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Indian Classical Music And Its Scientific Significance
179
this stotra in the morning and evening, that the person chanting and listening this Stõtra will never have any diseases or if he has any disease he will be cured of it.
Time
Modes of Music
4:00 a. m. to 7:00 a. m.
1. Hindāla, 2. Bhairava, 3. Ahira Bhairava, 4.Bhairavi, 5. Siddha Bhairavi, 6. Rāmakali, 7. Gunakali,
2
7:00 a. m. to 10:00 a. m. 1. Jaunapuri, 2. Āśāvari, 3. Todi,
14. Gurjara Todi, 5. Ahilya Bilāvala
3
10:00 a. m. to 1:00 p. m. 1. Mēgha Malhāra 2. Suddha Sāranga,
13. Sura Malhāra 1:00 p. m. to 4:00 p. m. 1. Madhuvanti, 2. Multāni
15
4:00 p. m. to 7:00 p. m.
1. Pātamañjari, 2. Mākhā, 3. Rāgasri, 4. Kalāvati, 5. Puriyā Dhanasri,
6
7:00 p. m. to 10:00 p. m. 1. Yamana Kalyāna, 2. Kalyāņa, 3. Puriyā,
4. Śivarañjani 5. Yamana, 6. Suddha Kalyāna, 7. Maruvihaga, 8. Kēdāra 9. Šāma Kalyāna, 10. Priya Kalyāna,
17
10:00 p. m. to 1:00 a. m. 1. Darabāri, 2. Kānada, 3. Nāyaki Kanada,
4. Mālakaumsa, 5. Dipaka, 6. Bhāgyaśri, 7. Candrakauņsa, 8. Kaumsi Kānada 9. Jayajayavanti
8.
1:00 a. m. to 4:00 a. m. 11. Lalita, 2. Nara Bhairava, 3. Sõhani,
4. Vasanta, 5. Vasanta Bahāra
In the present era, nobody has much faith in this theory but in the verses of śri Ajitaśānti Stotra, the last word which comes, instructs the Rāgas (mode), Chandas of the verses. All the Rāgas (modes i.e. tunes) are ancient
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