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UKTI-VYAKTI-PRAKARANA (i) Passive and Impersonal Constructions are common: e.g.
chātrē gāñ jāžāc chătrena grāmo gdmyate (1¢/14); <ădhata ächał, 'I am cooking': beside chia rădha (ra)= pacyată sthiyate (20/25); kāha karata achihasi, beside kābg karanihārē āchia (20/15, 16);• kāha karattı kāha kija? paminta padhia (20/27); kāha kāha kija? païa, padhia (20/29); amha-păsa keã .padhaba (21/9), rather than active ko padhiha; keī e deulu karāwia or karāwinta achą (21/16 ), beside active khanāwanta acha (21/15 ); ko mai bhojana magaba (2217), beside biāli ko haŭ māgihaŭ (22/6).
§ 91. There are some PROVERBAL EXPRESSIONS and FRAGMENTARY POETICAL PASSAGES, which are in metre (and rime):
morda kothahi haradai bireka, tei so tähr sāňka ( 47/20); satu bāna, ta puni sāna ( 45/15); ghode hāthi sāja ūsaja (PHT) (43/9); jo parahi băica, so păpu săca ( 43/5 ); dayādu dayādihi jhanjhāda | 43/29 ); balia dubalehi aroda, dahi [ dūdhu] birola (= biroda) ( 45/13); bolata jewata jibha khăda, jamãi āe căulus kāda (39/13); dharmu bhā, pāpu gā (33/4); dharmu hoiha, pāpu jāiha ( 3315);
jasa jasa dharmu bādha, tasa tasa păpu ghāta (33/7); ..jaisē jaisẽ dharmu jāma, taisę taisē pāpū khāna (33/12); jež jež dharmu pasara, tes teī pāpu osara (33/14); jūhã jähă dharmu năda, tāhă tăhă pāpu mãda ( 33/19); ja-kihă dharmu kīja, tā-kihã pāpu khīja (33/21);
jālay alarmu pāwia, tā-tau pāpu scwia ( 33/23); · jakara dharmu ūsasa, tākara pāpu orusa (33/25);
oelikā bõtoã khela ( 34/24); bhāgê balê bira para rahai (35/3); chūta basha bhawi-bhawi kūda (35/9); ādhārt ratã coru dhuka (35/13); bodakarz dāla bada-rohi lăba (35/21); porbatau talathi bisīthu ki bala (36/12); sista äpane bole na calaï ( 36/14); michê bolē kāu na rohaï ( 36/16); jo phuda bola, so gānga nha (36/17); jo jāga, so bāga (36/21); jo pūcha, so acha ( 36/22); aghāna nācu darpa (37/2); nicu para macai (37/5 ); lobhi anampawanta llesia, nita khtja ( 37/9);
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