Jaina Universe in a Profile of Cosmic Man

Author(s): Suzuko Ohira
Publisher: ZZ_Anusandhan
Catalog link: https://jainqq.org/explore/269122/1

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The Jaina Universe in a Profile of Cosmic Man - Suzuko Ohira This is a short artilce I sent to the Umasvati Seminar held in Delhi in January 1999 which I could not participate in. Very fortunately it has not been published yet, and I am indeed happy to dedicate it for the commemoration volume of my late dear teacher Pt. D. D. Malvania, who guided me in writing my Ph.D. thesis, "A study of the Tattavarthasutra with Bhasya, with Special Reference to Authorship and Date" (pub. by L. D. Institute of Indology, Ahmedabad, 1982) and "A Study of the Bhagavtisutra - A Chronological Analysis" (pub. by Prakrit Text Society, Ahmedabad, 1994). In this brief paper, I would like to pose upon the Cosmic Manshaped Jaina loka in order to speculate when and why such a strange idea of the universe arose to the Jaina theoreticians, and if Umasvati was aware of its singificance. Umasvat's T.S., that was composed sometimes in the late middle of the Sth century A.D., is a compendium of the theoretical contents of massive Jaina canonical works. He organized it in terms of seven tattvas in some 350 sutras, and wrote its commentary or bhasya himself. Since then, it has become a common practice for the students of Jainology, to be introduced to the outline of Jainism through his Sabhasya T.S However, this prakarana, written in terse Sanskrit is extremely difficult to comprehend, even with the help of his own bhasya, and naturally numerous commentaries have been continuously written on it up to this day. Students of Jainism today have to thus take up the Sabhasya T.S., as a rule, along with some modern commentaries on it at the very beginning of their Jainological studies. It is in these inodern commentaries on the T.S. that we find an exposition of the Jaina loka built in the form of

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anusaMdhAna - 17* 102 World-Man or Cosmic Man, standing with his legs apart and resting his hand on his waist. The same exposition is, however, not found in the earlier ones. Umasvati describes the shape of loka in his bhasya to sutra III. 6 in the following way. The lower world stands in akasa like a down turned earthen bowl, the middle world is in the shape of a cymbal (jhalara), and the upper world is also like a drum (mrdanga). The whole universe is, then, said to resemble a vajra, which means, according to Monier William's Sanskrit Dictionary (p. 913), the form of two transverse bolts crossing each other like this. 6 His description of the loka above as well as that of its structure and dimension made in the T.S. and its bhasya, Chs.III-IV, do not contradict those made in the modern works, except the unit of 'rajju' in measuring the loka, which is the post-Umasvati usage. An illustration of this Jaina loka, for instance, shown in Figure 1, may naturally arouse our imagination that it resembles a human being, having his head on top and his hands at the part of waist that falls in the position of the middle world. But Umasvati does not compare it to Cosmic Man as modern commentators on the T.S. do. Neither do so the early commentators of the T.S., both Svetambara and Digambara, including Haribhadra, Pujyapada and Akalanka, whose works I hold. I shall be most happy if any scholar would be kind enough to inform me, of the earlier works on the T.S. or otherwise that refer to the Jiana loka expressed in human appearance. Schubring mentions in The Doctrine of the Jainas (p.206), "A third non-canonical conception refers to a world of human appearance (as loke purusa)". He, then, makes a note that an expressly female figure appearing in Grunwedel's AltKutscha, I. 47, etc. is quite doubtful. True, an idea of the loka in a profile of Cosmic Woman can never be accepted

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anusaMdhAna - 17* 103 in the context of Jainism. However, as illustration of a femalefigured Jaina loka, dated the 18th century, Rajasthan, has been widely circulated in Japan also, as shown below. (2) (3) Schubring also mentions that the name of the regions called 'Graiveyaka (neck)' in the loka and the expression of 'loka-mastaka (head of the universe)' made in the Dasavaikalikasutra IV. 25 make it clear that the Jaina loka is shaped in human appearance. The Dasavaikalikasutra is one of the earliest canonical works, however, this part is obviously a later interpolation. Be that as it may, the loka was one of the earliest topics that the canonical authors had to work on, because without firmly establishing its shape, size and structure, etc., they could not advance and develop their theories of jivas and ajivas that abide therein. The Jainas are the natural philosophers, and they postulate that the aloka or non-universe exists by which the loka is supported. Arguments on this matter appear in quite early canonical stages.(4) The Bhagavatisutra (=Bh.) VI. 5. 240-241 refer to Tamaskaya or the black body which envelops the four lower kalpas rising from the Arunavara Ocean, and from its end begins Krsnaraji or the black field at Brahma loka. Since these regions are always bright due to the natural brightness of vimanas, and since the Jyotiskas brighten the middle worlds, it is difficult to fathom why the canonical authors had to postulate these dark regions in the Jaina cosmography. But a solution to this problem can be arrived at, only if we take the Jaina loka in a profile of Comic Man. For, then, we can suppose that Tamaskaya is situated in the postition of the womb with Krsnaraji on top, which assumes a symbolic form of the swastika. These dark regions, then, will signify the cosmic garbha, the innermost shrine of the Jainas, in which located is Mt. Meru in the form of lingam. A plausible

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31FFET-819. 104 explanation of all this is that the then canonical authors adopted the popular lingam worship of Saiva School in order to represent Mt. Meru as a symbol of the eternal potency of Jainism. These regions are thus placed above the profane lower world.(5) These texts in the Bh. above belong to the final canonical stage, when the Jaina centered world view was thoroughly established. Their description of Tamaskaya and Krsnaraji presupposes that the Jaina loka was assumed in a profile of Cosmic Man. Then, the trasa nadi or a tunnel running vertically through the center of the loka, must be suggesting itself to be the cosmic axis of the Jainas. The structures of the three worlds and the four types of beings residing therein are described in the T.S. III-IV. Umasvati must have used the so called Pannatti texts for his source materials in composing these chapters. From the data offered so far above, it is very clear that the shape, size and structure of the Jaina loka had been already established by Umasvati's time. Therefore, the Jaina theoreticians in the later canonical stages including Umasvati were fully aware that the shape of their universe was made to resemble Cosmic Man. But curiously enough, they didn't dare to refer to this fact. It is likewise strenge that the post-Umasvati authors like Haribhadra, Pujayapada and Akalarika maintained the same attitude of keeping silence about this matter. It just went on, as if handing down a secret inside to the succeeding Jaina theoreticians, untill the modern authors broke with its taboo. But, why ? The Bh. XIII. 4.478-479 refer to the directions starting from the central point in the middle world, which is situated in the middle of two thin layers at the top of Ratnaprabha. This theory of directions must have evolved in the final canonical stage, in connectinon with locating the central point

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STIFTETT-99.105 of the loka, against which a kevali must fix the central point of his physical body, in order to perform kevali samudghata at his final moment of life. The T.S. Ch.10 which is relevant to moksa, is silent about this method of kevali samudghata. Now, the T.S.V.15 and its bhasya state that a jiva can occupy one by asarikhyata part of lokakasa up to the whole of it. The entire lokakasa has to be occupied by a kevali by spreading his soul in order to cut off his total karmas at the time of liberation. This process is known as kevali samudghata. This is the only time when a jiva can occupy the entire lokakasa. Umasvati, who keeps silence about kevali samudghata, is thus surely well acquinted with its concept. "You can attain liberation by way of ahimsa," said Mahavira. But as time went on Jainas developed their own doctrinal system, and their method of salvation had to be, then, theorized in view of their advanced dogmatical scheme. Jainism advocates dualism of the jiva (=atman) and the matter (=ajiva), and karma belongs to the category of matter. Since Jainas do not postulate Creators of God, they assume that jivas and matter have existed since times eternal, and that world phenomena have also been occuring by the mutual bondage of jivas and karmas since the beginning of eternal time. The Jaina thoreticians in the canonical age, then, had to solve the problem as to how to enable a kevali to eradicate his total karmas at the time of liberation, in the purview of their karma doctrine. Jivas and karmas, say the Jainas, have been inseparably bound since the beginningless time. Then, how can they ever be separated ? It must have been a grave and pressing issue to be solved by the then canonical authors. Here, Jaina canonical authors got help from the traditional Brahmapical concept of 'Aham brahmasmi' in the

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314194-819106 Rrhadaranyaka Upanisad and "Tattvam asi' in the Chandogya Upanisad. In other words, the unification of Atman with Brahman is the well known established method of freedom from samsara in the Brahmanical tradition. The Jaina authors resorted to the same method, and established 'kevali samudghata', the Jaina method of annihilating a kevali's entire karmas and attaining liberation, by allowing him to be unified or to become one with Cosmic Man, the Jaina loka. In order to deny one's total self and become free from it, there is no other way for him, but to transcend the level of his own self and becomes one with the Absolute One, Brahman or God, or with whatever name you may wish to call Him. Likewise, if a kevali wants to be absolutely free from his entire karmas that have been inseparably bound with his transmigrating self since the beginningless time, there is just no other way for him, but to transcend the level of such self and becomes one with the Absolute One, who stands outside the phenomena of samsara. The Jaina theoreticians had to thus build their loka in a profile of Cosmic Man. Buddha who was a historical person in Hinayana Buddhism, came to be also considered as pervading throughout the universe in Mahayana Buddhism. This idea was soon followed by the carollary that Buddha is no other than the cosmic world itself. This cosmic world is called Buddha's 'dharma kaya', that is often expressed by Cosmic Vairocana. This idea, of course, goes back to that of Purusa in the 'Purusa-sukta hymn in the Rg-veda X. 90. Purusa or Original Man is here depicted as God of sacrifice as well as the object of sacrifice, by whose immolation the present world including all things, human beings, devas and all others including social systems are derived. The Jainas thus followed in the wake of Mahayanists.

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3 THIETTF-869 * 107 The adoption of the idea of Brahman to the Jaina system must have occured at some canonical stage, that was much earlier tk in the time of Umasvati. However, the Jaina loka which resembles Cosmic Man, is ajiva or matter, thereby kevali samudghata is difficult to allow a kevali to attain his final perfection. Then, if the Jaina loka were assumed to be Cosmic Jina or God who enables a kevali's unification with Him, in as much as the case of Brahman and Mahayanists' Cosmic Buddha, it would be contradicted by their dual system of jiva-ajiva that excludes the existence of the Absolute One. A kevali thus falls into a dilemma in performing kevali samudghata, this being a method and a mechanical process of eradicating his entire karmic matter particles, that have been bound inseparably with his soul since times eternal, by way of spreading his entire soul space throughout the lokakasa in a profile of Cosmic Man, and exploding them, just as a fully blown baloon bursts at its maximum expansion to exclude its air inside. Due to some dissatisfactory factors hidden in this method of karmic destruction, Jaina theoreticians in the canonical age including Umasvati, could not openly say that the Jaina loka resembles Cosmic Man. Post canonical theoeticians, then, followed the same practice of their predecessors. However, as time went on, its grave significance came to be gradually forgotten, and the modern commentators of the T.S. must have started to elucidate that their loka is built in the appearance of Cosmic Man. Then, there also appeared an idea of the Jaina loka in a profile of Cosmic Woman, as mentioned already. This Jaina loka expressed in a figure of Cosmic Woman belongs, most probably, to a tantric line.

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anusaMdhAna - 17* 108 Foot-notes I. Schubring, W. The Doctrine of the Jainas. Motilal Banarasidass, Delhi, 1962, p. 206, note 1. He also makes a reference to Kirfel's Bilderatlas. 2. Figure 2, from Akira Sadakata's Indo Uchushi (Indian Cosmography), P. 233. The same illustration is also found in Heibonsha's Sekai Daihyakka Jiten (World Encyclopaedia), v. 3 (1988), illus.p.63, under 'uchu (universe)". 3. Schubring, op. cit. p. 206. 4. Refer to my Study of the Bhagavatisutra, ," 13 "3 455 32 15 "" 33 .. SS 145-146. SS 157-160. SS 163 & 165.

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31THET-86 109 Figure 1 3 . art 1 . A Figure 2