Jain Journal 2005 10

Author(s): Jain Bhawan Publication
Publisher: Jain Bhawan Publication
Catalog link: https://jainqq.org/explore/520160/1

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ISSN 0021-4043 A QUARTERLY ON JAINOLOGY VOL XL No. 2 OCTOBER 2005 Journal / jaina bhavanA JAIN BHAWAN PUBLICATION

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a quarterly on Juinolog! JAIN JOURNAL ta da JAIN BHAWAN CALCUTTA ernational www.jainel

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JAIN JOURNAL Vol. XL No. 2 October - 2005 Rupees Fifteen Copyright of articles, stories, poems, etc. published in the Jain Journal is reserved. All contributions, which must be type-written, and correspondence regarding contributions, and book-reviews should be addressed to the Editor, Jain Journal, P-25 Kalakar Street, Kolkata-700 007. For advertisement and subscription please write to the Secretary, Jain Bhawan, P-25 Kalakar Street, Kolkata-700007. Subscription : for one year : Rs. 60.00, US $ 20.00: for three years : Rs. 180.00, US $ 60.00. Life membership : India : Rs. 2000.00, Foreign : US $ 160.00. Cheques must be drawn in favour of only Jain Bhawan Phone No: 2268 2655. Published by Satya Ranjan Banerjee on behalf of Jain Bhawan from P-25 Kalakar Street, Kolkata-700 007, and composed by Jain Bhawan Computer Centre and printed by him at Arunima Printing Works, 81 Simla Street, Kolkata-700 006. Editor : Satya Ranjan Banerjee

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Contents ANEKANTA AND THE CONCEPT OF ABSOLUTE IN JAINISM Jagdish Prasad Jain Sadhak' JAIN CULTURE AS DIPICTED IN THEIR FOLK LITERATURE S.P. Padma Prasad JAINISM IN BENGAL Chitta Ranjan Pal BIBLIOTHECA JAINICA Satya Ranjan Banerjee ernational www.jainel

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ernational www.jainel

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JAIN JOURNAL Vol. XL No. 2 October 2005 - ANEKANTA AND THE CONCEPT OF ABSOLUTE IN JAINISM Dr. Jagdish Prasad Jain "Sadhak' The Jaina doctrine of anekanta or "Jain Relativism" is described in several ways. In one sense, it signifies plurality of characteristics of a real or the object of knowledge, that it is concerned with the manifoldness or multi-faceted nature of reality, thereby drawing our attention to the fact that each object consists of many attributes, forms, relations, and modes. Anekanta has been translated and described by some scholars as "non-unequivocality" (F.W. Thomas) or "nonradicalism" (B.K. Matilal), but these terms are vague. S. Mookerjee has labelled it as "non-absolutism", but this term is also not acceptable, because it denies the possibility of the existence of any concept of "absolute" in Jainism. Moreover, even Madhyamika philosophy of Buddhism can be described as "non-absolutism". Accordingly, Frank Van Den Bossche has used the terms "Jain Relativism" and "Dialectical Realisin" for anekanta. The most significant aspect or feature of anekanta is the reconciliation of apparently contradictory and mutually opposed characteristics coexisting in the same object, the harmonisation of conflicting views found among partial observations. In other words, contradictory characteristics or traits (dharma) coexist simultaneously in the same object as inalienable parts thereof. Existence is as much an inalienable part of the same object as non-existence and permanence is coexisting in the midst of change, and so on. Thus, the Jains accept the possibility of coexistence of contradictory attributes in one and the same thing. 1. Frank Van Den Bossche, "Existence and Non-Existence in Haribhadra Suri's Anekunta-jaya-pataki. "Journal of Indian Philosophi; vol. 23, 1995, p.431.

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60 JAIN JOURNAL VOL-XL. NO. 2 OCTOBER 2005 Amrtacandra has defined anekanta in these words: yadeva tat tadeva atat, yadeva aikam tadeva anekam, yadeva sat tadeva asat, yadeva nityam tadeva anityam, ityeka-vastutvanispadakam parasparaviruddha-sakti-dravya-prakasam anekantah, i.c. any real object in the world is identical and distinct, one and many, existent and non-existent, eternal and non-eternal and so on. Haribhadra Suri has kept two of these four pairs of mutually contradictory traits, viz. existent and non-existent and eternal and noneternal and added two pairs of universal and particular and describable and indescribable. Thus, anekanta highlights that any real object (vastu) possesses mutually contradictory traits, characteristics or modes coexisting simultaneously therein. In fact, these contradictory traits or modes forming an inalienable part of an object provide the true exposition of the reality. Further clarifying this point, Akalanka has stated that anekanta means liquidation of one-sided assertions, such as vastu (any real object) is only existent or only non-existent, only eternal or only noneternal. Samantabhadra has observed that the central theme or the core of the doctrine of anekanta is that a thing must be characterised by two mutually contradictory features. He points out that when various standpoints (nayas) are seen in terms of relativity and considered complementary to one another (parasparapeksa) they are svaparopakarinih (mutually supportive). But when they are considered from one-sided point of view, unrelated to or independent of one another, they become sva-para-pranasinah (mutually destructive). In Aptamimamsa, Samantabhadra categorically states 2. Amrtacandra, Samayasara, Kalasa X. 247. 3. Bossche, n. 1, p. 429. 4. Akalanka, Astasati, cited in Udai Chandra Jain, "Anekant and Syadvada, "in Ahimsa International Silver Jubilee issue (New Delhi, 1998), pp. 53-55. 5. D. K. Goyal, The Path to Enlightement: Svayambhu Stotra by Samantabhadra (New Delhi: Radiant Publishers, 2000), Verse 61, Foreword by Jagdish Prasad Jain 'Sadhak,' p. xxx.

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JAGDISU PRASADJAN : ANEKANTAINDITE CONCEPT OF ABSOLUTE IN JAINISM 61 anirupeksa-nayu-mithru", i. c. standpoints (navus), which are onesided and unrelated to one another, are false and faulty. But if the nalas (standpoints) are sapeksu, i.e. mutually accommodating and complementary to one another, they are, indeed, quite efficacious and useful in portraying the true nature of substance and hence are the most judicious and satisfying to all concerned in every way." Criticising the Jaina doctrine of Jain Relativism, Dr. S. Radhakrishnan states that relativism is, ultimately, inconceivable without an Absolute. A question, therefore, arises whether nonrelational (nirapeksa), unconditioned or absolute has any place in Jain philosophy or not. The answer is that while no naya (standpoint) including suddha-nava (pure viewpoint) can be non-relational (nirapeksa), the state of undifferentiated consciousness (nirvikalpa upayoga), the experience of super-sensuous state of Godhood (svaatma-anubhuti) or suddha-jnayaka bhava (pure consciousness) is said to be nirapeksa. The dynamic reality of the objective world or the temporal empirical existence is such that it can be expressed and communicated only by relative or conditional predication. As such each naya or proposition representing a particular viewpoint is expressive of a certain context and is concerned with a particular aspect of an object. Since it reveals only a part of the totality, it connot be formulated or put in absolute terins. But paramatma svarupa (the perfect self, the supreme state of self-realisation) is considered absolute or transcendental in nature as it is quite beyond all relational aspects; it transcends all viewpoints or relational modes (paksatikranta), and that which transcends all relational aspects or points of view (paksa-atikranta) is said to be the establishment in one's intrinsic nature, the essence of one's own true self (samayasara). One, who is absorbed in the intrinsic nature of his true self, knows the views described by different nayas (standpoints), but he is not enamoured of or wedded to anyone of them and hence neither accepts anyone of them nor rejects or denies the validity of the other.? 6. Samantabhadra, Aptaulinumsai, chapterX, verse 108. 7. Kundakunda, Samarasura, gathas 142, 144 and 143.

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JAIN JOURNAL: VOL-XL. NO. 2 OCTOBER 2005 In twenty verses, Amrtacandra discusses the contradictory traits or characteristics such as that the consciousness of jivu (self) is bound or not bound, perinanent or impermanent, manifold or one, deluded or not so attached or non-attached, karta (docr) and bhokta (experiencer of one's actions) or not so, describable or not describable, etc. and states that onc (tatta-vedi) who has realised the true nature of reality, i.e. the essence of one's true self, is not enamoured of or wedded to anyone of them; verily consciousness is always consciousness, i.e. it is beyond all those theses or aspects. "Those who abandon attachment or partiality of all theses or viewpoints and remain constantly established in their own intrinsic nature (svarupa), whose psyche or consciousness (chitta) is pacified or quietened through breaking free from the net of vikalpas (mental vicissitudes and thought constructions), they drink ambrosia (nectar) of immortality." The splendour and bliss of the state of paramatma (supreme soul) is super-sensuous, incomparable, infinite, indestructible, ineffable, and transcends all the similies of the world. As Acaranga Sutra states, in the state of perfect Self "all sounds recoil thence where speculation has no room nor does the mind penetrate there. . . he perceives, he knows, but there is no analogy; its essence is without form; there is no condition of the unconditioned".!" It may be pointed out that of the five jiva bhavas (experiential or emotional states or psychic conditions of consciousness), whereas four of them, the rising (audayika), subsidence (aupasamika) annihilation (ksayika) and mixed process of partly eradication and partly subsidence (ksayopasamika) are causally connected with or related to physical (dravva) karma or karma-upadhis, the parinamikabhava (the fifth bhava) is the intrinsic and essential nature of the Self, 8. Samavasara Kalash, verses 70-89 by Amrtacandra. 9. Samarasura Kalash, verse 69. 10. Acarangasutru. 1-5-6-3-4 (p.52). Quoted in K.C. Sogani, Ethical Doctrines in Jainism (Sholapur, 1967), p. 205.

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JAGDISH PRASADJAN ANIKANTSIND THE CONCEPT OF ABSOLUTE IN JAINISM 03 unconditioned by karmus (both physical and psychic). This last one is nirupadhi character; it is non-relational (nirapeksa), having no causal connection with sansara (world) or moksa (salavation); (moksa also is a contrivance or product of karmu-upadhi, since, it has causal connection with karmus). It is niskrivu (inactive) bhava and according to this bhava the jivus may be said to have neither beginning nor end; as spiritual existences they are eternal. Neither are they created nor can they be destroyed." Thus, while the first four bhavas are relational or related to karma-upadhi, the last bhava is non-relational (nirapeksa), not related to anything and is unconditioned. It is against this background or the bedrock of this param (supreme), absolute, parinamika bhava that the other bhavas work and the superstructure of Jain Relativism is built. When the Self attains the state of paramatma (supreme soul or the state of Godhood), the various relational aspects or viewpoints (nayas), the distinctions of comprehensive knowledge (pramana) and particular viewpoints, and different ways of installing or placing things in words (niksepa), which are useful and necessary means of discussing and ascertaining the nature of reality of mundane existence have no relevance and as such all the dualities, contradictory traits, aspects or theses, etc. are set aside,l2 as they hinder the attainment of undifferentiated consciousness (nirvikalpa upayoga). Jaina concept of Absolute is an ever-present awareness of the "Absolute within", awareness of divinity, the light within to realise Godhood, i.e. infinite knowledge, infinite bliss, etc. This Jaina concept of absolute, transcendental (paksa-atikranta) Self, which transcends the empirical or conditioned state of the Self, seems much more convincing and realistic than the two extremes of Advaita Vedanta and Buddhism. Vedanta reaches its absolute by assigning "unreality" to the forins of existence and knowledge, i.e. the objective reality of the world 11. Kundakunda, Paicastikavasara: The Building of Cosmos, translation and commentary by A. Chakravartinayanara (Varanasi, 1975), gatha 53, 56 and 58, pp.49 and 51-53. 12. Samavasara Kalash, verse 9.

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64 JAIN JOURNAL VOL-XL, NO. 2 OCTOBER. 2005 consisting of individual selves and material objects, all of which are said to be subsumed or sublated in one and only one "Absolute", the monistic unchanging reality, the Universal Cosmic Brahman. Such a concept or idea of an all encompassing Self, such as the Vedantic Atman or Brahman, J, Krishnamurti observes, is "just another thought construction and another manifestation of illusion". The eternal reality of the metaphysical soul substance or Brahman of the Vedantin, G. Srinivasan points out, exists independently of any relation to temporal empirical existence and as such necessarily falls outside the scope of phenomenological analysis. The Jaina concept of the transcendental Self or pure consciousness, on the other hand, is to be regarded as "transcendence in immanence", to use G. Srinivasan's phraseology, and as such it is necessarily "related" [in temporal empirical existence] to the modes of intentional consciousness. It does not mean transcedence from one reality to another or from unreality to reality but from one poise of consciousness to another within a single realm of consciousness. Self-realization thus viewed is selftranscendence. The Buddhist school of philosophy gradually drops the possible and even the conceivable characteristics of reality and reaches the void or sunya as the absolute. Buddhism argues that when the idea of a real entity or being is dissected, it is found that it refers to nothing: it is like peeling off an onion layer after layer and finally nothing is found underneath. So in order to become free, one should get rid of the notion that one is a real being or a substantial self, that one can enter into relations with others and that one can possess this or that, and that one can become or has not become something else. Buddhism thus teaches the way to nirvana's or the experience of non-beingness in the absolute form, a non-relational (nirapeksa) state of void or sunya. According to the concept of vacuity, void or sunya of 13. See Hillary Rodrigues, Krishnamurti's Insights (Varanasi, 2001), p. 73. 14. G. Srinivasan, Insights into Inward Consciousness (New Delhi, 1994), p. 99. 15. K. Satchidananda Murty, The Realm of Between: Lectures on the Philosophy of Religion (Simla, 1973), p. 76.

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JAGDISH PRASAD JAIN : ANIKANIA IN THE CONCEPT OF ABSOLUTE IN JAINISM Nagarjuna's Madhyamika school of Buddhism, "Everything is by its nature empty." For instance, agent and action are mutually dependent, therefore their independent existence cannot be demonstrated. So Nagarjuna says, all relations and the forins of existence ultimately lead to void. Void transcends all causal relationships and could be termed as ultimate reality. And this void is said to be unconditioned, one Absolute Reality."" Obviously, clinging to emptiness or void of Buddhism is as much an illusion as treating the objective reality of the temporal empirical existence of subject and object as a dreamworld or an unreal world of Advaita Vadanta. The Jaina concept of the Absolute alone seems to be realistic. 16. Kailash Vajpeye, "Nagarjuna's Ultimate Reality= Void," Times of India (New Delhi), 11 September 2004

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JAIN CULTURE AS DEPICTED IN THEIR FOLK LITERATURE Dr S. P. Padma Prasad Culture tells us what a person or a community is. It is the sumtotal of one's interests, behaviour, works etc. Customs, beliefs and traditions are interrelated. Beliefs form the foundation for customs and when customs are transmitted from one generation to the other, then it is called tradition. Every community has its own customs, beliefs and traditions. They constitute the major part of culture. They are very well expressed in the folk literature of that cominunity. The Jains are not an exception. This paper tries to outline Jain culture as depicted in the folk literature of Karnataka. For the sake of understandable presentation this culture could be analysed at three different levels-i) Individual culture, ii) Religious culture and iii) Social culture. i) Individual culture in Jainism : Attitudies, behaviour etc. developed in a person together constitute the individual culture of that person. Some part of this is usually common to all in a community. But other parts are salient to each person. As tastes and views differ, people differ (loko bhinna rucih. i.e. the people have different tastes). Hence the culture of a person expresses the culture of the community at large, and to some extent specific to such persons. There are many folk songs which express this individual culture. One folk song describes the curiosity of a boy in plucking flowers to worship the Jaina god. My lad is naughtier than all climbing the red champak tree ! plucking flowers he made a bouquet for Jina!

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S.P PADMA PRISADJUNCULIRL IS DEPICTED IN THEIR FOLK LITERATURE 07 This song expresses not only the devotion, dedication and eagerness of the boy towards worship, but also denotes another subtle point in the style of worship. He prepared a bouquet not a garland ! Garlands are put around the neck. In Jaina way of worship nothing should be put on the statue of Jina, as he is aparigrahi or possesser of nothing. So garland cannot be used. Instead a bouquet could be beautifully placed at the feet of the lord. In Kannada the actual original word here is 'chendu' i.e. the ball. That could still be better placed in the space between two feet. Treating saints with all devotion is another tradition in Indian culture. It is followed by the Jains also. Feeding saints, serving the saints etc. are called 'vaiyavrtva' in Jaina philosophy. It is believed that if saints are fed at home, that home will be peaceful and gets prosperity. With all sincerity and eagerness, the Jain householders (sravaka) wait for the arrival of muni (saint of highest cadre), make arrangements to feed him. It is a matter of pride and satisfaction. A folk song gives the picture of preparation and process of feeding the saint. "I have kept the seats washed filtered warm water is ready and flowers are brought to worship him! At whose home the saint is fed ? At my brother's--who is great to the clan, There goes the feeding of the saints'. Feeding the Digambara saint is a delicate job. Nothing should happen to disturb his vows. Food should be absolutely clean and pure. It should be fully of non-violent category and of that nature. He takes food only once a day. Sometimes he takes food after fasting for 1-2 or 3 days or even more. Even then if he sees some dust or germ in the food, or hears an animal cry, ctc., he gives up taking food. He doesn't take even water till his next feeding time. So feeding a Jina Digambara saint is a serious and cautious job which needs the following of so many subtle details. These folk songs have behind them that seriousness and dedication.

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68 JAIN JOURNAL VOL-XL. NO. 20CTOBER 2005 Wearing sandal paste on the head, neck, chest and arms are followed by one tradition of the Jains. They also wear the holy thread. it is explained in the folk verse like this : What to speak of the one going to temple, Sandal paste on the forehead and chest, He is going to temple with all cheers!' Going to places of pilgrimage is another tradition followed by the Jains. The following folk verse describes the posture of a devotee who is climbing down the Shravana Belagola hill Who is that returning on the Belagola hill The fatty one wearing the dhoti! He Is returning after darsana'. The is another custom among the Jains, specially those in north Karnataka that the Jaina housewives should not wear new bangles on Friday. There is a song related to 'bangle wearing by goddess Padmavati', in which she happens to face allegations for wearing bangles on Friday. The narrative song goes on describing that the goddess Padmavati crushed the bangles, cursed the bangle seller, and then he pleged to observe certain vows throughout the life and then she blessed him to maintain his properties and peace in life. Even today, many Jain ladies do not wish to wear new bangles on Friday. There are certain other beliefs related to listening and learning of songs. At the beginning of every long narrative folksongs prevailing among the Jains, these beliefs are expressed. These beliefs are the following. 1) "Nobody should go to sleep or doze while Listening a song. That leads to utter sin". 2) If any body wishes to listen the song and requests one who knows the song should not reject it. That is the great sin". "If you know the meaning, tell as much as you can. If you don't know it, even then simply sit on the floor And listen to the song".

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S.P. PADMA PRASVAIS (ULICREAS DEPICTI DIN THEIR FOLK LITERATURE 69 These beliefs have encouraged the tradition of passing the songs down to generations preserving them in their full form. Similar beliefs nurtured by Indians have helped to pass down Vedas, and Jaina Agamas for thousands of years. ii) Religious culture Jaina texts prescribe that every householder should perform six duties every day. These six duties are worshipping the god (Devapuja), serving the saints, self-study (Svudhyava), self-control, meditation and donating what onc posseses (Dana). This prescription has given room for so many traditions and customs. Jaina folk literature also reflects these traditions. A 'dream song' which is sung in the morning of the marriage day by grooms party, tells like this. "O mother! I dreampt in the early morning That your son got up in the morning Earlier than others and before the bud blossom, Opens the door of Godroom on the upstairs and Bowing to the god". Here, the tradition of bowing to god as soon as we get up from the bed is indicated. That too, he is the groom getting married after some hours !. Even on that busy and exiting day, he has not forgotten his duty of salution to god first. Similarly, there are other folksongs which describe the glory of different worships saying that "Milky Abhiseka is going on in the temple and pappa is attending that' etc. are also being sung. Their devotion to god is so much that a folkverse says 'two parrots sitting on the green cocoanut tree, in front of the temple (Basadi) sing the song on lord Parsvanatha. The Jains have another religious custom, i.e. -- taking food before sunset. This is for the reason that more micro-organisms are generated at night. With a view to minimise their victimization, preparation and consuming food at night is prohibited in Jainism for ages. This tradition is followed by all the Jains irrespective of their

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70 JAIN JOURNAL VOL-NI. NO. 2 OCTOBER. 2005 economic status, living place etc. One folk song narrating this tradition this way tells 'Jains won't take curds till the rays of the morning sun touch the temple door! Even the little son at home follows this vow!" Here curds represent food. which 'Svadhyaya' or studying the philosophical books is another rule every Jain (whether householder or saint) has to follow. So, there is a custom in majority of the Jaina householders that any one in the house reads out a religious book every day to all in the house. A folk song sketches this situation like this 'O Thou, daughter of the honest ones and daughter-in-law of moral ones,. bring and keep the light on the platform! your hubby reads sastras till the morn!' This verse expresses the seriousness with which the preparations were made for reading and also the seriousness with which that person reads. Respecting and serving the monks is another custom followed by the Jains. Various folk songs describe this attitude and behaviour. Naming the children after the revered Guru is also there. A folk verse expresses this desire. A Jaina householder tells "Naming after the monk I respectfully call O Guru of my household-keeping your name I call my children respectfully!" Naming the children after the family god, fore-fathers is a tradition followed by the Indians. The Jains also have the same custom. Remembering and saluting god as we get up from the bed is a custom followed by all orthodox people in the world. The Jains also do it. In a folksong an ordinary woman tells that she becomes happy

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SP. PADMA PRASAD JAIN CULTURE AS DEPICTED IN THEIR FOLK LITERATURE 71 on recalling Goddess Padmavati and Jina Parsvanatha while rising from the bed. 'I recall pure charactered one in the morning who wears the crystal jewel in her ears/Padmavati of Humcha, the pure one, is remembered by me! "Don't worry about the world while rising. think of the temple O mother! Be happy on recalling Parsva Jina as you rise!" The Jains believe that only thing earned by rightful conduct stays in life. They wish only the energy and intellect bestowed by god, character and behaviour prescribed by saints, to stay firmly in their mind. A folk song expresses this wish "Energy bestowed by god, wisdom given by lord Nemi vows and conduct prescribed by guru let these go in our mind forever //" The stress on behavioural pattern and character here, is nothing but self-control which is one of the six rules mandatorily to be followed by a Jaina householder. Thus, folk songs in Kannada powerfully sketch various aspects of Jaina religious culture. iii) Social Culture The Jains are known for their tolerant cultured behaviour. Theirs is not an attacking nature, but adjustable one. Their principles of nonviolence, no-enemity with anybody, possessing only essential things etc. have made them more polite and socialized. But at the same time they have also done heroic deeds and ruled over different proviences. This quality of leadership is still persisting among the Jains. But their culture, they are commanding respect from people. A folk song expresses this ability thus

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JAIN JOURNAL : VOL-NL NO OCTOBER 2005 Why is the chariot of Goddess of Humcha stopped? Because of the quarrel among the farmers My brother, the king is there to see the chariot runs. The word 'King' here expresses only the commanding position of that person in that area. Many legends (more than folk songs) describe the social culture of the Jains. They express both their sofi and chivulrous nature. Story of Jinadattaraya tells us of his God-fearing, law-abiding nature. All legends or Jaina kings say that they were loving their subjects very much and ruling well. Similarly Jaina ministers like Camundaraya were not only good administrators but also interested in literature and fine arts. Stories about Attimambbe, a householder belonging to a royal family describe how she did so many useful works which helped thousands of people at that time. Some stories tell about egoistic Jains. But they also tell how they met with ruin because of their defects. Thus folk literature prevailing among the Jains effectively sketch their culture which is formed as a result of their beliefs, customs, traditions and philosophy. Jaina culture as depicted in their folk literature is a refined one, full of principles, devotion and flexible nature. nal onal Use Only

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JAINISM IN BENGAL Chitta Ranjan Pal Jainism in Bengal during 10th century. A.D. By the tenth century A.D. North India virtually shut her doors to the followers of Gautama Buddha. But the Buddhists had already broken new grounds in the dominions of the Pala Kings in Bengal and Bihar' during the cighth century A.D. After the disappearance of Buddhism from the North, the Nirgranthas (Jainas) had got an opportunity to extend their influence there, but with the exception of gaining some stray foot-holds in one or two territories of the North, the Nirgranthas (Jainas) failed to utilize this opportunity to their favour. Instead of extending their influence to the North, they kept themselves busy in strengthening and consolidating their position in Western India', especially in Gujrat and Rajasthana. Though the Nirgranthas (Jainas) failed to strengthen thier position in Northern India, (it is the endevour of the writer of this article to show that), they were able to retain their religious influence in and around their age-old strongholds in Bengal. Eclecticism as well as tolerance of the Pala Kings was helpful for the undisturbed missionary activities of the Nirgrantha or the Jaina monks in Bengal. Needless to say, these traditional strong-holds of the Nirgranthas (Jainas) in Bengal were Kotivarsa - Pundravardhana (North Bengal), Samatata-Vanga (East Bengal) and Tamralipti-Radha (Western Bengal). To prove the content of this article, the present writer is to rely upon the evidence culled out from the BIhatkathakosa, composed by Harisenasuri in 931 A.D. The Brhatkuthakosa reminds us of another Brhatkatha (now The Age of Imperial Kanauj, ed. by R.C. Mazumder, p. 257 Ibid.

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74 JAIN JOURNAL VOL-XL. NO.2 OCTOBER. 2005 lost) composed by Gunadhya in Paisaci language where from Harisena had drawn the outlines of one or two of his narratives. He was also well-conversant with the Ramayana and the Mahabharata. But what is more important for us to note is the one hundred thirty first chapter, entitled "Bhadrabahu Kathanaka" of Harisena's book. In this chapter, our author has disclosed the fact that Bhadrabahu, the last Srutakevalin was born at Kottapura, then known as Devakotta in the country of Pundravardhana. In addition to this important piece of information, Harisenasuri focussed a flood of light on the multifaced genius and the missionary activities of this great pontiff of the Nirghanthas (Jainas). There is no denying the fact that Bhadrabahu is the greatest among the patriarchs who headed the Church of the Nirghanthas (Jainas) after the demise of Sudharmasvami, disciple of Mahavira. Bhadrabahu was a great scholar, having memoriter kowledge of all the canons of the Jainas. He was also a proselytizing genius who is said to have converted emperor Chadragupta Maurya to the religion of the Tirthankaras. Bhadrabahu's pontificate is also remarkable for a chain of events which shaped the destiny of the Nirghanthas (Jainas). During his pontificate, at the advent of a dire famine in the country, he led a migration of twelve thousand monks along with his royal disciple Chadragupta Maurya to Karnataka and this exodus paved the way for the expansion of the religion of the Nirgranthas to south India. At the same time it must not be forgotten that this exodus was one of the causes which accentuated the differences between the emigres (monks returned from the South) and the home-keeping brethren and in course of time the organisation of the Nirgranthas was bifurcated into two irreconcilable sects - - Svetambaras and the Digambaras. This migration to the South was also the starting point of the gradual losses of the memoriter knowledge of the sciptures of the Nirghantas which continued for several centuries till the convocation of the Valabhi Council, held either in the middle of the 5th or the beginning of the 6th century A.D.

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CHITTA RAJAN PAL JAINISM IN BENGAL With the passage of time Bhadrabahu grew to be a legendary figure on account of his encyclopaedic theological knowledge, saintly character and vigorous missionary activities. Many books - scriptural or theological, legal or astronomical have been attributed to his authorship. In his celebrated book, History of Indian Literature Vol. II, Maurice Winternitz relates, "Tradition has it that he (Bhadrabahu) was the last who knew the Puvvas..... and he is said to have extracted the third and the fourth Chedasutras from the ninth puvva. Besides the Dasao, the Nijjutis (Niryuktis), concise metrical explanations of certain parts of the canon, are also attributed to him"3 75 Prof. K.C. Lalwani in the preface of the Kalpasutra (translated by him in English) states, "Sixth in the line downwards from Bhagavan Mahavira, Bhadrabahu has been attributed with the authorship of many works. At least three or four Agamas are attributed directly to his pen, but his particular association with the Chedasutras of which at least three are due to him. Of the three Kalpasutra texts, he is said to have produced at least two, Brhatkalpa and Pancakalpa." In her famous book, The Heart of Jainism, Mrs. Sinclair Stevenson says, "The Jainas credit him (Bhadrabahu) with the authorship of the Niryuktis or the commentaries on the canonical books and a book on astronomy which is named after him, the Bhadrabahusamhita. He also wrote what the Svetambara Jainas consider to be the holiest work, the Upasarga-harastotra-kalpasutra." It is further to be noted that another Samhita, work on the right of succession has been attributed to his name. Some Western scholars, however, are of opinion that some of the books and commentaries which have been ascribed to Bhadrabahu are not his compositions. 3. 4. 5. Winternitz, History of Indian Leterature. Vol II, p. 416 and p. 444 (MB edition) K. C. Lalwani, Kalpasutra of Bhadrabahusvami'. p. XVIII. Mrs. S. Stevenson, Heart of Jainism, p. 70.

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JAIN JOURN :LOL XL NO. 2 OCTOBER 2005 As regards the Niryuktis Hermann Jacobi states "The author of the Niryuktis, Bhadrabahu is identified by the Jainas with the patriarch of that name who died 170 A.V. There can be no doubt that they are mistaken."" He further, states, "There are ten Sutras, to which Bhadrabahu, a late name sake of the sixth patriarch, has written Niryuktis....." Bhadrabahu is universally believed to be the author of the Kalpasutra. The section Il of this celebrated book is entitled Theravali, which according to Jacobi, is the oldest list of the Patriarchs belonging to the Svetambara community. This list "begins with Mahavira's disciple Sudharman and ends with the 33rd patriarch Sandilya or Skandila. Of most particulars only the names and gotras are given, but there is also an expanded list from the 6th Bhadrabahu down to the 14th Vajrasena, which adds more details". As the Theravali or the list of the patriarchs goes far beyond Bhadrabahu, Prof. Winternitz comments, "it Theravali) could not possibly have been written by him (Bhadrabahu)". Like the Svetambaras, the Digambaras have their own pattavali or the genealogical list. But the Digambara line of patriarchs is quite different from that of the Svetambaras except that they agree in the names of the last Kevalin Jambusvami and the last srutakevalin Bhadrabahu. As stated by R.P. Chanda, "A comparision of these two lists (Svetambara and Digambara) makes it clear that the Bhadrabahus of two lists are not identical.' The scene of action of the srutakevalin Bhadrabahu of the Svetambaras was Pataliputra and he is said to have retired to Nepal, whereas the scence of action of the srutakevalin Bhadrabahu of the Digambaras was Ujjaini and he is said to have retired to the South. 7. Parisistaparvan ed by Hermann Jacobi, Introduction, p. VIII The Encyclopaedia of Religion and Ethics, Vol. VII, p. 465-67 A History of Indian Leterature, Winternitz. p. 445. R.P. Chanda, The Svethambara and the Digambara Image of Jainas. 9.

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CUTIARAJAN PALJAINISMIN BENGAL Prof. Winternitz states that the Digambara tells us that there were two Bhadrabahus, the first of whom died 165 years after the Nirvaana of Mahavira (i.e. 365 B.C.) and the second 515 years after the Nirvana (i.e. 12 B.C.)" On this question Dr. P.C. Bagchi has stated that the Digambara tradition speaks of a second Bhadrabahu in the first century B.C. and this second Bhadrabahu may be the author of the Niryuktis.!! It is also to be noted that two Samhitas named after Bhadrabahu have come down to us - one on astronomy and the other on the right of succession. The book on astronomy is popularly known as the Bhadrabahabi Sahita and the other works dealing with the law of succession is ordinarily known as Bhadrabahu Samhita. These two Samhitas have brought before us the probelen of the existence of another Bhadrabahu or the 3rd Bhadrabahu. On this question Jacobi states, "If a recent Svetambara tradition makes him (Bhadrabahu), a brother of Varahamihira, it refers to the author of Bhadrabahu Samhita a work on astronomy which is later than Varahamihira. It is yet an entirely different Bhadrabalu who wrote the Bhadrabahu Samhita work of the right of succession (J. L. Jaini has translated in English the book, as Jaina Law.) It is better not to discuss further the question, "who is who" as the issue has already been confused by contradictory evidence which is not helpful to come to any definite conclusion. Like V.A. Smith, Dr. Raychowdhury and other historians we may accept the late Digambara tradition that Bhadrabahu, the 6the patriarch of the Jainas, preceptor of King Chandragupta Maurya led an exodus of thousands of Nirgrantha monks to Karnataka on the advent of a dire famine in Magadha. With the passage of time, the stature of this great scholar monk grew higher and higher and legend after legend began to grow round 10. 11. 12. Winternitz - A History of Indian Literature. Vol. II, p. 457. A Comprehensive History of India. p. 662. Winternitz - A History of Indian Literature. Vol. II, p. 457, p.n. 3

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JAIN JOURNAL : VOL-L. VO. 2OCTOBER 2005 his name and many caritus or biographies were composed by his devoted followers for the preservation of his memory. Among the biographies of the last sruta-kevalin Bhadrabahu the earliest is the "Bhadrabahu Kathanuka" which forms the one hundred thirty first chapter of Brhatkathcikosa of Harisena. Regarding Bhadrabahu's native place, parentage as well as his first acquaintance with the fourth srutakevali of the Nirganthas (Jainas) the account of Harisena runs as follows: "There was a town named Kottapura which is now known as Devakotta in Pundravardhana country. King Padmaratha was the ruler of the realm. Somasarma, a brahmin proficient in four Vedas was the royal priest whose wife was Somasri - a beautiful lady. The Brahmin couple had a weil-intentioned and good looking son named Bhadrabahu. After his initiation to brahminhood, Bhadrabahu was playing with his play-mates on the outskirt of Devakotta when Govardhana the fourth srutakevalin happened to see him." On seeing him Govardhana perceived that the boy was destined to be the last srutakevlin, took care of him and made him his disciple with the consent of his parents. In course of time Govardhana ordained Bhadrabahu to monkhood and made him the head of the church of the Nirgranthas (Jainas). The story of the parentage, early boyhood and ordination of Bhadrabahu as narrated by Harisena, more than a thousand years after the demise of the great patriarch possess little or no historical value but the story has a great significance of its own. Before narrating this significance let us digress a little to peep into the mystrey of Jaina History of ancient Bengal. It is really a mystrey that the Jainas in their golden days in Bengal had no royal support behind them. During the Pre-Chirstian and early Christian centuries, the Nirgranthas (Jainas) in Bengal far out-distanced other religious sects like the Buddhists and Brahmanical Hindu sects in popularity. But no royal house stood for them. No votive or donative inscriptions of any royal dynasty have so far been discovered in Bengal. The sole epigraphic evidence that has come to light is the Pahadpur Inscription dated 478/79 A.D. which speaks of the private donation made by a Brahmin couple for the maintenance of a Jaina Vihara at Vatagohali.

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CHITTARAJAN PAL JAINISM IN BENGAL It is also very strange that the Jaina History of Bengal has been reconstructed solely from literary source, a sizeable portion of which has been gathered from the literature of the Buddhists - their opponents. But this single source material gradually grew scarce and ultimately dried up with the passage of time. The drying up of this source is instrumental in spreading a veil of darkness on the Jaina History of Bengal for a period of three centuries or more. But this veil was lifted up with the composition of Brhatkathakosa by Harisena in the early tenth cetury A.D. It is difficult to explain why did the author of Brhatkathakosa dive deep into the occean of mythology and legends to bring to light the boyhood and parentage of their great pontiff and at the sametime did sing the glory of Kotivarsa and Pundravardhana of ancient times? It is only to satisfy the inquisitiveness of the devotees of the great pontiff regarding the correct perspective of his pre-ordained life or is it the vigrous growth and enlargement of the Jaina monastic establishment in and around Pundravardhana that led Harisena to dwell upon such matter after the lapse of one thousand years or more? Answer to these questions would help the readers understand the importance inherent to the narrative of Harisena Suri. 79 It is to be noted that some eminent historians think that the story of Bhadrabahu as told by Harisena does not reveal any historical truth, but at the sametime they state that "...it perhaps indicates that North Bengal was an important centre of Jainism even in the 10th century A.D."13 It is an undeniable fact that Kotivarsa visaya and Pundravardhana Bhukti (i.e. North Bengal) were never lost to the Jainas from the 5th / 4th century B.C. to the advent of the Turkish hordes in Bengal at the fag end of the 12th century A.D. In the Divyavadana and the Asokavadana, there is a legend which states that the Buddha, on an urgent request of Sumagadha, daughter of Anathapindaka, the merchant disciple of the Buddha arrived at R.C. Mazumder. History of Ancient Bengal, p. 522. 13.

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80 JAIN JOURNAL : VOL-XL. NO. 2 OCTOBER 2005 Pundravardhana by an aerial route to rescue her father-in-law's family from the evil influence of the sky-clad Nirgranthas (Jainas) who were then most powerful in Pundravardhan.'* It appears that from the 5th century B.C. two holy places of the Jainas got prominence, one situated at Pundraparvata and the other at Kottapura / Devakotta. Jinaprabha Suri, a Jaina Acarya belonging to the 14th century AD. had made mention of Pndraparvata as a Jaina pilgrimage. It is also very interesting to note that the Divvavadana (2nd / Ist century B.C.) metioned 'Pundrakhya Parvata' as the Eastern border of Buddhist "majjim desa'.'5 Kottapura / Devakotta probably came into prominence earlier than Pundraparvata. Not only Harisena but also Prabhacandra seem to have made mention of this holy place of the Jainas. That Jainism was in a flourishing condition in Pundravardhana in the 3rd century B.C, during the reign of Asoka is evidnet from another legend embedded in the Divyavadana. This legend relates that the lay devotees of the Jaina community of Pundravardhana had painted a picture which had shown the Buddha falling at the feet of Jina. Being enraged at this news Asoka killed 18 thousand Ajivikas in a day (In Chinese translation, in place of Ajivikas, Nirgranthas have been mentioned).'" It is presumed that after his ordination to monkhood, Bhadrabahu, being a native of Kotivarsa had left no stone unturned in making Pundravardhana a citadel of Jainism. This assumption may be substantiated by the fact that godasa, one of the four chief disciples of Bhadrabahu, had established a gana or school named godasa gana. This gana, in course of time, was ramified into four 'Sakhas' or branches of which twoPundravardhaniya and Kotivarsiya belonged to Varendri or North 14. 15. 6. R.L. Mitra. - Nepalese Buddhist Tradition, p. 237. N. N. Dasgupta. Banglay Baudhadharina (in Bengali), p. 17. R. C. Mazumder. History of Ancient Bengal, p. 26.

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CHITTARAJANPALJAINISM IN BENGAL Bengal.'' Had not North Bengal been overwhemingly dominated by the Nirgrathas in the 3rd century B.C. two independent sakhas or branches of the same sect would not have been cstablished at a distance of only a few miles. The Pahacapur inscription dated 478/79 A.D. proves the extraordinary popularity of the Nirgranthas or Jainas among the inhabitants of Pundravardhana Bhukti. It seems that the respect which the Jaina monks earned for themselves, inspired the Brahmin couple of Vata gohali to donate lands for the maintenance of a Jaina Vihara run by the Acaryas attached to Pancastupanikaya of Kasi (Banaras). King Sasanka of Gauda has been accused for persecuting both the Buddhists and the Jainas. However from a perusal of the evidence of Aryamanjusrimulakalpa, it seems that the torture and persecution suffered by the Jainas were more painful than that suffered by the Buddhists. Perhaps the numerical superiority of the Jainas to the Buddhist was the cause of heavier punishment for the Jainas. That the Jainas were numerically superior to the Buddhists in some kingdoms of Bengal is also attested by Hieu-en-Tsang who toured all over Bengal in the year 637 / 638 A.D. Regarding the numerical strength of the Jainas in two kingdoms - Samatata and Pundavardhana, Hieu-en-Tsang observed that "The Jainas were more numerious20 than the followers of the Buddha and the Brahmanical religion in Samatata and Pundravardhana. During the reign of the Pala kings, the traditional Jain centre of Pundavardhana grew more prosperous and spectacular as is evident from the discovery of several Jaina sculptures assigned by the experts to the 10th, 11th & 12th centuries. The earliest Jaina sculpture, noticed by the historians in Bengal, 17. 18. 19. Kalpastra, translated by K.C. Lalwani, p. 140 Epigraphia Indica XX. p. 59 C.R. Pal, Sasanka, the enemy and oppressor of Jainism, Jain Journal, Vol. XVI, No. 1 Watters, Yuan Chuwang, Vol - II. 0.

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82 JAIN JOURNAL VOL-XL. NO. 2 OCTOBER 2005 was discovered at a village called Surohar in Dinajpur district now in Bangladesh. It is the figure of a seated Rsabhanatha. the first Tirthankara of the Jainas carved in accordance with Pala style of art of about 10th century A.D. Another Rsabhanatha image has been collected from Mandoil, (not far from Rajshahi) in the kayotsarga mudra with graceful form but headless. It is now preserved in the Asutosh Museum. Another icon of Rsabhanatha in kayotsarga mudra has been found at Bhelowa in Dinajpur district, now in Bangladesh. It is a beautiful specimen of Pala inconographic art assigned to circa 11th century A.D. One small caumukha shrine has been collected form Dolgaon in West Diajpur (W.B.) and now in the Asutosh museum. From the above mentioned place Mandoil, a beautiful iconographic specimen, i.e. the figure of the standing Santinatha, the 16th Tirthankara of the Jainas with his lanchan carved on the pedestal has been discovered and the sculpture has been assigned to the 11th century A. D. on slylistic considaration.22 Another Tirthankara image, may be of Candraprabha, standing in kayotsarga style has been found from Govindapur in Dinajpur district which is also a beautiful specimen of Pala sculpture assigned to the 10th century A.D. The head of this beautiful icon has been struck off, no body knows how. Two sculptures representing the images of Divine couple, may be the parents of Tirthankara collected from Deopara, Rajshahi, have been preserved at Varendra research museum. One of these sculptures has been assigned to the 10th century and the other to 12th century A.D. The discovery of these sculptures proves beyond doubt that Pundravardhana Bhukti including the Kotivarsavisya had not lost its popularity and importance as the traditional strong-holds of Jainism during the reign of the Pala kings. In conclusion, it is to be stated that during the Pala reign in Bengal, the religion of the Nirgranthas or Jainas did not suffer any decline. On the contrary, in the liberal and eclectic atmosphere created 21. K.K. Ganguly, Jaina Art in Bengal. Exhibition of Jaina Art Souvenir P. C. Dasgupta - Jain Journal, Vol X. No. 4. 22.

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CHITTARVINPALINNISMINDENCIAL by tolerant Pala Kings, the Nirgranthas (Jainas) improved their positions in their traditional strongholds. The numerious Jaina sculptures (belonging to the Pala period of the 10th century) explored in North Bengal had not shown any signs of decay, rather the sculptures of this period had exhibited the signs of exuberance of youth and "lively idiom, rich in concentrated animation". Is it this effloresence of the Jaina art, consequent upon the growth the Jaina organisation in the tenth century that prompted Harisena to compose the fine biography of Bhadrabahu, the 6th Jaina patriarch? II Jainism in Bengal during the eleventh century A.D. Advayavajra is one of the celebrated authors of Vajrayana Buddhism. He is also known as Avadhuti-pa. In Tibetan Tangyur many other epithets are given him, such as, Pandita, Maha Pandita, Brahmana, Acarya, Mahacarya, Avadhuta, Upadhyaya, Bangalee etc. "Advayavajra has about twentytwo (22) works translated in the Bstan-hgyur, but some of these works are also available in Sanskrit. Twentytwo (22) small Vajrayanist tracts of his are edited by H.P. Sastri in the Advayavajra Samgraha."-3 In the above mentioned samgraha, there is a very small tract or treatise of only twenty (20) slokas named mayanirukti. The colophon is silent about its author, but the Tibetan translation attributes its authorship to Advayavajra and translation to Upadhyaya Vajrapani. Though Advayavajra is a famous and celebrated Vajrayanist author, his date is difficult to ascertain and this difficulty has been made more complicated by the supposition of the existence of more than one Advayavajra."+ Without entering into the controversy whether there was one or 23. 24. R.C. Mazumder, History of Bengal, p. 406, f.n 158. Ibid.

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X4 JAIN JOURNAL : VOL-XL. NO. 2 OCTOBER 2005 more than one Advayavajra, it is better to conclude that the Vajrayanist author Advayavajra flourished during the latter half of the Pala period, more precisely during the 11th century A.D.- After a little digression, let us concentrate upon the subjectmatter of "mapanirukti" to have a glimpse of the religious condition of that age. In his introduction to Advaravajru-samgraha, H.P. Sastri states that he does not venture to give an English translation of the work for several reasons : because the readings in many places so hopelessly corrupt that nothing can be made out of it; the sentences are so elliptical that it is dificult to make a grammatical construction. H.P. Sastri further comments that Advayayavajra himself hated diffuseness and was a lover of brevity and in making his works brief he had made them enigmatical. In spite of all these difficulties, H.P. Sastri has rendered a great service to the students and scholars of Indology by writing the summary of each of the tracts or treatises included to the celebrated collection; Advayavajra-samgraha. The central idea of mayanirukti, expounded by H.P. Sastri is as follows: "It (Mayanirukti) treats of illusion and speaks of maya as magic. Some consider it to be magic and some think it to be true. For the satisfaction of the illusions, the Yogin may enjoy all good things of the world which come to him of their own accord, because he enjoys them as mava." "But a true Yogin should have the Earth for his bed, the quarters for his cloth and alms for his food. He should have forbearance for all phenomena because they are not produced and his benevolence should be perennial" 25. N.N. Dasgupta, Bunglar Bauddhatharma, p. 74; B. Bhattacharya, Indian Buddhist Iconography p. 48

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CUTIARAJAPAL:JAINISM IGAL On a perusal of the contents of marinirukti' it seems that there were two types of Yogins or ascetics in Bengal at the time of Advayavajra - one type of Yogins or ascetics used to satisfy their sense-pleasures by the enjoyment of all good things of the world that would come to them automatically and the other type of Yogins or ascetics used to observe a very strict code of discipline in regard to food, drink, dress, bed etc. It seems that the number of the second class or category of monks sharply dwindled in the Buddhist monasteries when Vajrayana and in its train sahajayana firmly struck roots in the Buddhist Church. As the attainment of the 'Bodhicitta', the state of "mahasukha" or supreme bliss, produced by the union of "Prajna" and "Upaya" was accepted by the Vajrayanist and the Sahajayanist Buddhists as the "summum bonnum" of life, strict monastic discipline in regard to food, dress and bed gave way to sexo-yogic esoteric practices in almost all Buddhist monasteries or establishments.26 Consequently within a short time, the number of true Yogins or ascetics who observed strict monastic discipline sharply fell or decreased and in course of time the true Yogins were extinct. So at the time of depicting the portrait of a true Yogin or ascetic, Advayavajra had before his eyes the spectacle of an advanced Digambara-Nirgrantha monk. From the time of the origin of their religion, the 'Jina Kalpi or advanced Nirgrantha monks had to observe strict and stringent monastic codes for the attainment of liberation from the cycles of birth and rebirth. In 'maya nirukti', the criteria set for a true Yogin or 'ascetic' by Advayavajra are found in the following couplet. "mahi sayva, diso vaso bhiksa bhaktam ca bhojanam/ ajata dharmata ksuntil klipana bhagavahini"// Does not this sloka bring to the mind's eye of the reader the 26. S. B. Dasgupta. Obscure Religious Cults. p. 31 ff.

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86 JAIN JOURNAL: VOL-XL. NO. 2 OCTOBER 2005 portrait of an advanced Digambara Nirgrantha ascetic who was enjoined by the scriptures to use the earth for his bed, quarters for his garment, and alms for his food? As for other two qualities of a truc ascetic, mention has been made of 'Ksanti' or forbcarance and Kipu or benevolance/ kindness. Without the attainment of these two qualities none could be called an ascetic by the Digambara Jainas in ancient India. The Nirgrantha ascetics since the inception of their religious organisation had to bear all sorts of natural and man-perpetrated cruelties upon them with equanimity and forgiveness. The Acarangasutra, one of the oldest scriptures of the Jainas, vividly describes how Mahavira was cruelly treated by the inhabitants of Vajjabhumi of Radha. Instead of keeping dogs off from Mahavira, the inhabitants of Vajjabhumi set dogs on the monk and made dogs bite him. But Mahavira did not carry bamboo sticks like other monks to keep off dogs from biting. In the 3rd lesson, eleventh couplet of the same book, it is said, "When he (Mahavira) once (sat) without moving his body, they (the rude villagers) cut off his flesh, tore his hair under pain or covered him with dust": "The venerable one (Mahavira) who had abandoned the care of the body, bore pain, free from desire."28 Not only did Mahavira endure himself such cruelties, but he commanded his followers also to endure all troubles (parisaha) that are likely to beset them in their life as wandering mendicants. It is also to be noted that one of the ten duties of a Jaina monk is to forgive the offenders. The Nirgantha (Jaina) monk from the day of their ordination to monkhood "learn how to control anger and instead of giving way to wrath, practise the difficult duty of forgiveness and the monks are constantly reminded of how Mahavira forgave his enemies" and the monks are also advised to remember how the venerable one once forgave a wicked cobra that bit him and preached to it the noble virtue of forgiveness'. 29 27. 28. 29. Hermann Jacobi. Acarangasutra. SBE. Vol XXI Ibid. Mrs. S Stevenson, Heart of Jainism, p. 151 ff.

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CHITTARAJAN PAL:JAINISAIN BENGAL The quality of benevolance or kindness for all living beings whether men or bcast is ingrained in the religion of the Nirgranthas. As the Nirgranthas believe in the potential equality of all Jivas (souls), they refrain from hurting even an animalcule. On the other hand, they render all sorts of help for the protection of living creatures. It will not be out of place to mention that by the austerity called "vaiya-vacca", the Nirgranthas or Jainas render service to the poor, the helpless, the suffering by giving them food, water, shelter or clothing." It is, therefore, evident from the discussion made above that at the time for depicting the characteristics of a true yogin or ascetic, Advayavajra had before him the model of an advanced Nirgrantha Digambara ascetic. And in the eleventh century A.D., perhaps, the Digambara ascetics were very numerious in North Bengal where at the Devikota Vihara, the author of "mavanirukit", Advayavajra had his residence. The ruins of Devakota/Devikota have been unearthed at Bangarh, eighteen miles away from Dinajpur. Incidentally, it is to be mentioned that in the medieval times in Bengal some "Avadhutis" and Kapalis" were known for their strict and hard hermit life. As, for example, the Avadhuti Yogis lived in forest under trees, begged alms for food, put on wornout rags (jirna civara) and were averse to caste, scripture and pilgrimage'. But this description of the Avadhutis does not tally with that found in ukti, because the Avadhutis wore worn out rags and all Avadhuti ascetics did not live in forests, some of them lived in monasteries. As, for example, Avadhutipada Advayavajra himself lived at Devikota monastery.?Probably, in the eleventh century A.D. when the tract or treatise mavanirukti was written, the Avadhutis were not yet organised into a sect and perhaps they were very few in number and not noticeable. navonijeti As regards the Kapali or Kapalika Yogis, it is said that they lived a nude life, besmeared their bodies with ashes, put on bracelets 30. 31. 32. Mrs. S. Stevenson, Heart of Jainism, p. 167 N. R. Ray, Bangalir Itihas, Adiparba, p. 532 N. N. Dasgupta, Banglay Baudhadharma, p. 74

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88 JAIN JOURNAL : VOL-XL. NO. 2 OCTOBER 2005 of bones' on their necks, wore earings in cars, wore anklets set with small balls and beat damrus or small tabours etc. This description of the Kapali Yogis is at variance with that found inimavanirukti'. So we may conclude without hesitation that Advayavajra in depicting the characteristics of truc Yogins or ascetics had before him the portrait of the 'Jinakalpi' or advanced Digambara ascetics who were well-known for their hard and strict monastic life and who were, perhaps, very numerous at "Devakota/Devikota at Kotivarsa Visaya in the Bhukti of Pundravandhana, (North Bengal) during the eleventh century A.D. At the close of the discussion, three glaring truths have come out to light through the dark mazes of the Jaina-history of Bengal of the Pala period. The first truth is that the religion of the Nirgranthas (Jainas) was not on the verge of extinction in Bengal engulfed by the rising tide of Buddhism as stated by some scholars or historians of repute. The second truth is that the religion of the Jainas or Nirgranthas was still a living religion in Bengal vigorous in its existence and their monks were indirectly admired even by their opponents for the strict monastic life led by them. The third truth is that the Pala Kings, who followed an eclectic religious policy, cannot be blamed for the disappearence of the Jainas or Nirgranthas from the Province of Bengal during the 12th or 13th century A.D. On the contrary, the liberal and generous religious policy of the Pala Kings infused new strength and vigour to the Nirgrantha or Jaina community which found expression in the field of art and iconography that came to an abrupt end after the advent of the Turkish hordes in Bengal 33. N. R. Ray, Bangalir Itihas, Adiparva, p. 541.

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Bibliotheca Jainica Compiled by Satya Ranjan Banerjee GENERAL STUDIES Banerjee, Satya Ranjan- Introducing Jainism, Jain Bhawan, Kolkata, 2001. Do (ed)- Prolegomena to Prakritica et Jainica, the Asiatic Society, Kolkata, 2005. Bollee, W and J. Soni- Mahavira's Words by Walther Schubring, translated from the German with much added material by W Bollee and J. Soni, L.D. Institute of Indology, L.D. Series No. 139, Ahmedabad, 2004. [It is an English translation from Walther Schubring's German work-Worte Mahavira's Kritische Ubersetzungen aus dem Kanon der Jaina (Mahavira's Words, Critical Translations from the Canon of the Jainas), Vandenhoeck und Ruprecht, Gottingen, 1926. Candra, K.R.- Proceeding of the Seminar on Prakrita Studies (1973), Lalabhai Dalapatbhai Bharatiya Sanskriti Vidyamandira, L.D. Series no. 70, Ahmedabad, 1978. Caillat, Colette - Atonement in the Ancient Ritual of the Jaina Monks, Lalabhai Dalapatbhai Bharatiya Sanskriti Vidyamandira, L.D. Series no. 49, Ahmedabad, 1975. Dhaky, M.A and J.B. Shah(ed) - Jambu-jvoti, Shresthi Kasturbhai Lalbhai Smarak Nidhi, Sharadaben Chimanbhai Educational Research Centre, opp. Ranakpur Society, Shahibag, Ahmedabad 380 004, 2004, pp. 10+436. [It is a collection of 19 articles on different aspects of Jainism. This is a Felicitation volume accorded to Muni Sri Jambuvijaya). Dhruva, A.B (ed)- Syadvada-manjari of Mallisena (1292 A.D.) with the Anyayoga vyavaccheda-dvatrinsika of Hemacandra, MLBD, Delhi 2005, pp. cxxv+453. Dixit, K.K., Indian Philosophy by Sukhalala, Lalabhai Dalapatbhai Bharatiya Sanskriti Vidyamandira, L.D. Series no. 58, Ahmedabad, 1977. Dixit, K.K., Early Jainism, Lalabhai Dalapatbhai Bharatiya Sanskriti Vidyamandira, L.D. Series no. 64, Ahmedabad, 1978.

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20 JAIN JOURNAL VOL-XL. VO. 2 OCTOBER 2005 Ekambaranathan, A- Jaina Iconography in Tamilnadu. Shri Bharatavarsiya Digambara Jain Mahasabha. Shri Nandishwar Flour Mills Compound, Mill Road. Aish Bagh, Lucknow ?26004, Ist edn 2002. pp. vii-200+191. [The book deals with the history of Jaina Iconography in Tamilnadu, and as such it has appended 191 coloured photos of Jain great gods and goddesses), Copani. A.S., Some Aspects of Indian Culture, Lalabhai Dalapatbhai Bharatiya Sanskriti Vidyamandira, L.D. Series no. 78, Ahmedabad, 1981, Jain, Jyoti Prasad- The Jaina Sources of the History of Ancient India, Munshiram Manoharlal Pvt. Ltd. Delhi, 2nd edn. 1964. Jain, Sagarmal--- Pramana Jaina Tativavidva, Bharatiya Jnanapitha, Jnanapitha Murtidevi, New Delhi, Sixth impression, 2002. Jain, Shashi Kant - The Hatigumpha Inscription of Kharavela and the Bhabru Edict of Asoka, (Ist edn 1971], D.K. Printworld P. Ltd, 2nd edn 2004. Josi, L.M., Facets of Jaina Religiousness in Comparative Light, Lalabhai Dalapatbhai Bharatiya Sanskriti Vidyamandira, L.D. Series no. 85, Ahmedabad, 1981. Laksmi, R. Vijaya - A Study of Civakacintamani, text edited particularly from the point of view of Interaction of Sanskriti Language and Literature with Tamil, Lalabhai Dalapatbhai Bharatiya Sanskriti Vidyamandira, L.D. Series no. 82, Ahmedabad, 1981. Mainkar, T.G.- The Upabramhana and the Rgaveda Interpretation, Lalabhai Dalapatbhai Bharatiya Sanskriti Vidyamandira, L.D. Series no. 50, Ahmedabad, 1975. Malwania, Dalsukh-Jaina Darsana ka Adikala, Lalabhai Dalapatbhai Bharatiya Sanskriti Vidyamandira, L.D. Series no. 76, Ahmedabad, 1980. Malwania, Dalsukh --- Studies in Indian Philosophy, a Memorial Volume in Honour of Pandita Sukhalalji Sanghvi, Lalabhai Dalapatbhai Bharatiya Sanskriti Vidyamandira, L.D. Series no. 84, Ahmedabad, 1981. Matilal, Bimal Krishna, The Central Philosophy of Jainism (Anekantu-vada), Lalabhai Dalapatbhai Bharatiya Sanskriti Vidyamandir, L.D. Series no. 79, Ahmedabad, 1981.

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SATYA RANJAN BANERJEE BIBLIOTHECA JAINICA 91 Mittal, A.C.- The Inscriptions of Imperial Paramaras (800 to 1320 A.D.), Lalabhai Dalapatbhai Bharatiya Sanskriti Vidyamandira. LD. Series no. 73, Ahmedabad, 1979. Nanavati. 1.. Rajendra - Secondary Tales of the Two Great Epics, Lalabhai Dalapatbhai Bharatiya Sanskriti Vidvamandira, L.D. Series no. 88. Ahmedabad, 1982. Ohira, Suzuko - A Study of Tutarthasutra, with a special reference to authorship and date, Lalabhai Dalapatbhai Bharativa Sanskriti Vidyamandira, L.D. Series no. 86. Ahmedabad, 1982. Pande, G.C. - Sramana Tradition : its History and Contribution to Indian Culture, Lalabhai Dalapatbhai Bharatiya Sanskriti Vidyamandira. L.D. Series no. 84, Ahmedabad, 1981. Ramasimha, Muni--- Pahuda-dona, Bharatiya Juanapiha, Jnanapitha Murtidevi, New Delhi, 1998. Sarma, Sivamurti - Acarya Hemacandra-racita Desinamamala ka Bhasa-vaijnanik Adhivayan, Devanagar Prakasan, Caurasta, Jaipur, 1980. Schubring, Walther - Isibhasivam, a Jaina text of early period, Lalabhai Dalapatbhai Bharatiya Sanskriti Vidyamandira, L.D. Series no. 45, Ahmedabad, 1974. Shah, Nagin J. - Collection of Jaina Philosophical Tracts, Lalabhai Dalapatbhai Bharatiya Sanskriti Vidyamandira, L.D. Series no. 41, Ahmedabad, 1973. Shah, Nagin J (ed) - Tattyacintamani of Gangesa (1300-1350 A.D.) with a commentary named Sukhabodhika Tippanika of Vacaka Gunaratna, Bhogilal Leherchand Institute of Indology, Delhi, 2005, pp. xvi+599. [The Sukhabodhika Tippanika is written by a medieval Jaina scholar named Vacaka Gunaratna, belonging to the sixteenth century. This volume deals with Upadhi and Budha. This commentary is published for the first time from a single manuscript.] Shastri, S. Yajneswara - Traverses on Less Trodden Path of Indian Philosophy and Religion, Lalabhai Dalapatbhai Bharatiya Sanskriti Vidyamandira, L.D. Series no. 109, Ahmedabad, 1991.

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JAIN JOURNAL : VOL-XL. NO. 2 OCTOBER, 2005 Shriyan, Ratna Nagesh - A Critical Study of Mahapurtina of Puspadanta, with a critical study of Desya and rare words from Puspadanta's Mahapuranu and his other Apabhrrmsa works, Lalabhai Datapatbhai Bharatiya Sanskriti Vidyamandira, L.D. Series no. 20. Ahmedabad, 1969. Singh. Ramjee - The Jaina Concept of Omniscience, Latabhai Dalapatbhai Bharatiya Sanskriti Vidyamandira, L.D. Series no. 43, Ahmedabad, 1974. Tulok, T.K. - Saliekhana is not Suicide, Lalabhai Dalapatbhai Bharatiya Sanskriti Vidyamandira, L.D. Series no. 55, Ahmedabad, 1976. Upadhye A.N. (ed)- Pravacanasara, Sri Paramasruta Prabhakar Mandal, Hathi Buildings A Block, Second Lane, Room No. 18, Bhangbadi, 448 Kalba Devi Road, Mumbai - 400 002. Wakiryo, Itaru-Abhinava Dharmabhusana Yati's (1358-1418A.D.) Nyaya-Dipika, primany text of Jaina Logic and Epistemology. (study, text, translation and notes), Pratibha Prakashan, Delhi, 2001. [Other Jaina Logics.: 1.Jaina Tarkabhasa ed by Dayananda Bhargava, Motilal Banarsidass, Delhi - 1973. 2.Pariksamukhah ed by S.C. Ghosal, the Sacred Books of the Jainas, No. xi, 1940. 3.Yasovijaya (1608-1688 A.D.)Tarka bhasa.] nal Use Only

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- JAIN BHAWAN PUBLICATIONS P-25, Kalakar Street, Kolkata - 700 007 English: 150.00 150.00 150.00 150.00 100.00 1. Bhagavuli-Sutra - Text edited with English translation by K.C. Lalwani in 4 volumes : Vol-1 (satakas 1 - 2) Price: Rs. Vol-II (satakas 3-6) Vol - III (satakas 7-8) Vol - IV (satakas 9-11) 2. James Burges - The Temples of Satruujaya, 1977, pp. x+82 with 45 plates Price: Rs. [ It is the glorification of the sacred mountain Satrunjaya.] 3. P.C. Samsukha -- Essence of Jainism translated by Ganesh Lalwani, Price: Rs. 4. Ganesh Lalwani - Thus Saveth Our Lord, Price: Rs. 5. Verses from Cidananda translated by Ganesh Lalwani Price: Rs. Ganesh Lalwani - Jainthology Price: Rs. 7. G. Lalwani and S. R. Banerjee- Weber's Sacred Literature of the Jains Price: Rs. 8. Prof. S. R. Banerjee - Jainism in Different States of India Price: Rs. 9. Prof. S. R. Banerjee - Introducing Jainism Price: Rs. 10. K.C.Lalwani - Sraman Bhagwan Mahavira Price: Rs. 11. Smt. Lata Bothra - The Harmony Within Price: Rs. 12. Smt. Lata Bothra - From Vardhamana to Mahaviru Price: Rs. 15.00 50.00 15.00 100.00 100.00 100.00 30.00 25.00 100.00 100.00 Hindi : 40.00 20.00 30.00 1. Ganesh Lalwani - Atimukta ( 2nd edn) translated by Shrimati Rajkumari Begani Price: Rs. 2. Ganesh Lalwani - Sraman Samskriti ki Kavita. translated by Shrimati Rajkumari Begani Price: Rs. 3. Ganesh Lalwani - Nilanjana translated by Shrimati Rajkumari Begani Price: Rs. 4. Ganesh Lalwani - Candana-Murti.. translated by Shrimati Rajkumari Begani Price: Rs. 5. Ganesh Lalwani - Vardhaman Mahavir Price: Rs. 6. Ganesh Lalwani - Barsat ki Ek Rat, Price: Rs. 7. Ganesh Lalwani - Pancadasi Price: Rs. 8. Rajkumari Begani - Yado ke Aine me, Price: Rs. 50.00 60.00 45.00 100.00 30.00

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