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सौधस्यांगण भंगरंगस लिलैरा लिप्य मुक्ताफलैरालिस्वस्तिकमत्र सूत्रय सखि ! त्वं दीपमुद्दीपय ॥ द्वारे तोरणतारमा [र]चय रे ! नि:शेषरोगापदः । श्रीमानेष रसाधिपत्रिजगति जीवातुरं यच्छति ॥ ( रागच्छति ) ? ।। २.२।।
Drutavilambita Chanda :
He has used Drutavilambita Chanda in the ninth verse of the second chapter as noted below:
तदनु भूधरयंत्रविनिर्गतः सकलपित्तविषोदधफेनिलः । तिलसमोऽपि कृतांत निकृतनो जयति चार्द्रकवारिविराजितः
Mandakranta Chanda :
Lastly, the author has adopted Mandakränta Chanda in the composition of the first verse of the third chapter as described here :
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प्रानन्दाय प्रभवतु सतां सैष वेदांतविद्य यो । विश्वव्यापी विपुल महिमा कोऽपि चैतन्यमूर्तिः ॥ बुद्धिसाधोरिह परिचितं राजसं तामसं च ।
त्यक्त्वा भावं सपदि वृणुते सात्त्विकं यत् प्रसादात् ।।३.२।।
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।।२.६।।
Style of writing and method of exposition:
The style of a work is the voice of words uttered by its author producing an effect on the feelings of the readers by its action working upon their conscious minds. It may be both personal and impersonal. The style of the Rasaratna Samuccaya used by its author, Manikyadeva Sūri in presentation of its contents and in dealing with its subject-matter is mainly of one character, viz. poetry. It begins with the metre of poetry in composing its verses in all its three chapters with some commentaries.
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