Trishasti Shalaka Purusa Caritra Part 1

SR No.: 001001
Original Sutra Author: Hemchandracharya
Author: Helen M Johnson
Publisher: Oriental Research Institute Vadodra
Publication Year: 1931
Total Pages: 565
Language: English
Classification: Book_English, Mythology, Story, N000, & N010
File Size: 11 MB

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a dispute. Balasādana tied the garments of the Ladies with the garments of the Lord, like those of boats with those of a great ship. The Chief of the gods, like an Abhiyogika-god, mounted the Master on his hip with devotion, and went to the house containing the altar. Quickly the Ladies were put likewise on their hips by two of Indra's wives and made to go with the Master, their fingers unseparated. They entered the altar-house by the east door with the brides and groom who were the head-jewels of the three worlds. There a Trāyastriñśa-god quickly made appear a fire in the altar-fire-hole, as if it had sprung up from the middle of the earth. From the lighting of the fuel, lines of smoke disappeared in the sky, after a long time forming ear-rings for the Khecara-women. To the accompaniment of auspicious songs by women, the Master circled the fire with Sumangalā and Sunandā until the eighth circle was completed. When they let go hands, Vāsaya untied their garments, while blessings were being sung
Then Maghavan and his wives danced with graceful gestures of the hands. Joy arising from the Master's festival acts as stage-manager. After him, other gods danced, delighted, like creepers on a tree made to dance by the wind. Some gods gave cries of “Hail ! Hail !” like bards; some danced with various steps like actors; others sang charming melodies like Gandharvas; others played clearly with their mouths as musical instruments; some took quick leaps like monkeys; others made all the people laugh like clowns; others drove away the people like door-keepers. Devotion to himself being shown thus by the gods intoxicated with joy, the Lord, both sides adorned by Sumangalā and Sunandā, ascended the divine vehicle and went to his own house. After performing in this way the wedding-ceremony, bowing to the Lord, Adribhid went to his own abode like a stage-manager whose play is finished. Beginning from that time, the wedding customs observed by the Master were followed.