Paumchariu Part 1

SR No.: 002523
Original Sutra Author: Swayambhudev
Author: H C Bhayani
Publisher: ZZZ Unknown
Publication Year: 1953
Total Pages: 458
Language: Sanskrit, English
Classification: Book_Devnagari & Literature
File Size: 11 MB

Page 130

INTRODUCTION
89
209). The illustration in Ch, is similar in structure to our stanzas.
Irregularities. In 13 6 10 a one mora is too many. while in 13 8 10 c one mora is too few.
(13). Scheme. 14 + 12. Occurrence. 10. Sandhi.
The odd Pādas have the same structure as the 15-moraic Pada in No. 10. It is not different from a Pāraṇakapāda. The Gana scheme is 4 + 4 + 4+ 3. Jagana is absent in the 1. Gana, rare in the 3., permitted in the 2. The end is generally vuu, once (5 5 8c) - U.
The even Padas are constructed on the scheme 6 + 4 + 2 i.e. the scheme of the odd Pādas of the Dohā less by the final short. The end is always u U. The form UU -- is preferred in the 2. Gaña.
If the end syllables are regarded as long, the scheme would be 16 + 13, which is called Rāaharsa or Rājaharsa (SC. VI 131; Rāj. 143; Ch. VI 20, 107). This is one of the favourite Ghattās of Mp. It occurs in 6., 16., 18., 23., 28., 30., 35., 37., 38., 41., 43., 46., 54., 70., 73., 90., 92., 100. and 102. Sandhis.
Irregularities.
10 4 9 d one mora too many. Emendation vayanu should be emended as vaņu which also improves the sense.
2) Sarvasa mā Catuspadis. The usual rhyme scheme in the Sarvasamā is: a rhyming with
b, c with d. (14). Scheme. 15 moras per Pāda.
Occurrence. 9. 18. (27., 48., 74.) Sandhis.
This is Pāranaka treated at SC. VI 159; Rāj. 170; Ch. VI 29. The illustrative stanza in Ch. shows that the end syllables need not be counted as long. This is the same as the third principal metre employed to build up the main body of the Kadavaka. For its detailed treatment see below. 9 3 9a, 9 5 8d, 9 13 9c, 9 14 9 c, 18 2 9c, and 18 7 9d have a long in the place of the 10. and the 11. mora together and hence they violate the scheme 6 + 4+ 5. The alternative scheme of 4 + 4 + 4 + 3 is satisfied by all the Padas. This Ghattā is also found in RC. 26., 98., MP. 32., 88. and Ņāy. 5
1 91 a, b and 18 12 9 end in a trochee.
3) Satpadis.
The rhyme scheme in the Şațpadi is: a rhyming with b, d with e, c with f.
(15) Scheme. 6 + 6 + 12 ) theoretically 7 + 7 + 13).
Occurrence. 3. Sandhi.
The opening stanza of the 3. Sandhi is found in a corrupt form at SC. VIII 17 as an illustration of Chaddania V. Its definition given by SC. VIII 16" is not clear, because of the corrupt and confused character of the text. The rhyme-scheme shows it to be a Şagpadi, while the stanza appears to refer to four Pädas only. The 3. and the 6. Pādas also are of unequal length. Hence the reference is of little value for us.
Again SC. V 5 cites in a corrupt form the Ghattā of the 3. Kadavaka of the same Sandhi as an illustration of the fourth variety of the Satpada-jāti Dhruvaka, whose measure is to be (1) tihuanaguru tam gaa guru, mellavi jhinakasāaum/
gau samtataviraham tau, purima tāņu sampaiau// padhama-pae, vidia-pae, taia-pae, a tehim thia/ ekkakkau, cha-ganu kau, vennim saala turie samthiā/