Book Title: Jain Literature in Kannada
Author(s): B K Khadabadi
Publisher: Z_Pushkarmuni_Abhinandan_Granth_012012.pdf
Catalog link: https://jainqq.org/explore/250138/1

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Page #1 -------------------------------------------------------------------------- ________________ Jain Literature in Kannada MID Jain Literature in Kannada Dr. B. K. Khadabadi, M. A., Ph. D. 3, Pal Building, Saptapur, Dharwar. Jain Literature in General Jaina literature in its earliest phase is found in Prakrit viz., Ardhamagadhi and Jaina Sauraseni. According to the Svetambara tradition, after Lord Mahavira taught the Sacred Laws in the Ardhamagadhi language, his teachings, as received and composed by Sudharma (the 5th Ganadhara) in the twelve Angas, were preserved through svadhyaya on the tongues of generations of monks for about a thousand years and then were finally put to writing, more or less, in the same language at the Vallabhi Council convened by Devardhigani in 454 A. D. According to the Digambara tradition, the canonical knowledge of the twelve Angas was almost lost except some portion of the 12th Anga and a part of the 5th Anga which have been preserved in the Sarkhandagama by the great foresight of Acarya Dharasena and the sincere efforts of the two learned monks Puspadanta and Bhutabali who composed it in Jaina Sauraseni between the 1st and 2nd centuries A. D. Besides almost all other works of the pro-canon of the Digambaras have also been composed in Jaina Sauraseni. After the appearance of the principal canonical works in Ardhamagadhi and Jaina Sauraseni, commentaries of varied types were written in Jaina Maharastri, Jaina Sauraseni and also in Sanskrit. Thereafter Jaina teachers and scholars commenced to produce original works in Sanskrit, in addition to those in Prakrit, possibly to convince and propagate their religious tenets in Sanskrit-knowing circles and also to expand their influence over rival groups and others by composing worthy works of secular nature too. There also arose a situation when Sanskrit was preferred to Prakrit as a literary medium. Shri K. M. Munshi, observes: "The revolt in favour of using Sanskrit as against Prakrit, headed by Siddhasena Divakara (C. 533 A. D.) was an attempt to raise the literature and the thought of the Jainas to the high intellectual level attained by those of the Brahmins. This revolt naturally met with considerable opposition from the orthodox Sadhus." Moreover wherever the Jaina teachers moved and settled down they adopted the language of the soil, cultivated it and produced in it excellent works of varied interests. Tamil and Kannada literatures stand out as classical examples of this Jaina feat in South India, whereas Apabhramsa (the forerunner of the New Indo-Aryan languages), Hindi, Rajasthani and Gujarati hold out this fact to a notable extent in North India. Thus in the long cultural history of India, the contribution of the Jainas to Indian literature and thought can be seen through the media of Prakrit (Ardhamagadbi, Jaipa Sauraseni, Jaina Maharastri and Apabhrarsa) and Sanskrit, through Hindi, Rajasthani, Gujarati in North India and Tamil and Kannada in South India. And this contribution, as assessed by eminent scholars like Winternitz, is of no mean value. Jaina Literature in South Indian Languages The beginning and growth of Jaina literature in South Indian languages is invariably Page #2 -------------------------------------------------------------------------- ________________ 638 zrI puSkaramuni abhinandana grantha : SaSThama khaNDa connected with the advent and prosperity of Jainism in South India. According to a well-known South Indian tradition, Jainism entered into South India with the great migration of the Jaina Sangha, headed by the Srutakevali Bhadrabahu and accompanied by his royal disciple Candragupta, who left Madhyadesa owing to the twelve year famine, moved to the South and had their first colony at Kalbappu (Sravanabelgola) in C. 300 B.C. Then a part of the Sangha under Visakhacarya moved fruther to the Tamil country. But an evidence of the existence of Jainism in Ceylon in C. 400 B.C. led scholars to serious thinking and, then, to a reasonable conclusion that Jainism had made its entrance into the Telugu country via Kalinga during the life-time of Mahavira himself (C. 600 A. D.), passed on to the Tamil country and then reached Ceylon and that consequently the Jaina followers were already in Karnatak before the great migration. This acceptable track of Jainism in South India would naturally tempt us to expect from the Talugu region, which was the first and earliest to receive the Jaina teachers and scholars, rich and varied forms of Jaina literature in the Telugu language. But the actual state of things is quite different : there are found just less than a half dozen Jaina works belonging to the later period, the earliest available literary work in the language being the Mahabharata of Nannayya Bhatta (C. 1050 A.D.). But taking into consideration the very early advent of Jainism into the Telugu country, the available Jaina epigraphs and the various Jaina vestiges, scholars opine that at the beginning Jainism had its hold in several parts of the Telugu country. Then rivalling with Buddhism on one hand and the Hindu reaction on the other, it established its influence over different strata of society and had made Krishna and Guntur districts its strong-holds. The 9th and 10th centuries were prosperous for it. By the middle of the 11th century, the mighty and violent Hindu revival swept it away when all Jaina literary works might have been destroyed. The names like danavulapadu (Place of demons) given to a Jaina vestige is sufficient to indicate the whole dreadful story. Hence it will not be hazardous if we surmise a Jaina period in the Telugu literary history between the 9th and 11th centuries. But in the Tamil country, which received Jainism in two streams as noted above, Jaina literature had a good beginning and considerable growth until the Saiva saints and the Vaispava Alvaras strongly reacted and produced vast literature of their own. As usual the Jaina monks and scholars soon picked up the Tamil language, cultivated it for literary usage and produced in it a good amount of literature in its varied branches : inscriptions, poetry, prosody, grammar, lexicography, mathematics, astrology etc. To mention a few :9 Tolkappiyam (C. 450 A.D.)-the most authentic Tamil grammar, Tirukkural (C. 600 A.D.)--the immortal Tamil Veda, Silappadikaram (C. 800 A.D.)-the well-known Tamil classic of abiding interest, Jivaka Cintamani (C. 1000 A.D.) --the great romantic epic and Vasudevanar Sindam (?), 11 which is based on the Paisaci Brbatkatba of Gunadhya and which stands in rank with the Prakrit Vasudevahindi-are all by Jaina authors. The Tamil Jaina inscriptions, as observed by scholars in the field, 12 clearly show the Jaina contribution to the growth of Tamil language and literature. When we come to the Malayalam langauge of Keral, the Southern portion of the west coast of India, we do not find any Jaina contribution in it. The reason is obvious that it happens to be the youngest of the Dravidian group of languages which had its distinctive existence just by the 10th century. A.D. Until when Sendamil (Pure Tamil) was the sole language of the land. The first Malayalam literary pieces go back to C. 13th century A. D.18 Yet there are reasons to believe that Jainism had its spread and roots in this country too. It is interesting to note that Prof. A. Chakravarti, while presenting critical observations on the Silappadikaram, writes14 "Mr. Logan in his Malbar District Manual states several important points indicating the Jaina influence over the people of Malbar coast before the introduction of Hinduism." Moreover, Dr. P. B. Desai, basing his study on the notes on the Chitral inscription and the Jaina vestiges in Travanacore published in the Travanacore Archaeological Series, Vol. I (1910-13), pp. 193 ff., and Vol. JI (1920), pp. 125 ff., comes to conclusion that approximately the age of 9th to 11th centuries Page #3 -------------------------------------------------------------------------- ________________ Jain Literature in Kannada RE oo constituted the glorious period of Jainism in Keral.15 Hence we can reasonably expect some Jaina literature produced in Keral during this period. But according to the linguistic picture of the country of this period, as viewed above, such literature could be in Tamil alone And lastly coming to Kannada, we find that this has been for the Jaina scholars-monks and lay disciples, the most favourite of the South Indian languages in which they have left a very rich literary heritage in addition to their contributing significantly to the general cultural wealth of the land which they have described as the home of Jainism in one of their inscription.16 Jaioa Literature in Kannada Jaina literature in Kannada, being vast and varied, is a topic for an independent monograph. Hence taking just a bird's researching eye-view of it or presenting a descriptive and critical sketch of outstanding works and authors, high-lighting some of the findings of the recent researches, could alone be within the range of my attempt here.17 The earliest available Jaina literature in Kannada can be said to be in inscriptional form belonging to C. 7th century A.D, and even a little earlier. In the epigraphic wealth of Karnataka the Jaina share is of considerable volume and values and it extends even up to the end of the 18th century. Many of the Kannada Jaina inscriptions are metrically composed and have high poetic quality. Some of them also provide us with varied data of religious, social and political importance. It can be remembered with pride that the appearance of the Sravanabelgola inscriptions in the Epigraphia Carnatica Volumes gave the Jaina studies a historic and scientific turn and inspired towards the birth of the esteemed volumes of the Jaina Silalekba Sangraba in the M. D. J. series. Then the earliest available Jaina literary work in Kannada is the Kavirajamarga, a treatise on poetics, of Nrpatunga, the Rastrakuta King, also known as Amoghavarsa (815-877 A.D.) who was a disciple of Acarya Jinasena. This work on poetics naturally presupposes the existence of a pretty good number of earlier Kannada works. Nppatunga mentions several names of earlier eminent writers of Kannada prose and poetry : Vimala, Udaya, Nagarjuna, Jayabandhu and Durvioita as eminent prose-writers; Srivijaya, Kavisvara, Pandita, Candra and Lokapala as renowned poets. Unfortunately we do not get any exact and decisive information about these authors, Durvinita is identified as the Ganga King who was a disciple of Devanandi or Pujyapada. Kavisvara is surmised as Kaviparamesthi praised by the Acaryas Jinasena and Gunabhadra. Any way it is quite possible that several of these authors were Jains. Besides such eminent authors there are a few great ones who, along with their works, are known by references only: Syamakundacarya wrote a commentary in 12,000 gathas on the Sarkhandagama and Kasaya Prabhrta in Sanskrit, Prakrit and Kannada. He is placed in C. 600 A. D. Tumbaluracarya wrote on these very works another commentary in Kannada, named Cudamani extending over 91,000 gathas. He is placed between round-about 650 A.D. Moreover some so far unidentified scholar wrote on the Tatvarthasutra an exhaustive commentary in Kannada extending over 96,000 gathas. Though anything definite about its date cannot be said, it must be more or less on the same antiquity as that of the two commentaries on the Safkhandagama noted above. Lastly, Bbrajsnu wrote in Kannada a voluminous commentary on the Mularadhana (Bhagavati Aradhana).1. It appears to have been in prose and possibly belonging to the period anterior to that of NTpatunga. Had these four commentarial works, together with those of the eminent authors mentioned by Nipatunga, been available to us, the glory of the early Kannada literature, as mainly built by the Jaina teachers and scholars, would have stood before our eyes in its far factual vividity than could be just conjectured now; and also the early line of development of Kannada literature could have been restored to a great extent. Hence all these four commenta Page #4 -------------------------------------------------------------------------- ________________ -O 640 zrI puSkaramuni abhinandana grantha : SaSThama khaNDa rial works can be said to represent a hidden landmark in the history of early Kannada literature and I am tempted to call the period covered by these works, together with a few other ones, 20 the Period of the great Jaina Commentories, which could in all probability be the 6th and 7th centuries A. D. Next to Kavirajamarga is available the Vaddaradhane (C. 925 A. D.) the earliest available prose work in Kannada which is based on the Mularadhana (Bhagavati Aradhana) of Sivarya. It is an Aradhana Kathakosa standing in rank with similar Kathakosas of Harisena, Sricandra, Nemidatta and Prabhacandra. This can be said to be the only Aradhana Kathakosa in modern Indian languages, Aryan or Dravidian, and hence, is of great oriental value. It shows considerable influence of the diction of the Prakrit narrative works and is unparallelled in Kannada literature in respect of its excellence of language and literary style.21 Along with this classic can be mentioned another prose work, the Cavundarayapurana (C. 978 A. D.), composed by the great Camundaraya. The prose of this work shows some Prakrit influence; but the language is more Sanskrit-ridden. Now entering the realm of poetry, we first meet Pampa (941 A. D.), the greatest of the Kannada poets. He is known as the Adikavi of Karnataka. His Adipurana and Vikramarjunavijaya, composed in the Campu style, are the masterpieces in Kannada literature. Ponna (C. 950 A. D.), known as Kavicakravarti, composed his Santipurana in the same Campu style. Ranna (C. 993 A. D.). also entitled as Kavicakravarti by the Calukya King Tailapa, gave us the far esteemed Ajitapurana and Gadayudha. All these three poets are known as the Ratnatraya of Kannada literature. Among other eminent Jaina poets who flourished after this great trio, the following are worthy of special mention along with their respective works: Santinathapurana (1068 A. D)Sukumaracarita; Nagacandra or Abhinavapampa (C. 1100 A. D.)-Ramcandracaritapurana and Mallinathapurana Brahmasiva (C.1100 A. D.)-Samayaparikse and Trailokyacudamani Stotra; Nayasena (C. 1112 A.D.)-Dharmamrta; Nemicandra (C. 1170 A. D.)-Neminathapurana known as Aristanemi and also a secular romance called Lilavati; Aggala (C. 1189 A.D.)-Candraprabhapurana; Bandhuvarma (C. 1200 A.D.)-Harivamsa Purana; Gunavarma II (C. 1225 A.D.)-- Puspadantapurana; Janna (C. 1230 A. D.)-Yasodharacarita and Anantanathapurana, Andayya (C. 1300 A.D.)-Kabbigara Kava, an interesting secular work written in pure Kannada without the mixture of Sanskrit words; Nagaraja (C. 1331 A.D.)-Punyasrava, Mudhura (C. 1385 A.D.)-- Dharmanathapurana; Bhaskara (C. 1424 A. D.)-Jivandharacarite; Bommarasa (C. 1485 A. D.)Sanatkumaracarite; and Ratnakaravarni (C. 1557 A. D.)-Bharatesa Vaibhava. The Jainas, being the earliest cultivators of the Kannada language, have predominantly conrtibuted to its grammar, lexicography, prosody and poetics: Nagavarma's (II) KarnatakaBhasabhusana (C. 1145) in Sanskrit Sutras, Kesiraja's Sabdamanidarpana (C, 1260 A. D.) in Kannada and Bhattakalanka's Sabdanusasana (1604 A. D.) in Sanskrit with his own exhaustive commentary are well-known grammatical works among which that of Kesiraja is accepted as the most authoritative one. Ranna's Rannakanda and Nagavarma's (II) Vastukosa are the earliest lexicons. Nagavarma's (1) Chandombundhi (C. 990 A. D.) is the earliest extinct work on Kannada prosody. Nrpatunga's Kavirajamarga (C. 815 A. D.), Nagavarma's Kavyavalokana (C. 1145 A. D.) and Salva's Rasaratnakara (C. 1500 A. D.) are notable works on Kannada poetics. Besides inscriptions and commentaries, poetry and prose (with biography, religion, philosophy, metaphysics, logic etc.) grammar and lexicography, prosody and poetics, the Jaina scholars also applied themselves to several other fields like Mathematics, astrology, medicine, veterinary science, toxicology, cookery etc. and have produced many interesting books on these subjects. The last notable Jaina contribution to Kannada literature may be said to be in the fied of history-rather quasi-history (Jaina traditional history and chronology) i. e., the Rajava Page #5 -------------------------------------------------------------------------- ________________ Jain Literature in Kannada Tarure in Kannada 6 41 . ++ + ++++++++ ++++++++++++ ++++++++++++ + +++++++++ ++++++++ likathe by Devacandra, composed at the instance of a queen of the Mysore Royal Family. The number of Jaina authors in Kannada, as noted by the late M. M. R. Narasimhachar some forty years ago, is about two hundred.22 To this number may be added another hundred found in recent years. A cursory survey of the Kannada Prantiya Tadapatriya Granthasuci 28 and the List of Unmentioned works of the History of Kannada Literature, 24 shows that there are numerous Kannada Jaina authors and Jaina works (some without the author's names) awaiting publication. All these are of the nature of commentaries on the Prakrit works of Kundakunda, Vattakera, Kartikeya, Nemicandra etc., their translations and digests, their imitations, Puranas, Caritas, collections of stories etc. Conclusion The Jaina teachers and scholars happen to be the earliest cultivators of Kannada language for literary purpose. Unfortunately the earlier line of the development of Kannada literature, for the laying of which mainly the Jaina scholars appear to have been responsible, is not traceable. The great Kannada Jaina Commentaries on the pro-canonical works in Prakrit and Sanskrit represent a hidden landmark in the early history of Kannada literature of the 6th and 7th centuries A.D. There must have flourished several Jaina writers of prose and poetry during the period of the 7th and 8th centuries A.D. i.e., prior to the appearance of the Kavirajamarga and a pretty good number of the authors mentioned in it must have been Jaina teachers and scholars. The period between the 9th and 13th centuries A.D. can reasonably called not only the Jaina Period but also the 'Augustan Age' of Kannada literature, though Jaina authors continued to appear here and there up to the middle of the 19th Century A.D. The Jaina literature in Kannada though religious in the main, it also possesses a number of secular works produced for the benefit of day-to-day life of the people at large. In respect of antiquity Jaina Literature in Tamil stands first and that in Kannada stands next, not only among South Indian languages but also when compared with that in north Indian ones. But in extent and range, Jaina literature in Kannada surpasses that in Tamil too. Thus the contribution of Jainism to Kannada literature is unique ; and early literature, to a certain extent, has often served as an authentic source of religious, social and political history of a community in India as also elsewbere. Hence without a thorough study of Jaina literature in Kannada, the Jaina Studies in general would not only remain incomplete but even rather poor. SS So Notes and References Gas 1. Of course admitting the changes effected by time, of which we have no record. 2. Thus the two traditions regarding the preservation of the canonical knowledge are comple ment each other to a certain extent. Vide Introduction to Sarkhandagama Vol. I, by Dr. H. L. Jain, Amaravati, 1939, p. iii. 3. In his Gujarat and its Literature, Longmans, Green and Co., Ltd., Bombay 1935, p. 32. 4. In his History of Indian Literature, Vol, II, Calcutta 1933, pp. 394-95. 5. (i) Vide Jainism in South India and some Jaina Epigraphs, by Dr. P. B. Desai, Sholapur 1957, pp. 18 ff and Daksina Bharat mem Jaina Dharma by Pt. K. C. Shastri, Varanasi, 1967, Intro. pp. 1-iii. (ii) Vide also Antiquity of Jainism in South India, Indian Culture, Vol. IV, pp. 512-516. 6. Vide Pt. K. C. Shastri, op. cit., pp 62-72. 7. Noted by Dr. P. B. Desai, op. cit, p. 15. 8. For details on this topic vide Jaina Literature in Tamil, by Prof. A. Chakravarti, First Re vised Edition, Delhi 1974. 9. For the dates of these Tamil works, some of which are controversial, I have mainly depended on the History of Tamil Literature, by Prof. S. Vaiyapuri Pillai, Madras, 1956. 10. There has been also a lot of controversy on the authorship of this great work : Some SAP Page #6 -------------------------------------------------------------------------- ________________ * E82 sigo cgfa afiraran T4: 4054 98 scholars have claimed that the author of this work is Kundakundacarya (Elacarya). Generally it is attributed to Valluvar ; but scholars have differed on the details of his life. Discussing all such points Prof. Pillai observes : "That he was a Jain admits of no doubt." Vide op. cit. pp. 79--88. 11. This important work, however, has not yet come to light. It is mentioned in the commen tary of Yapparungalam. Vide Prof. Pillai, op. cit., p. 139. 12. Like Dr. K. V. Ramesh, Intro, to Jaina Literature in Tamil, pp. XVIII-XIX. 13. For further details on Malayalam Literature, Vide Shipley's Encyclopaedia of Literature, New York 1946, pp. 536-539. 14. Op. cit, p. 61. 15. Vide Jainism in Kerala, Journal of Indian History, Vol. XXXV-2, 1957. 16. It is the Kuppatuc inscription of 1408 A.D. : Epigraphia Carnatica, Vol. VIII, Sb. 261. 17. The general sketch of the Jaina literature in Kannada drawn here, is mainly based on: (i) Kavicurite, Vols. 1-III by R. Narasimhachar, Bangalore 1961-63, (ii) History of Kannada Literature, by the same author, Mysore 1940. (iii) Epigraphia Carnatica, Vols I and II. (iv) Sasanapadya Manjari, by R. Narasimhachar, Bangalore 1923. 18. It is interesting to note that of the 375 Jaina epigraphs in different languages recently collected in the Jaina Silalekha Sangraha, Part V (M. D. J. Series No. 52, Delhi 1971), 110 are in Kannada : Introduction by the editor Dr. Johrapurkar, p. 15. 19. Borajisnu is mentioned by Ramacandra Mumuksu, author of the Punyasrava Kathakosa. For details on his Kannada commentary on the Aradhana, Vide 'Observations on some Sources of the Punyasrava Kathakosa,' by Dr. B. K. Khadabadi, Journal of Karnatak University (Humanities), Vol. XIV, 1970. 20. (i) There could also be some commentaries on a few important works of Kundakudacarya viz., Pancastikaya, Pravacanasara, Samayasara, Niyamasara, etc. and the Mulacara of Vatgkera. (ii) With the addition of these; the mammoth attempt at the commentarial exposition in Kannada of the early stratum of the pro-canon of the Digambaras would have been completed. 21. For all details and comparative study of this important Kannada Jaina classic, vide 'Vad daradhane ; a study,' by Dr. B. K. Khadabadi, Karnatak University, Dharwar 1977. 22. History of Kannada Literature p. 66. 23. Edited by Pt. K. Bhujabali Shastri, Bharatiya Jnanapitha, Varanasi, 1948. 24. Available in Kannada : Karnataka Kavicariteya Anukia Krtisuci, by S. Shivanna, Mysore University, 1967.