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(Preserving Jain terms)
The place where it acquires the particles suitable for forming audarik (gross physical) and vaikriya (transmutable) bodies and forms those bodies is called yoni.
The number of yonis is not fixed, it is infinite. However the yonis that have same attributes of appearance, smell, taste, and touch are counted in a single group (jati). Based on variation of the said attributes the total number of yonis is believed to be 8.4 million. These details are mentioned in Prajnapana Sutra Vrutti.
The second chapter of Duhkha-vipaak is titled "Ujjhitak'. The first chapter, Mrugaputra, describes the bitter consequences of tormenting and torturing people and indulging in cruel violent deeds. This second chapter contains the story of Ujjhitak Kumar describing the grave consequences of sinful deeds like cruel, tortuous, and violent treatment of animals; extreme lust and adultery. These stories also reveal that when such sinful being is conceived, the mother has equally base and violent dohad (desires of a pregnant mother). Such dohad is said to be the indicator of the eventual attitude of the being to be born.
In Vanijyagram city lived a courtesan named Kamadhvaja. She was endowed with a beautiful body having five fully developed sense organs. She was proficient in seventy two arts (kalaa), endowed with the sixty four qualities of a courtesan, an exponent of all the twenty nine types of entertainments, an expert of twenty one styles of sex plays, and accomplished in thirty two styles of interactions with males (mentioned in the compendium of sexology or Kamashastra). Her nine latent sense organs were animated. She had good command over eighteen indigenous languages. She dressed in style and was the embodiment of adornment. She was primarily romantic and excelledi. Singing and music (geet), sex play (rati), dance drama (gandharva) and dance (nritya). She was a charming and artful mover in the social and physical dimensions.
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VipakShrut-Ang-11- ShrutSkandh-1, Chapter-1
(fiery and karmic bodies). The place where it acquires the particles suitable for forming audarik (gross physical) and vaikriya (transmutable) bodies and forms those bodies is called yoni.
The number of yonis is not fixed, it is infinite. However the yonis that have same attributes of appearance, smell, taste, and touch are counted in a single group (jati). Based on variation of the said attributes the total number of yonis is believed to be 8.4 million. These details are mentioned in Prajnapana Sutra Vrutti
Meaning with Commentary of Chapter -1- Mrugaputra Compiled by Muni DeepratnaSagar is Finished
O-X-X-X-X-X-X-X-X-X-X-X-O
Chapter (Adhyayan) - 2 - Ujjhitak
INTRODUCTION:- The second chapter of Duhkha-vipaak is titled "Ujjhitak'. The first chapter, Mrugaputra, describes the bitter consequences of tormenting and torturing people and indulging in cruel violent deeds. This second chapter contains the story of Ujjhitak Kumar describing the grave consequences of sinful deeds like cruel, tortuous, and violent treatment of animals; extreme lust and adultery. These stories also reveal that when such sinful being is conceived, the mother has equally base and violent dohad (desires of a pregnant mother). Such dohad is said to be the indicator of the eventual attitude of the being to be born. This chapter has the story of Ujjhitak.
[11] Meaning- Bhante! When Shraman Bhagavan Mahavir, who has attained liberation, has preached the aforesaid text and meaning of the first chapter of Duhkha-vipaak, then what is text and meaning of the second chapter of Duhkha-vipaak as preached by him? Jambul During that period of time there was a city named Vanijyagram, which was prosperous in all respects. In the northeastern direction (Ishan Kone) outside this town was a garden named Dutipalash. In that Dutipalash garden there was a temple of Sudharma Yaksh. In that; Vanijyagram city lived King Mitra. That King named Mitra had a queen named Shri. The detailed description of all these should be read as aforesaid.
In Vanijyagram city lived a courtesan named Kamadhvaja. She was endowed with a beautiful body having five fully developed sense organs. She was proficient in seventy two arts (kalaa), endowed with the sixty four qualities of a courtesan, an exponent of all the twenty nine types of entertainments, an expert of twenty one styles of sex plays, and accomplished in thirty two styles of interactions with males (mentioned in the compendium of sexology or Kamashastra). Her nine latent sense organs were animated. She had good command over eighteen indigenous languages. She dressed in style and was the embodiment of adornment. She was primarily romantic and excelledi. Singing and music (geet), sex play (rati), dance drama (gandharva) and dance (nritya). She was a charming and artful mover in the social and physical dimensions.
Aagam - 11 - Vipak-Shrut
Compiled by - Deepratnasagar
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