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1456
SAHRDAYĀLOKA națe samyak-prayoktari, yat tatórtha-kriya-karma
samarthā rāmadhir nate. Śā. now observes that he has thus proclaimed the rise of rasa (=rasódaya), from the point of view of its form (=rasa-svarūpa) and its substratum (=rasā”śraya), from Bharataś point of view. Now its manifestation will be discussed : (B. P. pp. 52, ibid)
"evam rasānām udayah svarūpā”śraya-buddhitaḥ darsito bharatóktah.
tasya vṛttir nirupyate.".. Now Bhatta- Nāyakaś view is stated. Sā. observes that - rasa is not apprehended as if it is a taţastha-experience i.e. it is not apprehended through inference, as if no one is personally involved. Nor it is apprehended in a personal way. It is neither directly stated, nor produced at any given moment. With the help of anubhāvas presented as if they are genuine (i.e. identical with the origial) by lady-characters etc., the taste is caused, which carries the hearts of the connoisseurs. Due to presentation of bhāvas and abhinaya (=acting) in a generalised way, it is conveyed by bhāvakatva-vyāpāra, and is enjoyed by bhogafunction which is of the nature of the experience of blissful consciousness. Thus the relation (between vibhāvā”di-s and bhāva) is said to be “bhoktr-bhogyárthasambandha” This view of Bhatta Nāyaka is explained by Sā. without naming the author -
"na taţastha-tayā na ātma-gatarvena pratīyate, na cábhidhīyate kvápi nótpadyate kadācana. tādātvikena pramadā”dyanubhāvena väsitaḥ, svādaḥ sahrdayānām yo hlādā”tmā hệdayamgamaḥ sa bhāvábhinayāt sādhāraṇīkarana-rūpayā
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