Agam 05 Ang 05 Bhagvati Vyakhya Prajnapti Sutra

SR No.: 001628
Original Sutra Author: N/A
Author: Jozef Deleu
Publisher: DE Tempel Brugge
Publication Year: 1970
Total Pages: 372
Language: English
Classification: Book_English, Agam, Canon, & agam_bhagwati
File Size: 19 MB

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same species; āvāsa c.w. 1 13 rebirth of HAMG c.w. 2. 4'2' (do) gods of the same class and transformation c.w. 1; sinless and sinful c.w. 2.
6.1'2' (do) reflections. | 2 colour etc. c.w. 1. 71A, '2' (do) speeches. | 2 twice threefold (tiviha ‘3') attributes and threefold appropriation. | 3 threefold (tiviha '3'), acting, bad acting and good acting. | 4 E: annautthiyas (c.w. 1) question the layman MADDUYA; Mv. praises the layman for his answers; Madduya's future; probably the question 'pabhū ... ? and Madduya's rebirth as a god at the end of the E introduce 5.7. | 5-7 on the gods, 5 esp. on the transformation of the gods which is a recurrence to 54 | ? the numerical series 100, 200, 300 etc. probably is c.w. the series '1', '2', '3' in the preceding texts.
8 1'walking in the prescribed way' introduces 2: duhao again reminds us of the number '2'. | 2 A: the dissidents reproach Goy. and Mv. praises Goy. for his repartee: c.w. 74 | 3 chaumattha c.w. 2; the kevali and his nāna-damsana introduce Somila's third question in 10 4.
9 bhaviya introduces bhūya-bhāva-bhaviya of Somila's third question in 104
10 1-2 paramânupoggala c.w. 83. | 3 puttha c.w. phuda in 2 | 4 E: at VĀŅIYAGGĀMA the brahman SOMILA questions My, and becomes a layman; his future; for the introduction see 8 3 and 9 above; the often repeated duviha ('2') and tiviha ('3') in Somila's second question and ‘ege ... duve ...' in his third question are a recurrence to the numerical series in i seqq.
XIX 1-2 R introducing lessā, the first point of view from which the beings treated in 3 are discussed.
3 egayao and 'three up to four or five' are probably c.w. the numerical series in XVIII, see XX, N.B.
4 veyaņā c.w. the end of 3. 5 1 and (R) 2: veyaņā c.w. 4. 6 R introducing 7. 7 bhomejja-nagar'āvāsa introducing the Vāṇamantaras in 10?
8-9 the dispositions (nivvatti) and the kinds of acting (karana) treated in much the same way, several points of view from which
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