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Other instances of suggestion of Vastu by Alamkāra can be adduced, he adds. He also explains Kşaņa (Chaneti, Viveka p. 79) in verse (74) Cūtānkura etc.,' by following Abhinavagupta. He says : 'Kșaņa means Utsava, festival' and states that the blossoming of the mango tree means 'the spreading of the power of love or intoxication.' So Kāmadeva kissed the face of Vernal beauty without her being given over to him.
After illustrating the Arthasaktimūlavyangya in a Prabandha from the Mahābhārata, he states that the suggestiveness of the sense (Ārthivyañjanā) can be illustrated with verses from the Madhumathanavijaya (Pāñcajanyokti) and with verses regarding the accessories of Cupid in the Vişamabānalilā of Anandavardhana. In the Viveka, in connection with the verse “Lilādadha etc.' (151) (i.e., Lilādanștrāgrodvyudha etc. cited by Abhinavagupta in the Locana also i.e., "you who lifted the entire earth by the playful gesture of your jaws, how, now, even an ornament of a lotus-stalk weighs you down-causes burden to you ?" Hemachandra verbatim reproduces the Dhvanikära's words (p. 81. Viveka). Here the words of Pāñcajanya (a conch-shell) suggest the desire of Vasudeva separated from Rukmiņi.
The above suggested sense develops into the Rasa (Vipralambhaśộngāra). And Humi etc. occurs in the context of the convergence of the accessories of Kāmadeva. The verse means, "I have crossed the limits; I am beyond control or correction; I am indiscriminate; still I cannot really ever forget devotion even in a dream." These words of the youthful ones reveal their respectful or reverential nature. But that develops into the Rasa in hand.
Rasādi Belongs to Arthaśaktimüladhvani
In the last sūtra (1. 25) we have a discussion of the Rasādi type of the अर्थशक्तिमूलव्यङ्गय or simply रसादिध्वनि. To begin with, Hemachandra states that poetry which portraits Rasas and Bhāvas; Rasābhāsa and Bhāvābhāsa; Bhāvaśānti, Bhāvodaya,
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