Brief Survey of Jaina Prakrit and Sanskrit Literature Part 1

Author(s): Nalini Joshi
Publisher: Sanmati Tirth Prakashan Pune
Catalog link: https://jainqq.org/explore/007630/1

Page #1
A Brief Survey of Jaina Prakrit & Sanskrit Literature (with century-wise critical observations) Seth H.N. Jain Chair University of Pune NALINI JOSHI

Page #2
A Brief Survey of Jaina Prakrit & Sanskrit Literature (with century-wise critical observations) by Dr. Nalini Joshi (Professor, Jain Chair) With a Foreword by Dr. P.G.Lalye SANMATI-TEERTH PRAKASHAN Pune - 4 June 2009

Page #3
A Brief Survey of Jain Prakrit & Sanskrit Literature (with century-wise critical observations) by Dr. Nalini Joshi Research Assistant : Dr. Anita Bothara Dr. Kaumudi Baldota Publisher : Sanmati-Teerth (Research Institute of Prakrit & Jainology, Recognized by the University Of Pune) Available at: Sanmati-Teerth 844, Shivajinagar, B.M.M.C. Road Firodia Hostel, Pune 411004 Phone No. (020) 25671088 All Rights Reserved First Edition : June 2009 Price: Rs. 200/ D.T.P. work : Ajay Joshi Printed by : Kalyani Corporation, 1464, Sadashiv Peth, Pune 411030 Phone: (020) 24486080

Page #4
III FOREWORD Any study of Indian languages, Indian culture or Indian society will remain imperfect unless it includes the study of Jainism and Buddhism. Realizing this many Indian and foreign scholars had undertaken a survey of Jainism and Buddhism and the study of Prakrit languages employed by Jaina and Buddhist writers. As their prominent aim was to uplift the common man to high moral and spiritual heights, they adopted Prakrit languages for their writing, to facilitate easy comprehension of their precepts. Accordingly, the Jaina monks, preachers and poets adopted Ardhamagadhi, Maharashtri and Sauraseni as media of their didactic and literary writings. The languages, thus developed mostly in the field of religious preaching. This new literature is available from 7th century B.C. The modern scholars have written many valuable and lengthy accounts of Jaina literature, Jaina logic and Jaina philosophy. They are useful for all types of scholars. In this project which is undertaken by Dr. Mrs. Nalini Joshi (Prof. H.R.Jain Chair, University of Pune) is not one more survey of Jaina literature (Sanskrit and Prakrit) only. It has a ring of originality. She has taken a brief survey of the Jaina writing in various types of Prakrit renderings. Till fifth century, the Jaina traditions were maintained orally. Jaina writings, especially in Ardhamagadhi are available from 5th century A.D. Dr. Nalini Joshi has given a brief but exhaustive survey of Jaina literature. Dr. Mrs. Joshi has presented century wise, language wise, author wise and subject wise survey in a tabular form of the entire Jaina literature written in five middle Indo-Aryan languages in her work - viz. Ardhamagadhi, Jaina Sauraseni, Jaina Maharashtri, Sanskrit and Apabhramsa. Generally in the earlier period, books of the history Jainology and Jaina literature in all these five languages were not presented comprehensively. The emphasis on languages was not uniform. In this survey, the authors of each century are all noted in a tabular form, covering all the five languages with the best possible methodological approach. Fixing the dates of the authors in such attempts is a strenuous and a tiresome task. Even for writing briefly, a detailed study of the author is unavoidable. Then only one can arrive at a tentative date or period. The more ancient are the authors, the more difficult is the task. But Dr. Mrs. Joshi has studied the authors in details and then has fixed the dates. She has thus fixed 4th century A.D. as the probable date of Kundakundacarya. Almost every century has a different table and each one comprises of five columns - language, century, author, work and subject. These parameters of study give the outfit of the author completely. For the convenience of the readers the names of the Authors are arranged in alphabetical orders in every century. This tabularization is quite logical and scientific. It is like a spectroscope, giving many details at one place and time. The titles chosen by Dr. Mrs. Joshi are quite significant. The categories give the nature of the work in one word. This not only strengthens the categories but also indicates the wide range and comprehensive range of Jainology. The topics include philosophy (Karma), philosophy (Spiritual), four-fold ethics, treatises on ethics, yoga logic, canonical commentaries(especially of the Svetambara sect), narratives, allegorical narratives, various types of biographies, collections of narratives, astronomy and numerous other topics.

Page #5
This shows how formidable is the nature, niceties in Jaina literature. Even a student, a research scholar or a teacher may not be able to encompass all these fields. Mastery over them is simply very far and remote for them. But the study of this work will certainly give them an insight of the large fields of Jaina literature. These categories are given in many books on Jaina literature but one cannot have the full idea of this long tradition in a short time. In a short span of ninety seven pages, the writer has pointed out the luminous spots on the firmament of Jaina literature and culture. Every table is followed by general observations which are brief and to the point. They avoid prolixity. Thus Dr. Mrs. Joshi has rendered a yeoman's service by presenting the glories of Jaina literature, monasticism, canonical works and life sketches of numerous saints and great persons. Peculiarly enough, the writer has given a local habitation and a name to the Sanskrit trends of literature. The Jaina authors have been inspired by some famous commentaries laid down the nature of ideal commentaries where Pratikas are commented and appropriate illustrations are also provided. In short, the Jaina literature in almost all its aspects is presented briefly with accurate analysis. The book is the epitome of Jaina literature in a very short but with full analysis. The absence of foot-notes, citations are more than compensated by the statistical and typological details. Thus the book is of tremendous utility for all types of students and teachers of Jainology. Dr.P.G.Lalye May 2009 Pune * ** ** * ** ** ** ** ** ** * ** * * * ** ** * ** ** ** ** * *** * * * **** * ** * ** * * ** ** ** * * ** ** *** * ** * *** * *** * ** * * * *** * *

Page #6
PREFACE Jainology or Jaina study is a wholesome branch of knowledge in the perspective of Indian culture. The edifice of Jaina Tradition is based on four pillars, viz. (i) History and Antiquity (ii) Philosophy and Logic (iii) Literature and (iv) Art and Sculpture. In the early years of my career, I entered Jainism through the gateways of Prakrit languages. Basically being a student of Sanskrit, I got acquainted with Jaina Sanskrit through Tattvarthasutra and through various commentaries on Svetambara and Digambara ancient texts. After having a deeper look in the history of Sanskrit literature, I noticed that ample works in various branches of literature are produced by Jaina authors in Sanskrit, viz. Philosophy, Logic, Grammar, Poetics, Metrics, Ethics, Biographies, Epics, Mythologies, Narratives and many others. Jaina religion happened to be a religion of minorities from ancient time up till now. It is simply stunning that in spite of being in minority, Jaina authors have produced such a vast literature in Ardhamagadhi, Sauraseni, Maharastri, Sanskrit and Apabhramsa. I felt it necessary to bring the vast literature at a glance in a sizeable form. Avoiding the method of subject-wise analysis, I tried to put it in a century-wise brief manner. Thus, I ventured on this ambitious project under the auspices of Seth H.N.Jain Chair, University of Pune, titled as: "A Brief Survey of Jain Prakrit & Sanskrit Literature (with century-wise critical observations)" The world-famous scholar of linguistics and Prakrits, Late Dr. A.M.Ghatage was an inspiring personality possessing a comprehensive vision of chronology and dialectic pecu liarities. Due to his close academic association of ten years, I dared to fathom such a vast and deep span of Jaina literature. This brief survey is a humble homage paid to Dr. A.M.Ghatage. In this tiresome task, two of my research assistants Dr. Anita Bothara and Dr. Kaumudi Baldota assisted me throughout the year with great enthusiasm. I express my deep gratitude to the authorities of Bhandarkar Oriental Research Institute and Sanmati-Teerth for allowing me to use their libraries freely. I am very much thankful to the Chief Editor of Prakrit Dictionary, Dr. R.P.Poddar and the editorial staff of the dictionary. It is my solemn duty to confess that, though I am acquainted with important Prakrit works, I have not gone through each and every Sanskrit text personally. In that matter I relied on the history books written by eminent scholars. The century-wise observations are my comprehensive perceptions which are the natural outcome of my reflections over the years. The methodology of giving foot-notes with actual citations and noting down the page numbers etc. is not followed in this project. I am very eager to know the objective responses of scholars on this brief survey. NALINI JOSHI May 2009

Page #7
A BRIEF SURVEY OF JAINA PRAKRIT AND SANSKRIT LITERATURE (with century-wise critical observations) INTRODUCTION: History is like a gorgeous chandelier studded with thousands of transparent glittering prisms. The viewpoints of researchers are sparkling rays of light which penetrate each prism and exhibit beautiful, colourful spectrums. Such a spectrum of Jaina literature is presented in this brief survey of Jaina Prakrit and Sanskrit literature. 1. Purpose of the Survey: Histories of Jaina literature are written in various manners. 'Jaina Sahitya Ka BIhad Itihasa' is a joint effort of many eminent scholars and published by Parsvanatha Vidyasrama Sodha Samsthana in seven big volumes. This is the biggest effort ever done by Jaina scholars in the late half of twentieth century. These volumes are the main sourcebooks of providing necessary data for the present brief survey. Dr. Hiralal Jain, Kailashchandra Shastri, Nemichandra Shastri, Jagdishcandra Jain, Harivamsharay Kochad, H.R.Kapdiya, Nathuram Premi and many others have presented their histories of Jaina literature from different viewpoints. All these histories are written in Hindi. The western scholars like M. Winternitz included the Jaina literary accounts in their Histories of Indian literature. Of course, all these books are very much valuable, but I feel that besides these, a comprehensive brief survey of the whole Jaina literature is necessary. This brief sketch is the further effort of writing history of Jaina literature from a different viewpoint. 2. Nature of the Project: In this project, century-wise, language-wise, author-wise and subject-wise survey of Jaina literature is presented simultaneously in a tabular form. Century-wise division is the crux of the project. The whole Jaina literature is written in five middle Indo-Aryan languages viz. Ardhamagadhi, Jaina Sauraseni, Jaina Maharastri, Sanskrit and Apabhraisa. The sequence of the language is very important because these languages appear on the horizon of Jaina literature serially. Authors of each century are noted down in the table alphabetically. The subject of each work is noted, of course, in a broad sense. At the end of each century, critical observations are given in a brief manner. These observations pertain to the languages used in the century, eminent authors in the century and the variety of subjects in the century. At the end of the project comprehensive conclusive remarks are given based on the observations of each century. 3. Methodology Used in the Project: i) Collection of the necessary data, ii) Century-wise sorting of the data, iii) Language-wise sorting in each century,

Page #8
iv) Subject-wise division in each century, v) Critical observations on each century, vi) Comprehensive conclusive remarks. 4. Application of Methodology: (i) Data-collection: After fathoming all the above mentioned histories of Jaina literature, the necessary data was collected. Short notes were prepared about each author and each work. Controversies were scrutinized carefully. (ii) Fixing the century of work: The most tiresome and brainstorming part of this survey is date-fixation. If the date is noted by the author himself and accepted by historians without controversy, in those cases date-fixation was very easy. If an author had written many works, his century is ascertained in which period he is more active from the viewpoint of literature. About many important authors, fixation of century was a crucial task due to the controversies and debates among scholars. In such cases, the views of scholars were taken into account and the century was fixed which is more plausible and logical avoiding the extreme opinions. For example, some authors have placed Kundakunda at the beginning of Christian era, but taking into account the language of Kundakunda and the stage of development of the canonical doctrines seen in his literature, I have placed him in fourth century. The same method is applied to ascertain the date of Umasvati, Sivakotyacarya etc. In this matter we are indebted to the great scholars like Dr. Hiralal Jain, Pt. Sukhlalji Sanghvi, Pt. Nathuram Premi, Pt. Dalsukhji Malvaniya and others. The long debates and controversies are not mentioned in the critical observations on each century. While fixing the date of the oral tradition of Amg. canonical literature, the traditional views mentioned by the historians are accepted. [In the century-wise division, one lacuna has to be occurred obviously. It is not reflected in the survey whether a particular author pertains the first half of the century or at the later half of the century.] But in the long history of more than two millenniums, fixation of century is not also a small thing. When we divide the whole Jaina literature in centuries, we can judge the subject variations and waves of various literary forms in better manner. iii) Ascertaining the subject or literary form: In this brief survey, subject of each work is noted down after carefully examining the matter of the work. In many cases it is difficult to ascertain the subject. Some of the AMg. canons pertain to single subject but in majority AMg. canons various subjects are dealt with. Therefore subjects of canonical literature are not given. Biography (Carita), Mythology (Purana), Epic (Mahakavya), Legendary History (Prabandha) etc. are actually the forms of literature. Philosophy, Cosmology, Karma, Logic etc. are the subjects. Considering the convenience and suitability either subject or literary form is given. The list of common English words and its exact equivalent Skt. words used in the column of 'Subject

Page #9
/ Literary Form' is given at the end of introduction. 5. Scope of the Project: (1) Only published works are included, unpublished manuscripts are not taken into account. In exceptional cases MSS. are noted. (2) Some important Jaina works are published by various Jaina Institutes. In this survey, list of editions is not given. (3) Except Nijjuttis and Cunnis, all commentarial works on canons are noted down under Sanskrit language, because the explanations of Prakrit texts are given in Skt. while supportive narratives are gives in Prakrit. (4) Inscriptional literature, Vijnaptis, donation accounts on copper-plates, Gurvavalis and Pattavalis are excluded. (5) The stotra literature (Eulogies) is found from the period of canons up till 18th century. They are literally hundreds in number. Various 'Stotra-Samgrahas' are also available. Separate entry of each Stotra is impossible. Only the ancient and famous Stotras are enumerated here. (6) The Balavabodhas, Avacuris, Tabbas, Sandhis, Rasas, Fagas etc. represent the later linguistic stage after Apabhramsa, hence they are not covered in this survey. (7) The Jaina literature in modern Indian languages is excluded though some literature pertaining to 10th century onwards is available. For example, the famous triad of Kannad poets viz. Ponna, Ranna and Pampa were the Jaina poets of 12th-13th centuries, their literature is excluded because their language shows distinguished characters of Kannad. Likewise, the history of Jaina Marathi literature starts from 15th century A.D. Though this brief survey extends up to 18th century, Jaina Marathi works are not taken into account. The same norms are applied to Jaina Hindi, Tamil, Telugu, Bengali and Gujrati literature. (8) The famous Prakrit works like Gathasaptasati, Setubandha, Gaudavaho etc. are excluded because they are not written by Jaina authors. (9) Dramas, works on Poetics, Grammar and Classical Sanskrit Kavyas of Jaina authors did not contain Jaina elements but still they are considered in this survey. 6. The Special Features of this Survey: * It is a handy guide book for students and scholars of Prakrit and Jainism. * It is systematic and classified history of Jaina literature at a glance. * It will help M.Phil. and Ph.D. students and even Post doctoral researchers to choose the subjects of their own interest. * Not only for the students of Prakrit and Jainism but for the students of Philosophy,

Page #10
** * ** ** ** * ** ** ** ** ** ** * ** * * * ** ** * ** ** ** ** ** ** * * ** ** ** ** * ** ** ** ** ** * * ** * * *** * ** * ** ** ** ** ** * * ** concluding chapter. * Some hints about the unexplored research areas are given at the end of the final understanding of Indology this survey will be inspiring. Sanskrit, History and Culture, Yoga and Ayurveda, Astrology and in general for better

Page #11
List of Abbreviations: AMg. - Ardhamagadhi Apa. - Apabhramsa Cen. - Century Comm. - Commentary Dig. - Digambara JM. - Jaina Maharastri JS. - Jaina Sauraseni LG. - Language MIA - Middle Indo Aryan NIA - New Indo Aryan Skt. - Sanskrit Sve. - Svetambara Subjects and their Hindi or English Versions Allegoric - rUpakAtmaka Anekarthika - having numerous meanings Anthology - muktaka-kAvya-saMgraha Astronomy - khagola, jyotiSa Ayurveda - Ayurveda Biography - carita Campukavya - elaborate composition having prose and verse combined. Canonical Comm. - Agamika vyAkhyA Collection of Narratives - kathAsaMgraha, kathAkoSa Commentary - niyukti, bhASya, cUrNi, vRtti, TIkA, vyAkhyA, avacUri, dIpikA, paMjikA Cosmology - karaNAnuyoga Didactics - aupadezika Doha - dohA Drama - nATaka Dramatics - nATyazAstra Dvyasraya Mahakavya - Poetry having two themes combined at a time. Ethics - 341ER Ethics (Householders' Conduct) - zrAvakAcAra Ethics (Monastic Conduct) - muni-AcAra Epic - mahAkAvya Eulogy - stotra, stuti Grammar - vyAkaraNa Kavya - Poetry, verse Laghukavya - Small Poem Legendary History - daMtakathAtmaka aitihAsika prabandha Lexicon - koza

Page #12
Logic - nyAya Mathematics - gaNitAnuyoga Metrics - chandaHzAstra Mythology - purANa Narratives - AkhyAnAtmaka (kathAtmaka) Philosophy - darzana, tattvajJAna Philosophy (Karma) - karmasiddhAnta Philosophy (Spiritual) - AdhyAtmika tattvajJAna Poetical Composition - prakaraNa, kulaka, saMdhi Poetics - kAvyazAstra, alaMkArazAstra Poetry - chlou Prakrit Drama - saTTaka Prognostics - nimittazAstra, jyotiSazAstra Religious Conduct - dhArmika AcAra Religious Poetry - dhArmika kAvya Ritualistics - kriyAkANDa, vidhi-vidhAna, maMtra-taMtra, pUjA-pratiSThA Satirical - vyaGgyAtmaka / upahAsAtmaka Scientific & Technical - lAkSaNika sAhitya Secular - non-religious ; dharmanirapekSa *** * ** * *** * ** * *** * * ** ** * * * *** ** ** *** * ** * *** ** ** * *** * * ** ** ** * ** ** ** * * *** ** ** ** ** * * *** ** * * *** **

Page #13
A Chart with Observations on Ardhamagadhi Canons 7th century B.C. up to 5th century A.D. Jaina Literature Prior to Mahavira (ORAL TRADITION) * All the Canonical literature of Jainas presupposes a source-book viz. Dsstivada. At present this text Destivada is extinct. Five divisions of Destivada are enumerated by both the Svetambaras and Digambaras. The further details of subject matter pertaining to these five blivisions are different according to the both sects. It seems that the 'Purva' part of Destivada was very important. We find the references of fourteen Purvas in various Bhasyas, Niryuktis and Curnis as well as in the commentaries of Satkhandagama and Kanaya-pahuda. According to the Svetambara view, the present eleven Ardhamagadhi Anga Canons were reconstructed with the help of fourteen Purvas. According to Digambara view, their ancient Jaina Sauraseni canons were composed with the help of fourteen Purvas. The frequent references of fourteen Purvas suggest that they were definitely orally prevalent at the time of Mahavira and even before him. We can guess that the language of oral tradition prior to Mahavira was one of the Prakrits prevalent at that time. 6th - 5th century B.C. (ORAL TRADITION) * Lord Mahavira delivered his religious surmons for the last thirty years before his Nirvana, viz. from 527 B.C. up to 490 B.C. These oral teachings were compiled by his Ganadharas In the form of eleven Angas. These Angas were preserved by oral tradition up to the first conference of Svetambara canons held at Pataliputra under the supervision of Sthulabhadra In 367 B.C. Considering the linguistic features of Acaranga (1), Sutrakstanga (1), Vyakhyaprajnapti (some portions) and Uttaradhyayana (some chapters), eminent scholars bf Jainological studies mention that, these texts represent almost the true words of Mahavira, bf course with some inevitable changes due to the time lapse. So, we can conclude that the thral tradition of the above mentioned Anga canons goes back to 6th or 5th century B.C.

Page #14
4th century B.C. (ORAL TRADITION) * At the time of the first conference of AMg. canons, Bhadrabahu (I) was alive. According to the tradition, Bhadrabahu (I) composed the Chedasutras, viz. Vyavahara, Kalpa, Dasasrutaskandha and Nisitha. The date of Bhadrabahu (I) is accepted around 4th Century B.C. So we may infer that the oral tradition of these four Chedasutras goes back to the 4" century B.C. * According to the tradition, Sayyambhava composed Dasavaikalika-sutra, 172 years after the Nirvana of Mahavira. It means, Dasavaikalika-sutra was composed immediately after the first conference of AMg. canons. 1st - 2nd century B.C. (ORAL TRADITION) Again following the traditional view, Arya Syama or Kalakacarya composed the Upanga Called Prajnapana (Pannavana). As Kalakacarya is placed in the 1st-2nd century B.C., the thral tradition of Pannavana goes back to this period. 1st century A.D. (ORAL TRADITION) * Anuyogadvara (Anuogaddara) was composed by Arya Raksita in between 47 A.D. and 70 A.D. So the oral tradition of Anuyogadvara begins from 1s century A.D. 4th century A.D. (ORAL TRADITION) * The second conference of AMg. canons was held at Mathura under the supervision of Arya Skandila, in 300 or 313 A.D. At the same time, the conference of AMg. canons was held at Valabhi under Nagarjunasuri. There is a gap of about 700 years between the first and second conference. Naturally there might have the considerable addition of new works rendered by Sthaviras.

Page #15
5th century A.D. * The third and the final conference of AMg. canons were held at Valabhi in 453 A.D. (or 466 A.D.) under Devardhigani-ksamasramana. The 45 canons, which are available at present committed to writing in this conference. * Devardhigani or Devavacakagaai composed Nandisutra and this Culikasutra was Included in the list of 45 canonical texts. * Bhadrabahu (II) composed Niryuktis in the 5th century A.D. According to Jaina tradition, Bhadrabahu (II) and the famous astrologer Varahamihira were brothers, Varahamihira's date is ascertained around 5th-6th century A.D. Bhadrabahu authored Niryuktis on Acaranga, Sutrakstanga (i.e. on Angas), Uttaradhyayana, Dasavaikalika, Avasyaka (i.e. on Mulasutras), Suryaprajnapti (i.e. Upanga) and Vyavahara, Kalpa, Dasasrutaskandha (i.e. on Chedasutras) and also the works Pindaniryukti and Oghaniryukti on monastic conduct. In the later period these Niryuktis were included in the list of 45 canons. The language of Niryuktis is designated as later Ardhamagadhi or older Jaina Maharastri. * In the list of 45 AMg. canons there are ten ancient prakirnakas. Among these 10 Prakirnakas, 3 Prakirnakas are written by Virabhadra. The language of these Prakirnakas is designated as Ardhamagadhi. In the late Prakirnakas, Virabhadra's Arahana-padaya is ncluded. In this Prakirnakas Virabhadra had himself given his date as 11th century A.D. Vikrama Samvata 1078). The author of ancient Prakirnaka appears to be different from this late Virabhadra. Therefore, following the tradition, Virabhadra's Prakirnakas are included in the ancient Prakirnakas while Arahana-padaya is included in the 11th century-Jaina literature. * According to Sve. Mandiramargins, there are 45 or 46 Ardhamagadhi canons, but according to Svetambara Sthanakavasins and Terapanthins, the number of Ardhamagadhi kanon is 32 excluding 2 Chedasutras and Prakirnakas. * Though the AMg. Canons finalised in the fifth century A.D., the division of Anga, Upanga etc. is not found until the 12th century commentator Malayagiri mentions it in his commentaries. But herewith the list is prepared following the method of division of Anga, Upanga etc.

Page #16
AMg. Canonical Literature : 5th Century A.D. (1) Angas (2) Upangas Ayara Suyagada Thana Samavaya Viyahapannatti Nayadhammakaha Uvasagadasa Antagadadasa Anuttarovavaiyadasa Panhavagaranai Vivagasuya Drstivada (Extinct) Uvavaiya Rayapasenaijja Jivabhigama Pannavana-Arya Syama Jambuddivapannatti Surapannatti Candapannatti Nirayavaliya (Kappiya Kappavadimsiya Pupphiya Pupphacula Vanhidasa) (3) Ten Traditional ancient Prakirnakas (4) Chedasutras Causarana-Virabhadra (Kusalanubandhi) Aurapacakkhana-Virabhadra Mahapaccakkhana Bhattaparinna Virabhadra Devindatthaya Gacchayara Gaoivija Maranavibhatti (Maranasamahi) Samtharaga Tandulaveyaliya Ayaradasa-Bhadrabahu (I) (Dasasuyakkhandha) Kappa-Bhadrabahu (I) Vavahara-Bhadrabahu (I) Nisiha Bhadrabahu (I) Mahanisiha (Pancakappa Jitakappa) (5) Mulasutras Uttarajjhayana Dasaveyaliya-Sayyambhavacarya Avassayasutta Pindanijjutti-Bhadrabahu (II) Ohanijjutti-Bhadrabahu (II) (6) Culikasutra Nandisutta-Devavacakagani or Devardhigani Anuogaddara-Arya Raksita

Page #17
Late Prakiranakas AMg. Isibhasiyaim JM. Arahana - Sulasa-savaya Arahana-padaya - Ancient Acarya Arahana-padaya - Virabhadra Arahana-payarana - Abhayadeva Arahana-Sara (Pajjantarahana) Aurapaccakkhana I, II Candavejjhaya Divasagarapannatti Joisa-karandaga Saravali Titthogali Viratthaya * The Prakirnaka Isibhasiyaim is not enumerated among the ten traditional Prakirnakas. Since it's language shows the peculiarities of old AMg., it represents the first phase of AMg. literature. * The late Prakirnakas are mostly written by Sthaviras. Their dates are not confirmed. Commentary of Padalipta is found on Joisakarandaga. Therefore it is definitely a work before 5th century. Abhayadeva's small composition is included in this list. Abhayadeva pertains to the 11th century. Naturally these Prakirnakas do not show uniformity of language. We have designated the language of late Prakirnakas as JM. Ancient Digambara Sauraseni Works : 2" century A.D. up to 4" century A.D. Observations with Chart A Note on Digambara Literature in general: * According to Digambara view, the Ardhamagadhi canonical literature does not represent the true words of Lord Mahavira for various reasons. Due to failing of memory, many important portions are dropped out. New works are written and added in the Ardhamagadhi canons. Svetambara - Digambara controversy was evident from around first century A.D. Eminent Digambara Acaryas composed new works in Sauraseni which was in vogue at that time in the upper part of India. Sauraseni is prevalence at that time is known from the dramas of Asvaghosa and Bharata's Natyasastra. According to the legendary accounts about the creation of Satkhandagama, Kasayapahuda etc., we may say that these JS. works existed in written form from the beginning.

Page #18
Century Author Work Subject 2ndcen.A.D. 2ncen.A.D. 2ndcen.A.D. Puspadanta + Bhutabali Gunadhara Dharasena Satkhandagama Kasaya-pahuda Joni-pahuda (MS. available at BORI) Bhagavati Aradhana Philosophy Philosophy (Karma) Prognostics 3rdcen.A.D. Sivakotyacarya Ethics (Monastic Conduct) 4thcen.A.D. Kundakundacarya Dasa-bhatti Pancastikaya Pravacana-sara Samaya-sara Barasaanuvekkha Asta-pahuda Niyama-sara Rayana sara Mulacara Philosophy Philosophy Philosophy Philosophy +Monastic Conduct Philosophy+Monastic Conduct Philosophy +Monastic Conduct Philosophy (Spiritual) Eulogy + Philosophy Ethics (Monastic Conduct 4'cen.A.D. Vattakera * The whole Digambara literature, written in JS., Skt. and Apabhraisa, is divided into four broad categories. Puranas and Caritas are enumerated under Prathamanuyoga or Kathanuyoga. Cosmological, Geographical and Astrological texts are included in Karananuyoga or Ganitanuyoga. Philosophical and doctrinal works come under Dravyanuyoga and the works dedicated to monastic conduct and householders' conduct comprise Carananuyoga. When we see the chronology of Anuyogas, it is surprising that Prathamanuyoga literature was composed in the last lapse of Digambara literature while Dravyanuyoga was composed initially. * Satkhandagama with it's commentary is the most revered philosophical text of Digambaras. * All the texts included in the above-mentioned chart are designated as 'Agama' or 'Amnaya'. * JS. literature of these centuries differs a lot from the AMg. canonical literature. JS. texts are mostly dedicated to philosophy, karma and conduct. AMg. canons contains narratives, descriptions and illustrations side by side with the philosophical and doctrinal subjects. * Kundakunda's position is so unique in Digambara tradition that he is remembered imme diately after Lord Mahavira and Gautamagani. * Ascertaining the dates of ancient Jaina Sauraseni works and Tattvarthasutra is a very complex issue before Jaina scholars in the 19th and 20th century. A lot of controversy, discussions and debates are seen between the prominent Jaina scholars, viz. Jugalkishor Mukhtar, Nathuram Premi, Hiralal Jain, A.N.Upadhye, Kailashacandra Shastri, Dalsukh Malvania, Sukhalal Samgahavi etc. The long intellectual debates are avoided in this brief survey of Jaina Prakrit and Saskrit literature. We have fixed the dates of the above mentioned Jaina Sauraseni works and their authors, which are logical, consistent and reflecting golden mean view of all the scholarly discussions, avoiding extremities. ****** ****************************************** ***************************** ****************** ** *****

Page #19
Non-Canonical Jaina-Literature of 4th and 5th Century A.D. Observations with Chart LG. Century Author Work Subject JM. 4" cen.A.D. Anonymous Vimala-suri Angavijja Pauma-cariya Prognostics Epic Skt. 4h cen.A.D. Canda Prakrta-Laksana (with self comm.) Grammar JM. 5th cen.A.D. Bhadrabahu Canonical Comm. (Sve.) Niryukti on ayara Niryukti on Avassaya Niryukti on Dasaveyaliya Niryukti on Dasa Niryukti on Kappa Niryukti on Surapannatti Nirvukti on Suyagada Niryukti on Uttarajjhayana Niryukti on Vavahara Ogha-niryukti Pinda-niryukti Tika on Joisa-karandaga Canon (Sve.) Canon (Sve.) Cosmology (Comm.) (Karananuyoga) JM. 5th cen.A.D. Padalipta-suri I* Nirvana-kalika * Prasna-prakasa * Tarangavai-kaha * (Not available) Sanmati-tarka Narratives JM. 54 cen.A.D. Siddhasena-divakara Logic (Nyaya) Skt. 5th cen.A.D. Pujyapada Philosophy Sara-samgraha Tika on Tattvarthasutra (Sarvarthasiddhi) Istopadesa Samadhi-sataka Philosophy (Comm.) Yoga Yoga Skt. 5h cen.A.D. Pujyapada (Devanandi) Jainendra Vyakarana (Pancadhyayi) Dasa-bhakti Siddha-priya-stotra Grammar Eulogy (Stotra) Eulogy (Stotra) Skt. 5h cen.A.D. Siddhasena-divakara Dvatrimsika Kalyana-mandira Nyayavatara Virastuti Eulogy + Logic Eulogy (Stotra) Logic (Nyaya) Eulogy (Stotra) Umasvati (or Umasvami) Prasamarati-prakarana Tattvarthadhigama-sutra (with self comm.) Ethics (Monastic Conduct) Philsophy (Darsana)

Page #20
Observations on 4th and 5th century A.D.: (non-canonical literature) * Canda's Praksta-Laksana is the first cffort of Jaina authors in the direction of noting down the peculiarities of Samanya Praksta, Magadhi, Sauraseni, Apabhramsa and Paisaci. Some scholars of grammar differ with the antiquity of Canda's grammar. * Vimalasuri's Paumacariyam is the first Jaina version of Valmiki's Ramayana, written in Arsa Prakrta. This epic is composed by Vimalasari to refuse illogical and impossible happenings and occurences of Valmiki-ramayana. He presents Ramakatha is Jainized manner and claims that his version is logical and convincing. However a studied reader feels that his claim is not proper due to the exaggerated Jainification. We have to admit that Valmiki is much better than Vimala suri. We find both Digambara and Svetambara clcmcnts in Paumacariyam. One may go through the elaborate and extensive introduction of Dr. Hiralal Jain for further details. Vimalasuri inspired further Jaina poets like Ravisena and Svayambhu to present Ramakatha in their own manner. Paumacariyam is the milestone in the history of Prakrit Literature. * Angavijja, a work dedicated to prognostics in another landmark treatise of the 4th century A.D. Dr. Hiralal Jain had noted down in his scholarly introduction of Angavijja that almost 70% portion of this text is not intelligible still it is valuable from the point of linguistics and the book provides rich socio-cultural data. * Bhadrabahu's contribution to the commentarial literature of AMg. canons is tremendous. He is definitely separate from the Bhadrabahu (I) who is said to have possessed the fourteen Purvas. His Niryuktis are the verses, explaining the difficult terms and philosophical concepts in Arsa Praksta. It reminds Yaska's Niruktas on Vedic literature. Bhasyas are incorporated with Niryuktis. It seems that he had selected the canons which are important from the viewpoint of monastic conduct. His Pindaniryukti and Oghaniryukti acquired the status of canons. * Padalipta's works are not available in their original form, but we find ample citations in the later literature. Legendary historical accounts on Padalipta's life are presented in the works like Prabhandhakosa and Prabhavakacarita. Bhadresvara's Tarangalola is the short version of Padalipta's Tarangavikaha. Malayagiri quotes Padalipta's citations in his commentary on Jyotisakarandaka. * Sanmatitarka is the only work concerned to Nayavada and Anekantavada written in JM. by Svetambara writer Siddhasena Divakara. The Skt. work Nyayavatara of the same author was so popular that we find commentaries on Nyayavatara in the 8th, 10th, 11th and 12th centuries. There is a lot of debate about the date of Siddhasena Divakara. After having taken into consideration the views of eminent scholars about his date, we have put him in the 5th century A.D.

Page #21
* Umasvati's (or Umasvami's) Tattvarthadhigamasutra is an ancient text which is deeply revered and sanctified in the Jaina tradition. The work was written in the ancient classical language of Sanskrit and reflects the critical and comparative approach to religious thought that characterized the age of Umasvati. It is a text which is accepted as authoratative by all sects of Jainas on which the great Jaina thinkers wrote their commentaries. Its authority is definitive and undisputed. It is a compact cosmic essay on cognition and conduct, a synthesis of science and ethics in the framework of philosophy. Umasvati's date, tradition and biographical details are shrouded in obscurity and the subject matter of considerable scholarly debate. We placed him in the fifth century considering that he might have fathomed the huge canonical literature of Svetambaras and Digambaras. * According to Dr. Hiralal Jain, Pt. Sukhalalji Samghavi and Dr. J.C.Jain, the date of Siddhasena Divakara is around 5th century A.D. According to some other scholars, Kalyanamandira is composed by Siddhasena pertaining to 11th century and his another name is Kumudacandra. In this matter we have followed the opinion of Pt. Sukhalalji Samghavi. * The first Digambara commentary, Sarvarthasiddhi is written by Pujyapada in this century, which is very much revered. Pujyapada expounded Yoga in his other works. * The grammarian Pujyapada Devanandi is famous for his eulogies viz. Dasabhakti and Siddhapriyastotra. *************************************************************************************************************

Page #22
General Observations on the Jaina Prakrit & Sanskrit Literature Prior to Mahavira upto 5th century A.D. (with reference to language-variations) * In the above mentioned period, all the ancient Prakrit canonical texts of Svetambaras and Digambaras were written. Therefore, in true sense it is 'Canonical Age'. * The various nijjuttis and narrative works like Paumacariya may be taken to represent the archaic form of Jaina Maharastri, the language of non-canonical books of Svetambara writers. * The relation between Ardhamagadhi and Jaina Maharastri can be understood better by considering the history of these languages. Slowly Ardhamagadhi has come under the influence of Maharastri so as to develop into what is now called Jaina Maharastri. * It took a considerably long period of thousand year to finalise the Ardhamagadhi canons. Naturally we find at least three or four layers of Ardhamagadhi in the 45 canons. Comparatively in Jaina Sauraseni literature, we find uniformity. * In the course of time, AMg. naturally transformed into archaic JM. and then into classical Jaina MahC/C/ara vetC/mbara authors continued their writings in JM. up to 15th century. This task was done effortlessly due to the proximity of JM. with their colloquial language. * It was a difficult task for Digambara writers to continue writings in JS. because most of the Digambara writers belonged to South India. Naturally they switched over to Sanskrit in the 5th century A.D. which was a pan-Indian language of educational activities. The works on philosophy and logic were written by the Digambara writers up to 17th-18th centuries in Sanskrit. Umasvati's Tattvartha-sutra written in Sanskrit-sutra-style inspired specially Digambara authors to present their reflections in Sanskrit. *************************** ****************************************************************