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"Concept of Rasa" as seen in Anandavardhana and...
bhāvayanti rasān yasmāt
tasmād bhāvaḥ prakīrtitāḥ." (Kā. 231, pp. 192, ibid)
Then eight sthāyin-s are enumerated but the list begins with hāsa, suggesting that the treatment lacks proper method :
"hāso ratiś ca śokaś ca
krodhótsähau bhayam tathā, jugupsā vismayaś céti
sthāyibhāvāḥ prakīrtitāḥ." (Kā. 232, pp. 192, ibid)
Vibhava-s are explained in the NLRK (Kā. 233) as
"vibhāvyanté dhigamyante vāgangábhinayāśritāḥ,
ebhir artha yatas tasmād vibhāvā samudāhṛtāḥ."
vibhāva-s are so called because through them, with the assistence of acting concerning speech and body, the meanings are properly conveyed.
To explain 'anu-bhāva' Sa. quotes NS. VII. 5 - (pp. 192, ibid)
"vāgangábhinayair ebhir yasmin arthónubadhyate, sarvāńgópānga-samyuktastv anubhavas tataḥ smṛtah."
Anubhava is so called for it conveys (i.e. makes infer) the meaning with the help of acting concerning speech, body etc. The anu-bhāva is accompanied by (movements of) all major and minor limbs.
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Sā. quotes the opinion of others (pp. 193, ibid) :
anyas tv aha- rasópādāna-hetur-vibhāvaḥ, rasábhivyañjakónubhāvaḥ, rasaprāpayitā bhāvaḥ, bhāvópakāriṇaḥ carāḥ sattvikāś ca bhāva bhaveyur iti.
Jain Education International
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Others say that-vibhāva is the material cause of rasa, anubhava is the suggester (i.e. manifester through inference), bhāva is that which causes the rasa (to enhance). The accessories are those that help the cause of (i.e. nourish) rasa.
These 'cara' i.e. impermanent accessories are thirty-three. Sā. enumerates the thirty-three vyabhicārins after Bharata.
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