Sthanangasutra

Author(s): Kornelius Krümpelmann
Publisher: ZZZ Unknown
Catalog link: https://jainqq.org/explore/249052/1

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International Journal of Jain Studies Vol. 2, No. 2 (2006) 1-12 THE STHANANGASUTRA AN ENCYCLOPAEDIC TEXT OF THE SVETAMBARA CANON Kornelius Krumpelmann The Sthanangasutra, or, as it is called in the original Prakrit, the Thanamgasutta, was included by the Svetambara-Jainas as the third of the eleven anga- texts into the canon of their holy books at a council held at Valabhi in the fifth century A.D. Muni Jambuvijaya not only carried out a critical edition of the work in 1985, but in 20022003 he also signed for the publication of the voluminous Sanskrit-commentary, composed by Abhayadevasuri in the 11th century A.D. In 2004, an English translation in two volumes was published by Surendra Bothara. This is not a literal translation, but, to quote the editor Amar Muniji, "a free flowing translation". The interpretations of several of the sutras are questionable, but, not only for those who do not know Prakrit and Sanskrit, the book is a very helpful tool to gain a first impression of the work. No critical study of the Sthananga is available today. The first treatise on it was written by Albrecht Weber (1885: 267-277) in his "Ueber die heiligen Schriften der Jainas". Walther Schubring (1935) in his "Lehre der Jainas", Shantaram Bhalchandra Deo (1956) in his "History of Jaina Monachism" and other scholars eclectically exploited the text. Two books written in Indian languages are worth being mentioned here: Muni Nathmal's (1976), i.e. Acarya Sri Mahaprajna's, translation into Hindi, and Dalsukh Malvaniya's (1955) detailed subject index to the text, written in Gujarati. The Sthananga is subdivided into ten chapters, named eka-sthanam, dvi-sthanam and so on up to dasa-sthanam. In the critical edition the text comprises 783 sutras of different length. Some consist of one, two or three words, others of extensive sections, nearly all of them composed in prose. As is generally the case with the texts of the canon, the language of the Sthananga is Ardhamagadhi. 1 This article is a slightly revised version of a paper presented at the 8th Jaina Studies Workshop, 23-24th March 2006, School of Oriental and African Studies, University of London. I am grateful to Dr. Peter Flugel for inviting me to deliver the lecture as well as for carefully proof-reading my manuscript and making numerous critical remarks. I would also like to thank Thomas Krumpelmann, who offered valuable suggestions on English expressions in my article, and Georg Krumpelmann, who took much interest in my project and discussed with me parallel conceptions of the Sthananga in ancient and medieval western thought. I am especially indebted to Prof. Bansidhar Bhatt. I very much enjoyed discussing Jainism in general and the Sthananga in particular with him on numerous occasions. I cannot imagine a more competent scholar of the Jaina canon. 1

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As it is necessary to get a general idea of the contents of the work and to make clear the peculiar character of the text, I will give a few examples of the sutras from each of the ten chapters. Three points should be taken into consideration: First, the selected sutras are not rendered literally, nor do I give a complete account of their contents. words. Secondly, I give the numbers of the sutras in pointed brackets. Thirdly, if I quote a word from the text, I give the Sanskrit equivalents of the Prakrit Chapter I (eka-sthanam) Soul <2> harmful activity <3> activity <4> universe <5> in every body there is one soul <11> creation <14> destruction <15> rebirth <17> reasoning <20> death of beings who are in their last rebirth <27> knowledge, faith, conduct <35> sound, appearance, smell, taste, touch <38> killing of living beings, etc. (i.e. the five great vows of an ascetic); again: anger, etc. (i.e. here we learn of the four passions; kasaya) <39> descending world-period (avasarpini), ascending world period (utsarpini) <40> one group (vargana) of infernal beings, one group of Asurakumara-gods, and so on for all twenty-four categories of beings, including earth-bodied beings, water-bodied beings, etc. <41> one group of atoms occupying one space-point <43> one continent Jambudvipa <44>one Mahavira in this descending world-period <45> sutra 47 gives the names of three constellations (naksatra) with one star only. Chapter II (dvi-sthanam) All that exists in the world falls under two categories: sentient or non sentient, mobile or immobile, liberated or non liberated, etc. <49> activity is of two kinds: of the soul or of nonsoul, inspired by attachment or inspired by aversion, etc. <50> two kinds of renunciation of certain foods (pratyakhyana): mentally or verbally, for a long period or for a short period <52> faith may be right or wrong <59> earth-bodied beings are minute or gross <63> bodies are on the movement to their next birth or in their present birth <65> an ascetic should be initiated while facing two directions: east and north <66> matter particles (pudgala) are of two kinds: a single atom or an aggregate of atoms <75> equanimity (samayika) is of two kinds: for householders and for ascetics <78> sutra 80 gives the names of two areas in the continent Jambudvipa / sutras 83 up to 91 give the names of two mountains, two rivers, two lakes etc. in Jambudvipa / two gavyuta is the height of humans in Jambudvipa during the epoch susama-duhsama of the ascending world period; their maximum life span is two palyopama <92> while departing the body the soul touches it in some parts or in all parts (desena or sarvena) <108>two kinds of anger: self-caused 2

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and not self-caused two kinds of enlightenment: related to knowledge and related to faith <115> sutra 119 gives the names of two Tirthankaras who had blue complexion / sutra 121 gives the names of constellations with two stars. Chapter III (tri-sthanam) Three kinds of sexual acts of gods: they embrace their own goddesses, goddesses of other gods, different forms created from their own bodies <130> three kinds of activity (yoga): mental, vocal, physical <132> three ways how the soul acquires short life span karman: destroying life, telling a lie, giving impure food to ascetics <133> males are of three kinds: animals, humans, divine beings; the same holds good for females, but neuters (napumsaka) are either animals, humans or infernal beings <139> three kinds of wombs (yoni): cold, hot, a mixture of both; or: covered, open, a mixture of both <148> in both world-periods there live three kinds of eminent persons (uttamapurusa): Arhat, Cakravartin, Baladeva or Vasudeva <152> three colours of celestial vehicles (vimana): black, blue, red <159> three kinds of men: good-minded, bad-minded, neither good-minded nor bad-minded <168> three kinds of men: upholder of the tradition (sutradhara), upholder of wealth (arthadhara), upholder of both <177> three kinds of speech: truth, lie, meaningless <181> faith is right, wrong, a mixture of both; again: three kinds of story (katha): relating to artha, relating to dharma, relating to kama <194> time can be subdivided into past, present, future <197> sutra 199 gives the names of three areas, three mountains etc. in Jambudvipa/ three causes of an earthquake in the hell Ratnaprabha gross aggregates of matter are colliding, a certain deva moves up and down, a battle of certain gods <200> three parts of the body are inherited from father's side: bones, marrow, hair; three from mother's side: flesh, blood, brain <209> the Arhat Malli got tonsured along with 300 (i.e. three times one hundred) persons <230>. Chapter IV (catur-sthanam) In sutra 181 (chapter III) we learn that speech is of three kinds: truth, lie, meaningless speech/in sutra 238 it is stated that speech is of four kinds: truth, lie, a mixture of both, neither truth nor lie I a nun may keep four garments: one of two hasta length, two of three hasta length, one of four hasta length <246> four passions (kasaya): anger, conceit, deceit, greed <249> sutra 253 gives a simile: fruit may be unripe and slightly sweet, unripe and very sweet, ripe and slightly sweet, ripe and very sweet. The same is true for men (Abhayadeva in his commentary states that we have to replace "ripe" by age or knowledge of the tradition, and "sweet" by virtues like tranquillity of mind. This means: men may be ripe with regard to age and very sweet with regard to tranquillity, etc.) / four causes of laughter: seeing, speaking, hearing, recalling (Abhayadeva in his 3

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commentary states: by funny gestures, by imitation of someone's style of speech, by jokes, by remembering funny things) <269> four kinds of servants (bhrtaka): day labourer, on travel, with a fixed-termed contract, for a specific task <271> four kinds of gossip (vikatha): about women, about food, about the country, about the king; again: four kinds of gossip about women: regarding their caste, family, appearance, adornments <282> monks and nuns who have a talk do not transgress the ascetic code (atikramana) in case: they inquire for a path, show a path, offer food, help seeking alms <290> sutras 300 up to 307 give the names of four gateways, islands, plateaus, areas, mountains, lakes in Jambudvipa/four kinds of austerity (tapas) of the Ajivikas: severe austerity, terrible austerity, abstention from rasa (Abhayadeva in his commentary states: from "ghi", etc.), indifference to the taste of food <309> four kinds of brave men (sura): brave in patience, in austerity, in charity, in war <317> four entities (astikaya) having an extension of innumerable space-points: dharma (medium of movement), adharma (medium of rest), space, single soul <334> four kinds of "going forth from home" or "initiation" (pravrajya); with mind fixed on livelihood, fixed on happiness in the next birth, fixed on both of them, with no wish at all but out of equanimity <355> the sangha (religious organisation) consists of four groups: male ascetics, female ascetics, laymen, laywomen <363>. Chapter V (panca-sthanam) Five great vows for an ascetic (mahavrata); again: five vows for a layman (anuvrata) <389> due to five causes a monk may be expelled from the gana: he sows the seeds of discord within the kula (i.e. a group of monks of one acarya), within the gana, he seeks to harm members of the kula or gana, he resorts to fault-finding, he repeatedly gives rise to controversy <398> an acarya may cause dispute (vyudgraha) in the gana if he fails to properly: assert his commands, instruct about conduct, recite and teach the sutras, take care of ailing ascetics, inform the gana before he leaves for other places <399> sutra 403 and 404 give the names of five goddesses, armies and commanders of gods / monks and nuns are not allowed to cross these five rivers more than two times or three times a month: Ganga, Yamuna, Sarayu, Airavati, Mahi; again: it is allowed to cross these rivers out of five reasons: fear, famine, they are distressed (pravyathate), there is no other way because of a flood, disturbance created by inferior or dishonourable people (anarya) <412> five ways a woman can conceive without having intercourse with a man: she sits naked at a spot spoiled with semen, a piece of cloth with semen enters her yoni, she herself puts semen into her yoni, some other person puts semen into her yoni, while taking a bath in a pond semen enters her yoni <416> monks and nuns may study or meditate or sleep at the same place: if they stay in an inhabited area, there is only one upasraya in town, they come to the abodes of Nagakumara-gods which are either empty or overcrowded, in case thieves are around and want to steal their robes, for the sake of protection in case sexually excited young men approach the nuns; 4

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again: a nude monk may stay with a dressed nun if no other sadhu is nearby and the monk is: distracted in mind (ksiptacitta), is in a delirious state (drptacinta), is possessed by an evil spirit (yaksavista), he has gone crazy (unmadaprapta), he has been initiated by female ascetics <417> an acarya recites or explains sutras: to teach the disciples the tradition, to encourage them to right conduct, to shed his karman-particles, because the disciples want to widen their knowledge, to keep the tradition intact (avyavacchitti) <467> sutra 468 gives five colours of celestial vehicles (vimana). Chapter VI (sar-sthanam) A monk endowed with six qualities may get the position of a leader of a gana: he is faithful, truthful, intelligent, scholarly, powerful, not quarrelsome (alpadhikarana) <475> only few beings. have command over these six supernatural powers (rddhi): turn soul into matter, matter into soul, speak truth and non-truth at the same time, suffer or not suffer karman at will, pierce atoms, go beyond the edge of loka <479> 6000 dhanus (i.e. six times 1000 dhanus) is the height of human beings in the susama-susama epoch of the ascending world-period <493> a monk may take food for six reasons: to remove pain of hunger, so that he can serve other ascetics, so that he can observe careful movement, so that he may follow the rules of ascetic discipline, for support of his life, so that he can contemplate about religion <500> sutra 505 up to sutra 509 and sutra 515 up to sutra 520 give the names of six goddesses, gods, hells, etc.<>/ six seasons (rtu): first half of the rainy season (pravrt), second half of the rainy season (varsa), autumn, winter, spring, hot season <523>. Chapter VII (sapta-sthanam) Seven kinds of birth (yoni): born from an egg, as a fetus without enveloping membrane, born with a placenta, out of liquids, out of sweat, by act of congealing, by bursting out of earth <543> seven kinds of gross air-bodied beings (badara-vayukayika): wind blowing from the east, west, south, north, upward wind (ardhvavayu), downward wind (adhovayu), wind from intermediate directions <547> seven clans: Kasyapa, Gautama, Vatsa, Kutsa, Kausika, Mandava, Vasistha <551> seven gems of a Cakravartin: disc, umbrella, hide of leather, staff, sword, jewel, cowrie shell <558> seven signs of the duhsama-period: untimely rains, absence of rains at the usual time, worship of impious persons, no worship of pious persons, misbehaviour with persons of respect, mental affliction, hurting by speech (vagghata) <559> seven causes of sudden death (ayurbheda): affection or fear, weapon, excess of food, pain, execution, touch (Abhayadeva in his commentary states: "bite of snake", etc.), suffocation <561> sutra 582 gives the names of seven 5

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armies (anika) and seven commanders of gods / sutra 587 gives the names of the seven schisms (nihnava) which arose in the early history of the church, the names of the seven responsible acaryas and the names of the cities where the schisms originated. Chapter VIII (asta-sthanam) Eight kinds of touch: hard, soft, heavy, light, cold, hot, smooth, coarse <599> eight kinds of signs or omens (mahanimitta): relating to earth (bhauma; Abhayadeva in his commentary states: earthquake etc.), sudden events or unexpected appearances (utpata; Abhayadeva in his commentary states: rudhiravrsti - blood shower etc.), dreams, celestial phenomena (antariksa), body (anga; Abhayadeva in his commentary states: trembling, etc.), voice or tone (svara), marks or symbols (laksana), signs or token (vyanjana; Abhayadeva in his commentary states: hair on the forehead, etc.) <608> eight inflections of words (vacana-vibhakti): Nominative, Accusative, Instrumental, etc. <609> eight branches of Ayurveda: treatment of children, treatment of bodily diseases, surgery related to eye, removal of any substance which has entered the body, doctrine of antidotes, treatment of mental diseases, doctrine of aphrodisiacs, doctrine of elixirs, alchemy <611> the first future Tirthankara will initiate eight kings <627> sutras 631, 632, 635 up to 637 and 639 up to 644 give the names of eight islands and seas, state that the Jambu-tree is eight yojana tall, give the names of eight mountain-caves, areas, cities, goddesses, divine realms etc. / a maximum of eight Arhats, eight Cakravartins, eight Baladevas or eight Vasudevas did, do and will take birth in some specific areas in the continent Jambudvipa <638> the height of celestial vehicles in the heavenly abodes Mahasukra and Sahasrara is 800 (i.e. eight times 100) yojana <650> the minimum duration of the bondage of the karman responsible for male gender is eight years; the same period of time is stated for the karman responsible for fame (yasas) <658>. chapter IX (nava-sthanam) Nine kinds of restraints (gupti) for a monk who lives in chastity (brahmacarya): he stays in solitude, avoids: talking with women, sitting near women, looking at women, tasty food, excessive quantity of food, recalling pleasures enjoyed in the past, listening to flattering (anupatin) words, does not get attached to pleasures <663> nine causes of disease: sitting continuously, sitting in wrong posture, excessive sleeping, keeping awake too long, restraining bowel movement, restraining of passing urine, excessive travelling, wrong food, agitation <667> nine oozing apertures in the human body: two ears, two eyes, two holes in the nose, mouth, urethra, anus <675> eight topics of evil scriptures (papa-sruta): sudden events (Abhayadeva in his commentary states: "blood-shower", etc.), augury or omen, mantra, akhyayika (perhaps:

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drama, etc.), Ayurveda, arts, architecture, ajnana (Abhayadeva in his commentary states: secular scriptures as those dealing with dance or the Mahabharata), preaching wrong faith <678> nine conditions for pure alms-seeking: a monk does not destroy living beings (na hanati), does not cause others to do so, does not approve of others doing so; he does not cook for himself (na pacati), does not cause others to do so, does not approve of others doing so; he does not buy food himself (na krinati), does not cause others to do so, does not approve of others doing so <681>. Chapter X (dasa-sthanam) Ten characteristics of the Jain religion (sramana-dharma): patience, liberation, honesty, kindness, humbleness, truth, self-discipline, austerity, detachment, chastity <712> ten times are prohibited for study with regard to the sky: comet, abnormal redness of horizon, rumbling, lightening, thunderstorm, juyaga (?) (Abhayadeva in his commentary states: blending of the light of the setting sun with that of the moon), yaksadipta (?) (perhaps: glow caused by a demon), mist, fog, frost, raising of dust <714> sutras 717 up to 725 give the names of ten rivers, cities, kings, mountains, etc. in Jambudvipa / ten causes of joy (sukha): health, long life, wealth, love, enjoyment, contentment, attainment (asti), irreproachable enjoyment (subhabhoga), abandoning wordly life, to be free from troubles <737> ten causes of pain (vedana) of infernal beings: cold, heat, hunger, thirst, itching, dependence, fear, grief, old age, disease <753> ten kinds of wishes: for happiness in this life, in the next life, in both of them, for long life, not to suffer agony, for love, enjoyment, wealth, respect, honour <759> characteristics of ten states (avastha) of a 100 year old man: 1 up to 10 years: bala - child; 10 up to 20 years: krida - sport, play; 20 up to 30: manda-(Abhayadeva in his commentary states:) slow in understanding or enjoying pleasures; 30 up to 40: bala - strength; 40 up to 50: prajna - knowledge; 50 up to 60: hapani-(Abhayadeva in his commentary states:) growing weakness with regard to the sense-organs; 60 up to 70: prapanca - (Abhayadeva in his commentary states:) displaying trembling and cough; 70 up to 80: pragbhara - (Abhayadeva in his commentary states:) to walk with a stoop; 80 up to 90: murmukhi - wish for liberation or for end of life; 90 up to 100: sayani - lying down <772> This short summary of the contents of the Sthananga gives us a fairly clear idea of the character of the text under discussion. Not only the main subjects of the Jaina religion in its broader sense are listed, but also many more aspects of the Jaina conception of the world. Besides terms such as soul, liberation, or karman, we also read of constellations, time-cycles, etc. As a matter of fact, the Sthananga is a work of extreme heterogeneity. One cannot detect any logical order of the sutras within the chapters. Right in the middle of sutras whose topic is 7

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geography or music, we learn about medicine, karman particles, and so on. In this respect the Sthananga bears a strong similarity to a notebook. Because all topics, terms and things are thought of as fitting well with number one, number two, and so on, up to number ten, and because they are listed accordingly, the word "sthana" in the titles of the ten chapters as well as in the title of our work means "place". The Sthanangasutra is an anga-text in which terms and things" are listed in their "right place". At first glance, it seems to be a somewhat simple way of thinking that underlies the programme of the work. We cannot discern a basic idea which makes the list significant with regard to philosophical conceptions of life and the world. The Sthananga obviously has nothing in common with the western medieval concept of a universe which is governed by the law of mathematics. It makes no attempt to combine mathematics with religion, an idea which, in Europe, goes back to Pythagorean and neo-Platonic number mysticism. An arrangement of such an encyclopaedic compilation either in alphabetical order or according to subject matter we take for granted today. As a consequence of the listing of the terms and things under numbers we notice certain disadvantages such as a lack of conceptual clarity and unavoidable repetition of words. However, to do justice to the text we have to inquire why the Sthananga was composed. In my opinion, the style and the contents of the text clearly indicate that the Sthananga is nothing but a memory aid for an acarya, so that he might not forget the varied subject matters he wants to teach. With this work he has a kind of guideline for his lessons at hand and can easily reply to questions asked by his disciples. If I am right, the Sthananga contains exactly those subject matters, which had been most interesting to the scholarly monks in the first centuries A.D. And I think I can make the point that this text was definitely not meant to be studied by a younger monk for himself. I would like to list four arguments to support my thesis: First, we quite often read in a sutra, subsequent to a statement, "bhaniyavva" -(this) has to be explained. Secondly, in numerous places we find abbreviations to shorten the text. In these cases the word "java", which corresponds to our "et cetera", is used. Most certainly, only those who are experts on the subject matter in question can fill in the gaps. Thirdly, in at least ten sutras the meaning of a word is explained through application of the dialectical technique called "niksepa". But the view-points, from which the word is subject to explanation, are only listed, without any elaboration of details. Fourthly, more than twenty outlines of similes are included in the text. Doubtlessly, they were incorporated to be used in sermons or lessons.

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I have to say some words about Abhayadeva's Sanskrit commentary on the Sthananga, which is indispensable for an understanding of the text. In it we do not only find the Sanskrit equivalents of the Prakrit words, but, what I consider more important, explanations of those topics which are worded in this text in general terms but without any detailed information. In the colophon to his commentary, Abhayadeva mentions - besides the year of the completion of his work, i.e. 1063 A.D. his assistant Yasodevagani, a group of scholarly monks under the leadership of Dronacarya who did the proof-reading, the lack of any preliminary work and the difficulties resulting from the different versions of the text, its complex contents, and occasional disagreements with other scholars. In the introduction to his commentary he expressively states that before him nobody had commented upon the text: Sthanangah parvapurusena kenapi kuto 'pi karanad anunmudritah [Jambuvijaya (2002: 2)]. According to this, no bhasya, niryukri or curni had ever been written on our text. Abhayadeva, and in his succession all Jaina scholars to this very day, interpret the structure of the Sthananga as a kind of demonstration of the so-called naya-theory. In this respect I cannot agree with them and I consider it a misjudgement of the simple character of this old text. I give an example to clarify this point: It is common knowledge that the Jainas teach endlessly many, immaterial souls. Therefore, one is astonished to learn in chapter one, sutra two, "ege aya" (Sanskrit: eka atma) - "one soul". To this sutra, as well as to all the other sutras in chapter one which list abstract terms, Abhayadeva applies the second of the seven classical nayas, the sangraha-naya, i.e. the point of view, which considers only the general qualities of a thing and not the specific ones. This means, with regard to "eka atma" we should only think of the aspect "consciousness (upayoga)", which is present in all souls. In accordance to this statement, we read in all translations and interpretations of the second sutra: "soul is one." This interpretation may be consistent from a logical point of view. But we have to keep in mind that Abhayadeva wrote his commentary about 500 years after the compilation of the Sthananga, at the time when the naya-method had gained a predominant status in Jaina philosophy. In my opinion there is no need to burden the text with such a complex underlying idea. I am certain that the Sthananga was created as a rather simple textbook and not a unique philosophical treatise. Terms such as creation, destruction, reasoning, knowledge, liberation, etc., to which Abhayadeva's interpretation can be applied only with some difficulty, had to be included into the text, because otherwise the textbook would have been of no use at all to the acaryas. Where, if not under number "one", could they possibly be subsumed? And why are they not analysed again in other places of our text taking into consideration the remaining six nayas? In my opinion, "eka atma" does not mean "soul is one", because I do not take "eka" as a predicative adjective. In accordance with the name of the chapter, i.e. eka-sthanam, and the 9

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general character of our text, as well as with those numerous expressions in the Sthananga, in which we find the cardinal numbers employed attributively, we should interpret "eka" as conveying the sense of "ekasmin sthane" - in place "one". If we leave out the adjective "eka", the term "atman" alone serves its purpose. I think the cardinal number was added only to ensure the formal uniformity of the text. Presumably, it was also intended as an aid to learn the text by heart. If one thinks it inevitable to translate "eka" in the sutras "eka atma", "eka kriya", "eka tarka", etc., I see no better solution than to render them as "one: soul", "one: activity", "one: reasoning", and so on. Now, I will make some short remarks concerning the authorship of our text. The first sutra in the Sthananga goes as follows: suyam me ausam tenam Bhagavaya evam akkhayam - I have heard, o Long-Lived one, that the Venerable (i.e. Mahavira) has said thus. In accordance with the tradition, Abhayadeva understands this formula, which we find also in some other canonical texts, in the sense that the ganadhara Sudharman, the fifth direct disciple of Mahavira, has recited the Sthananga to his disciple Jambusvamin. But, without any doubt, we are entitled to notice that the work is a compilation of older texts and that its composition can by no means go back to the times of Sudharman. I think, I don't have to argue in detail to support this statement. Scholars such as Johannes Bronkhorst (1993: 151-152) in his "Remarks on the History of Jaina Meditation" or Bansidhar Bhatt (1992: 42) in his "Study of the word: niksepa" have already demonstrated that the sutras 247 and 374, which deal with meditation and music respectively, have been borrowed, though not verbally, from the canonical texts Vyakhyaprajnapti and Rajaprasniya. I could easily add more examples of word for word borrowings, but confine myself to point out that all the topics mentioned in the Sthananga are dealt with at length at several places in the Svetambara canon. Abhayadeva quotes [Jambuvijaya 2002: 2-3] the verses 582 and 583 from Haribhadrasuri's Pancavastuka, dated 8th century A.D., where a time is set for the teaching of various texts to the disciples. With regard to our text they say that it is suitable to be studied by those ascetics, who have at least eight years standing in monkhood. Otherwise, faults would arise such as disobedience, etc. That this is a very old rule is confirmed by the Vyavahara, a text which belongs to the group of the canonical Chedasutras, which obviously was the source for Haribhadra. In the Vyavahara (10, 20-34) not only the same schedule is mentioned, but in addition to that it is stated that only a monk who knows the Sthananga by heart may attain the position of an acarya, which, as we know from other texts, entitles him to supervise the monks and nuns in regard to their conduct and study. In this connection, I would like to refer to a most interesting information John Cort (2001: 330) has given about two modern curricula for Martipujaka-monks, dated 1912 and 1988. He 10

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says with regard to both of them: "[They are] noteworthy for the almost complete absence of texts of the Svetambara canon. This tells that in fact the canon of early texts is not where the Jains themselves go to learn the intellectual and ritual fundamentals of their own tradition." This statement corresponds to what I have heard from an informant: Today, only few nuns and monks study the canonical texts thoroughly. This I consider a sad state of affairs. It is selfevident that the Sthananga - as a textbook - cannot be of any importance for the Jaina ascetics nowadays. But I am convinced that for everybody, may he be interested in the history of the religion and literature of the Jainas or the intellectual history of India in general, the Sthanangasutra is worth reading. Bibliography Bhatt, Bansidhar. "Study of the Word: niksepa and other Derivatives in the Svetambara Jaina Canon." Akten des Melzer-Symposiums 1991. Ed. Walter Slaje & Christian Zinko, 15-53. Graz: Leykam, 1992. Bothara, Surendra. Illustrated Sthananga Sutra, Original Text with Hindi and English Translations, Elaboration and Multicoloured Illustrations. Ed. Amar Muni Ji Maharaj. Delhi: Padma Prakashan, 2004. Bronkhorst, Johannes. "Remarks on the History of Jaina Meditation". Jain Studies in Honour of Jozef Deleu. Ed. Rudy Smet & Kenji Watanabe, 151-162. Tokyo: Hon-no-tomasha, 1993. Cort, John E. "The Intellectual Formation of a Jaina Monk: A Svetambara Monastic Curriculum." Journal of Indian Philosophy 29 (2001) 327-349. Deo, Shantaram Bhalchandra. History of Jaina Monachism. From Inscriptions and Literature. Poona: Deccan College Postgraduate and Research Institute, 1956. Jambuvijaya, Muni. Thanamgasuttam and Samavayamgasuttam. Jaina-Agama-Series 3, Bombay: Sri Mahavira Jaina Vidyalaya, 1985. Jambuvijaya, Muni. Sthanangasutra. With the Commentary by Abhayadeva Suri Maharaja, JainaAgama-Series 19 (1)-19 (3), Bombay: Sri Mahavira Jaina Vidyalaya, 2002-2003. 11

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Malvaniya, Dalsukh. "Sthananga-Samavayanga. Trija ane cotha angagramthanum gujarati rupantara." Sri Pumjabhai Jaina Gramthamala 23, Ahmedabad: Gujarat Vidyapith, 1955. Nathmal, Muni [Acarya Mahaprajna). Thanam. mula patha, samskrta chaya, hindi anuvada tatha tippana. Ladnun: Jaina Visva Bharati, 1976. Schubring, Walther. Die Lehre der Jainas. Nach den alten Quellen dargestellt. Berlin/Leipzig: Walter de Gruyter & Co., 1935 (Translated into English by Wolfgang Beurlen as The Doctrine of the Jainas. Described after the Old Sources. Delhi: Motilal Banarsidass, 1962, 2nd revised edition 2000). Weber, Albrecht. "Uber die heiligen Schriften der Jainas. " Indische Studien. Beitrage fur die Kunde des indischen Alterthums. Hrsg. von A. Weber. Bd. 16, 211-479 and Bd. 17, 1-90. Leipzig: F. A. Brockhaus, 1883 und 1885 (Repr.: Hildesheim: Georg Olms Verlag, 1973). (c) The Editor. International Journal of Jain Studies 2006 12