SearchBrowseAboutContactDonate
Page Preview
Page 517
Loading...
Download File
Download File
Page Text
________________ 79 Vide Ibid, Appendix ili, p. 113. In his Locana on Dhy. Al. II. 4, Abhinavagupta reviews Bhațțanāyaka's position. 80 See further, p. 220, "So it is settled that Rasa is the aim of the poem." 81 Gnoi, Ibid, p. 51, f.n. 1. 82 Viveka, p. 97, last two lines and continued on p. 98, first para-upto the end of the quotation no. 37. In between, Hema chandra has omitted a few lines. Even Quote-35 is absent in the Abh. bh. portion in Gnoli's text (p. 11). Hemachandra also omits "Āmnayasiddhaḥ. ....etc." -" the three well known verse. (See Gnoli, Ibid, p. 12). 83 Viveka, p. 98, Quote-37. 84 This consciousness or Pratipatti lies in passing from the original to another. It is termed propulsion, order or command (Vidhi or Niyoga) in Mimāṁsā. The followers of Prabhakara use विधि/नियोग, but the disciples of Kumarila prefer Bhāvana. This shift of sense is explained by means of the three verses (p. 98, Quote-37) cited here from some work on Poetics (may be the Hțdayadarpana of Bhattanāyaka, a lost work). 85 Ekaghana means 'dense', 'compact', 'uniform' etc. and implies, 'non-interference of obstacles (facas ). Vide, Gnoli, Ibid, p. 59. 86 Vide, Gnoli, Ibid, p. 59, f.n.4. 87 The significant term Nāțyadharmi (N.S. V1.25, XIII. 70 ff) refers to all the theatrical paraphernaliascenery, costumes, traditional conventions, etc. 88 The styles or Vșttis are four : Kaišiki, Sāttvati, Ārabhati and Bharāti (Vide D. R. Hass, p. 74). The Pravșttis or 492 Jain Education International For Private & Personal Use Only www.jainelibrary.org
SR No.001713
Book TitleKavyanushasana Critical Study
Original Sutra AuthorN/A
AuthorA N Upadhye
PublisherA N Upadhye
Publication Year1987
Total Pages558
LanguageEnglish
ClassificationBook_English, Literature, & Kavya
File Size10 MB
Copyright © Jain Education International. All rights reserved. | Privacy Policy