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"Daśa-rūpaka-Vicāra"
1797 appreciation; if it is connected with vipralambha, karuņa, adbhuta, it will not differ very much from human emotions; besides, the gods have no unhappiness or misery; human response thus is difficult to be obtained. Types like Dima, Samavakāra, which use heroic themes, are alone proper for divine characters."
The DR. - The DR., as done in the NS. also, has treated the whole structure of the drama as seen earlier by us. However, it talks of 'nātaka' in the beginning of the third flash. DR. observes : (III. 1)
“prakstitvād athā’nyeşam bhūyo-rasa-parigrahāt, sampūrņa-lakṣaṇatvāc ca pūrvam nāțakam ucyate.” Then DR. III. 22-27 observe - esām anyatamenā’rtham pātram cā’kşipya sūtrabhịt. - 21b. prastāvanánte nirgacchet (sūtradhāraḥ) tato vastu prapañcayet. 22-a tatra, abhigamya-guņair yukto dhīródāttaḥ pratāpavān - 22b. kīrtikāmo mahótsāhas trayyās trātā mahīpatiḥ prakhyāta-vamśyo rājarșiḥ divyo vā, yatra nāyakaḥ. - 23 tat prakhyātam vidhātavyam vrttam atrā'dhikārikam, yat tatrā’nucitam kiñcin nāyakasya rasasya vā - 24 viruddham tat parityājyam anyathā vā prakalpayet. ädyantam evam niścitya, pancandhā tad vibhajya ca - 25
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