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१६५०१५०१०१०
Their robes were auspicious, intact, costly and exclusive. They were also adorned with auspicious, beautiful and braided garlands. Their bodies were painted with paste of sandalwood, saffron and other fragrant things.
They had scintillating bodies. Garlands of all season flowers dangled from their necks to knees.
Illuminating and brightening all the ten directions (four cardinal points, four intermediate directions, zenith and nadir) with their divine complexion, aroma and touch; divine physical built (samghat) and constitution (samsthan); divine celestial vehicles, dresses, ornaments and wealth (riddhi); divine glow or family grandeur (dyuti); divine shine of celestial vehicles and other things (prabha), divine brilliance of body, gems etc. (archi); and divine orb (leshya) they came near Bhagavan Mahavir and moved around him three times with devotion. They paid him homage (introducing themselves by announcing their names) and joining palms in all humility commenced his worship with a desire to listen to his
sermon.
अन्य भवनवासी देवों का आगमन
३४. तेणं कालेणं तेणं समएणं समणस्स भगवओ महावीरस्स बहवे असुरिंदवज्जिया भवणवासी देवा अंतियं पाउन्भवित्था - नागपइणो, सुवण्णा, विज्जू, अग्गी य दीव - उदही, दिसाकुमारा य पवण - थणिया व भवणवासी, णागफडा - गरुल - वइरपुण्णकलस - सीह - हय-गय- मगर - मउड - वद्धमाण - णिज्जुत्त चिंधगया, सुरूवा, महिड्डिया सेसं तं चेव जाव पज्जुवासंति ।
३४. उस काल, उस समय श्रमण भगवान महावीर के पास ( १ ) असुरकुमारों को छोड़कर बहुत से भवनवासी देव प्रकट हुए । यथा - (२) नागकुमार, (३) सुपर्णकुमार, (४) विद्युत्कुमार, (५) अग्निकुमार, (६) द्वीपकुमार, (७) उदधिकुमार, (८) दिशाकुमार, (९) पवनकुमार, तथा (१०) स्तनितकुमार । उनके मुकुटों में क्रमशः (२) नागफण, (३) गरुड़, (४) वज्र, (५) पूर्ण कलश, (६) सिंह, (७) अश्व, (८) हाथी, (९) मगर, तथा (१०) वर्द्धमान- तश्तरी ज्यातरा अथवा कंधेचढ़ा पुरुष के चिह्न अंकित थे । वे सुन्दर यावत् परम ऋद्धिशाली थे ।
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