Sahrdayaloka Part 03

SR No.: 006910
Original Sutra Author: N/A
Author: Tapasvi Nandi
Publisher: L D Indology Ahmedabad
Publication Year: 2005
Total Pages: 676
Language: English
Classification: Book_English
File Size: 15 MB

Page 7

I was overpowered by sleep, as if embraced by the Divine Grace ! I feel floating in the wide stream, rich in currents and cross-currents, whirls and pulls; deep, full fathom five; quiet and dignified. I feel dragged and dragged, up and down, and then I slip towards the bottom, like in the womb of the mother earth, with a hundred thousand daffodils, red and pink, green, blue, white, violet and goldenon top of the surface !
So, as suggested in the beginning, I have accepted, with gratitude, of course after verifying with the original, the material, line by line, paragraph by paragraph, at times, from the works of my predecessors, who I thought are most reliable, and for whom I have tremendous respect and love in my heart, from their works, dealing with the topics of word and meaning as discussed by the ancients the Mīmāmsakas, the Naiyayikas and above all the great Vaiyakaraṇas, - the "prathame hi vidvāmsaḥ" as Anandavardhana would call them. I take these works as starting points, and as absolutely relaible sources and they are authored by great scholars such as Dr. P. C. Chakrawarty, Prof. Devasthali and Prof. Dr. K. Kunjunni Raja, Dr. Sri P. Ramchandrudu and some others. At every step, wherever I have sought inspiration and help from these master works, I have clearly indicated my indebtedness.
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My work has grown both in size and dignity due to this, like the sacred flow of the Ganga growing vaster and vaster with the waters from the innumerable springs, rivulets and rivers mixing with the main stream; and shooting out from the bosom of the great Nagádhiraja Himalaya. Those who have undertaken the "caturdhāma yatra" are a witness to this. By accepting everything from various springs the Ganga has carved out its own identity, sanctity and dignity. Same is the case with this work. owe a lot to the great modern ṛṣi-trayi-i.e. Dr. P. V. Kane, Dr. S. K. De and Dr. V. Raghavan, in particular, who has shaped my views on Bhoja. But it may also be noted that, without showing disrespect, I have ventured to dispute their results, and this happens quite often with Dr. Raghavan, when I feel, on verifying with the original words of Bhoja, that I am on firmer ground. This, the discreet will find out for himself, and there is no doubt about it. But this does not minimize their greatness and my adoration for their lotus-feet. They are the great thinkers spreading light and bearing the torch of Indian Literary Aestetics for the modern scholars, both in east and west alike.
Over and above this, I owe everything, i.e. beginning from my initiation into this ancient lore of Sahitya-sastra to whatever I have done till day, in serving its
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