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GOMMATASARA.
267
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णढकसाये लेस्सा उच्चदि सा भूदपुव्वगदिणाया। अहवा जोगपउत्ती मुक्खोत्ति तहि हवे लेस्सा ॥ ५३३॥ नष्टकषाये लेश्या उच्यते सा भूतपूर्वगतिन्यायात् । अथवा योगप्रवृत्तिः मुख्येति तत्र भवेल्लेश्या ॥ ५३३ ॥
533. (In the 11th stage, in which passion has sub-sided, and in the 12th and 13th stages) in which it has been destroyed, the (white) thought-paint is spoken of from the view point of (figurative) speech, in which we speak of the past as happening in the present, (e. g. to say on the anniversary of Waterloo; " Waterloo was fought to-day"); or vibratory activity being prominent, thoughtpaint (is said) to be there. तिरहं दोण्हं दोरहं छण्हं दोएहं च तेरसण्हं च। एत्तो य चोदसएहं लेस्सा भवणादिदेवाणं ॥ ५३४॥ त्रयाणां द्वयोर्द्वयोः षण्णां द्वयोश्च त्रयोदशानां च । एतस्माच चतुर्दशानां लेश्या भवनादिदेवानाम् ।। ५३४ ॥ तेऊ तेऊ तेऊ पम्मापम्मा य पम्मसुक्का य । सुक्काय परमसुका भवणतिया पुण्णगे असुहा ॥ ५३५ ॥ तेजस्तेजस्तेजः पद्मापद्मा च पद्माशुक्ला च । शुक्ला च परमशुक्ला भवनत्रिकाः पूर्णके अशुभाः॥ ५३५ ॥
534-35. The thought-paint of the residential etc. celestial beings i.e. of the three (Residential, peripatetic and stellar); of two (Saudharma and Ishana'; of two (Sanatkumara and Mahendra); of six (Brahma, Brahmotara, Lántava, Kapishtha, Shukra and Maha-shukra); of two (Shatara and Sahasrāra); of thirteen (Anata, Pranat, Arana, Achyuta and the nine Graiveyakas); and beyond this of the (nine Anudishas and five Anuttaras are respectively), (the minimum) yellow; medium yellow; (maximum) yellow and (minimum) pink; (medium) pink ; (maximum) pink and
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