of offering worship to them. These songs, especially the earlier ones among them, are written in very old Sanskrit; and it is for that reason not infrequently difficult to determine what precisely their import is. The difficulty of interpretation arising from the archaic character of the language is increased by the break in tradition which seems to have occurred quite early--even before the composition of the Brāhmanas. To give only a simple instance: Nothing is more natural for a poet than to speak of the sun as 'golden-handed'; yet this poetic epithet appearing in a hymn is taken literally and explained in a Brāhmaṇa by a story that the sun lost his hand which was afterwards replaced by one made of gold. To these factors contributing to the difficulty of understanding aright the views of this early period, we should add the fragmentary nature of the Mantra material that has come down to us. The very fact that the hymns had been, for so many generations before they were brought together, in what may be described as a floating condition, shows that some of them must have been lost. When at last they were collected, not all of them were included in the collection. but only such as had a more or less direct bearing upon ritual,
See Max Müller: Ancient Sanskrit Literature, pp. 432-34.