Samdesarasaka of Abdala Rahamana

SR No.: 001433
Original Sutra Author: N/A
Author: Abdul Rahman
Publisher: Prakrit Granth Parishad
Publication Year: 1999
Total Pages: 124
Language: English, Gujarati, Prakrit, Sanskrit
Classification: Book_English & Literature
File Size: 6 MB

Page 52

45
morae to each half of a diel. The form of these five morae must be
U-v. Accordingly the measure of the 15m would be 6+4+uvul 6+4+uwv». The CK, and KD. do not put any restriction on the form of this additional 43419, but the illustration in the KD. quite follows the prescription given by the Pp. and the com. on CK, 26 makes it explicit that the additional HF must be, according to the convention (ar), either a (- -) or -vw. An examination of the form of the definition-illustration stanza CK. 26 makes it probable that the form -- has developed from through the contraction of the final two shorts into a long.
Our specimens have always ---, except once (1146 FORTE 9707 i. e. wwvwn).
In the 1731ST at Hc. 419, 6 both the lines end in —and not in ucu. This is explicable, as Alsdorf notes (As. p. 52), on the ground that a long has got substituted for two shorts. Besides this
H 's 11371 ci has another noteworthy feature. As a rule --- is forbidden in all the चतुर्मात्रs of the दोहा and चूलिआला being nothing but an extended C1E1-a 'crested' CTET, it is naturally expected to abide by this restriction. But he's illustration has one agus - This appears to be a further development in the practice regarding the af ICI. Our stanzas do not take this freedom. Their Dohā part is quite regular.
13. in (onto). Occurrence : 108.
SR. 107: calls the next stanza 95. None of the metrical treatises to our hand know any metre of that name. Only VJS. IV 63 treats a two-lined metre उप्फुल्लअ (उप्फुल्लक) with the scheme 4+4+4+4+4+-- which, in spite of some difference in name appears to be indentical with the metre of our stanza. VJS. IV 27 defines a. metre 69637 as 4+4+4+-+4+4+- -. Though the T-scheme is different from that of an ordinary CTET, the structure of the stanza shows it to be a giet beyond any doubt. Following the tradition of treating the