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xlvi
VAJJALAGGAM
'Dharma, Artha and Kama.' Out of the 88 sections and 752 "stanzas in the proper corpus of the VL, seven sections (63
stanzas ) are concerned with Dharma or morality, forty-seven "sections (347 stanzas) are concerned with Artha or wordly success
and thirty-four sections ( 342 stanzas ) are concerned with Kāma 'or erotic matters. The percentage of stanzas is 8:38 for Dharma,
1. Sections dealing with Dharma: 4 साजण, 6 मित्स, 7 नेह, - 48 सुघरिणी, 49 सई, 72 जरा, 78 गुणसलाहा. Seven sections, sixty-three * stanzas.
Sections dealing with Artha : 5 दुजण, 8 नीई, 9 धीर, 10 साहस, 11 दिव , 12 विहि, 13 दोण, 14 दारिद्द, 15 पहु, 16 सेवय, 17 सुहड, 18 धवल, 19 विंझ, 20 गय, 21 सीह, 22 वाह, 23 हरिग, 24 करह, 25 मालई, 26 इंदिदिर, 27 सुरतरुविसेस, 28 हंस, 29 चंद, 30 छइल्ल, 31 पंचम, 60 किविण, 73 महिला,74 फुवकयकम्म, -75 ठाण, 76 गुण, 77 गुणणिंदा, 79 पुरिसणिंदा, 80 कमल, 81 कमलणिंदा, 82 हंस- माणस, 83 चकवाय, 84 चदण, 85 वड, 86 ताल, 87 पलास, 88 वडवाणल,89 रयणायर
90 समुद्दणिंदा, 91 सुवण्ग, 92 आईच्च, 93 दीवय, 95 दोसिय. Forty-seven . sections, 347 stanzas.
Sections dealing with Kama: 32 नयण, 33, थण, 34 लावण्ण, :35 सुरय, 36 पेम्म. 37 माण, 38 पनसिय, 39 विरह, 40 अणंग, 41 पुरिसुल्लाव 42 पियाणुराय, 43 दूई, 44 ओलुग्गाविया, 45 पथिय, 46 धन्न, 47 हिययसंवरण, 50 असई, 51 जोइसिय, 52, लेहय, 53 विज्ज, 54 धम्मिय, 55 जंतिय, 56 मुसल, .57 बालासंवरण; 58 कुट्टिणीसिक्खावण, 59 वैसा, 61 उड्ड; 62 कण्ह, 63 रुद्द, 64 हियाली,
65 ससय, 66 वसंत, 68 पाउस, 94 पियोल्लाव. Thirty-four sections : 342 : stanzas.
Even in the case of some sections primarily concerned with Artha, such as विझ, गय, वाह, करह, मालई, इंदिदिर, सुरतरुविसेस, हंस and पंचम, there are a good many (about 44) stanzas suggestive of the erotic relations between men and women. On the other hand in the case of some sections primarily connected with Kāma, such as पेम्म, माण, पवसिय, विरह, अणंग, पुरिसुल्लाव, पियाणुराय, दूई ओलुग्गाविया, पंथिय, धन, 'हिययसंवरण, असई, बालासंवरण, कुट्टिणीसिक्खावण, वेसा, कण्ह, रुद्द, हियाली, वसंत and पाउस, there are a good many stanzas that are non-erotic. Both these kinds of stanzas would cancel each other, and the nett proportion of stanzas connected with Artha and of those connected with Kama would remain roughly the same, viz. 46 and 45 respectively.
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