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117
The Grammarian's View of Sanketa The Jatireva View of Sanketa in Viveka Hemachandra's Brief Exposition of the Other Two Views on Sanketa The Apoha Theory Hemachandra's Conclusion
104 The Indirect Meaning : Metaphor
105 Basis of Metaphor: How It Functions
106 On How Transference Occurs in Metaphor
108 How Gauna Artha Comes About ?
109 Fourfold Power of A Word
111 Abhidhā, Gauņi, Laksaņā and Vyañjanā,
112 Mammața's Views on Other Types of Metaphors
113 Gauņi and Laksaņā Distinguished
115 Omission of Rūdhi Significant
116 Nature and Conditions of Indirect Process The Process of Indication
119 Not Every Sense Can Be Termed 'Laksyārtha'
119 Lakşaņā Not To Be Confused with Implication Etc.
119 Hemachandra's Significant Innovations...
122 ...And His Independent Stand
122 Limited Varieties of Laksaņā in Hemachandra's Classification 123 The Suggested Meaning
124 Theory of Dhvani or Suggestion
125 The Nature and Types of Dhvani
126 The Term 'Dhvani' Explained
127 Sabdi and Ārthi Vyanjanā
129 Hemachandra's Treatment of Dhvani
129 The Threefold Dhvani
132 Hemachandra's Exposition of the Threefold Dhvani
133 Dhvani Is An Elastic Term
133 Why Resort To Dhvani ?
135 The Distinction Between Vācya and Vyangya
135 Hemachandra Tackles The Various Theories of Meaning
138 The Tātparya Theory
139
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