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INTRODUCTION
Setubandha in the Sarasvatikanthabharana of Bhoja to illustrate different figures of speech with explanatory remarks. The Setu verses 3. 31, 17 and 5. 50 are quoted as examples of different kinds of drstāntokti, a variety of samyal. As examples of various kinds of Samkirna-rūpaka Bhoja quotes Setu 1. 17, 19, 24, being combinations of Rūpaka with U pama, Utprekşā and Sleşa respectively. A number of verses (Setu 4.57, 11.54, 6.81, 4.23, 5.10) is cited as illustrations of different varieties of Parikaras, Sahokti is illustrated with Setu 5.7 and 2.144, Vibhāvanā with 1.15, Karanamala with 1 36, Atiśayokti with 1.42 and 9.7', and Malopama with 1.488. The difference between Aksepa and Rodha is explained by citing Setu 4.36 and 1.159. Setu" 3.9 is cited as an example of Ubhayanyasa, a form of Arthantaranyasalo, and Setu 1 56 as that of Ojasvint Vrttill
Among other writers on poetics Abhinavagupta in his Locana on the Dhvanyaloka quotes Setu 4.20 to illustrate a variety of Aprastutaprašamsa12. Bhoja cites the verse as an example of one of the varieties of Abhaval3. Jayaratha in his comm. on the Alamkarasarvasvali cites Setu 4.6 as an instance of Slişta. rūpaka, Citations from the Setubandha occur also in Hemacandra's
1 SK 4.50,52,53. The verse numbers are those of the citations, 2 Ibid. 4.45,47,48. 3 Ibid. 4.171,172,173, 174,182. 4 Ibid. 4.132,133, 5 Ibid 3.16. 6 Ibid. 3.49. 7 Ibid. 4.223.224. 8 Ibid. 4.19. 9 Ibid. 4.152,157, 10 Ibid. 4.162, 11 Ibid. 2.191. 12 NS ed., p. 43. 13 SK 3.177. 14 NS ed. 1939. p. 48.
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